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Alien: Earths game-changing ending, explained

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After eight episodes of terrifying new creatures, Alien homages, and existential questions about the future of humanity, Alien: Earth Season 1 has come to a close. And what a close it was.

The finale, titled "The Real Monsters," flips the power dynamic that's been in place for the entire season. By the end of the episode, the hybrid Lost Boys, led by Wendy (Sydney Chandler), have gained total control over their keepers, including Boy Kavalier (Samuel Blenkin) and Dame Sylvia (Essie Davis). This power shift has been in the cards since Alien: Earth's first episode, but how do we get here? Let's break it down.

Alien: Earth's hybrids finally realize how strong they are.

Alex Lawther, Sydney Chandler, and Lily Newmark in "Alien: Earth."

Alex Lawther, Sydney Chandler, and Lily Newmark in "Alien: Earth."
Credit: Patrick Brown / FX

From the first moment Alien: Earth introduces Wendy in her super-strong, super-fast, super-durable hybrid body, it's clear that she and her fellow Lost Boys could absolutely wreck Prodigy's Neverland security team if they wanted to. That idea doesn't cross their minds, though. Instead, the Lost Boys are still children in consciousness, and they believe Neverland to be a safe paradise for them.

However, this idea erodes over the course of Alien: Earth's first season, as the Lost Boys lose confidence in the people they've been told to trust. They're endangered and experimented on. Nibs' (Lily Newmark) traumatic memories were manipulated. Isaac (Kit Young) died while tending to the alien specimens. Morrow (Babou Ceesay) threatened to kill Slightly's (Adarsh Gourav) family. Each horrifying incident wears away at the Lost Boys' childlike innocence, turning the idyllic Neverland into a hell on Earth.

Ironically, these incidents only increase the Lost Boys' feelings of powerlessness, even though they're the most powerful beings on Prodigy's remote island. But it's also in one of those scenes of powerlessness — when Prodigy forces corner Nibs, Wendy, and her brother Joe aka Hermit (Alex Lawther) on their escape boat in episode 7 — that the Lost Boys begin to realize their power. Nibs fully rips a soldier's jaw off, leaving Hermit to shoot (but not kill) her. Here, a horrified Wendy learns two things. First: Humans, including her brother, are terrified of the hybrids. Second: They have good reason to be. The hybrids are extremely dangerous. So why not embrace that?

That's the realization Wendy comes to in Alien: Earth's Season 1 finale. "All this time, we've been afraid of them," she tells the Lost Boys as they sit trapped in a Neverland cage. "But I think they should be afraid of us."

The Peter Pan allegories come to a head in the Alien: Earth Season 1 finale.

Sydney Chandler and Alex Lawther in "Alien: Earth."

Sydney Chandler and Alex Lawther in "Alien: Earth."
Credit: Patrick Brown/FX

Embracing the Neverland staffers' fear of them is the final stage in the Lost Boys' loss of their childish innocence. Or, in terms of Boy Kavalier's relentless Peter Pan references, this is them finally "growing up." However, that's exactly what the Prodigy founder and the rest of Neverland don't want to happen. As Wendy puts it, "We're all in this cell because we can't be kids anymore, but they won't let us be adults."

Nibs has another suggestion for what they are, one that's especially fitting after seeing the graves of their dead human bodies. "We're all ghosts," she says.

So what do these ghosts do? They turn Neverland into a haunted house, with Wendy using her in-built connection to the facility to manipulate video feeds, elevators, and doors to terrify every last soldier and scientist. Of course, having a Xenomorph at your beck and call helps too.

The entire episode serves as both a liberation for the Lost Boys and an identity crisis for Wendy, otherwise known by her human name, Marcy. She tells her brother, "I don't know what I am. I'm not a child. I'm not a grown-up. I'm not Marcy. I'm not Wendy. And I can't be what everyone wants me to be."

(Earlier in the season, Joe even questions whether Wendy truly holds his sister's consciousness, yet another blow to one of the pillars of Wendy's identity.)

Wendy's statement reflects the binaries in the world of Alien: Earth. Child and adult. Human and synthetic. Hybrids exist somewhere in between, blurring boundaries and creating a new kind of personhood. Wendy and the Lost Boys have spent the entire series having not just new names but entirely new identities imposed on them by exterior forces. Now, they get to make their own. Fellow hybrid Curly (Erana James) embraces her former name, Jane, as Wendy reminds each of the Lost Boys of theirs — a move the late Isaac, formerly Tootles, only enjoyed for an afternoon.

Wendy's identity crisis also explains her affinity for the Maginot aliens, whom she considers "honest." These creatures are wholly themselves, unlike liars such as Boy Kavalier. As Wendy points out, he considers himself Peter Pan, but he was never truly a boy. He was always a "mean, angry little man," just like his abusive father. Ouch. I'm not sure he'll be picking up a copy of Peter Pan any time soon after that.

"Now we rule."

Sydney Chandler in "Alien: Earth."

Sydney Chandler in "Alien: Earth."
Credit: Patrick Brown / FX

"The Real Monsters" ends with Wendy and the Lost Boys holding all of the authority figures in their lives hostage in the same cage they were formerly incarcerated in, prompting Wendy's declaration that, "now, we rule." Even Kirsh (Timothy Olyphant), their Prodigy synth senior, and Morrow, their cyborg antagonist, now answer to them.

The hybrids finally taking control is undoubtedly worthy of Alien: Earth's last hard-rocking needle drop. But it's certainly not the end of the Lost Boys' story. After all, the Weyland-Yutani forces are still encroaching on the island with numerous Prodigy forces still left, hinting at more conflict ahead. Plus, the alien orchid is loose, and T. Ocellus has found a new host in the chestburst corpse of Arthur Sylvia (David Rysdahl). That's a lot of threats for these still-young hybrids to deal with. How will they be able to fight off their enemies and learn how to rule their island?

That question of what it will look like for hybrids to "rule" hints at an intriguing new literary reference point for a possible Alien: Earth Season 2. If Season 1 was the Lost Boys growing up in the style of Peter Pan, then Season 2 might just see them learning to survive on an island in the vein of Lord of the Flies. With that in mind, who's Piggy, who's Ralph, and will the Xenomorph's head somehow wind up on the end of a pointy stick?

Alien: Earth is now streaming on Hulu.

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NYT Strands hints, answers for April 24, 2026

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A game being played on a smartphone.

Today's NYT Strands hints are easy if you're rowdy.

Strands, the New York Times' elevated word-search game, requires the player to perform a twist on the classic word search. Words can be made from linked letters — up, down, left, right, or diagonal, but words can also change direction, resulting in quirky shapes and patterns. Every single letter in the grid will be part of an answer. There's always a theme linking every solution, along with the "spangram," a special, word or phrase that sums up that day's theme, and spans the entire grid horizontally or vertically.

By providing an opaque hint and not providing the word list, Strands creates a brain-teasing game that takes a little longer to play than its other games, like Wordle and Connections.

If you're feeling stuck or just don't have 10 or more minutes to figure out today's puzzle, we've got all the NYT Strands hints for today's puzzle you need to progress at your preferred pace.

NYT Strands hint for today’s theme: Hullabaloo

The words are related to sound.

Today’s NYT Strands theme plainly explained

These words describe ruckus.

NYT Strands spangram hint: Is it vertical or horizontal?

Today's NYT Strands spangram is horizontal.

NYT Strands spangram answer today

Today's spangram is Lets Get Loud.

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NYT Strands word list for April 24

  • Shout

  • Holler

  • Clamor

  • Lets Get Loud

  • Bellow

  • Whoop

  • Caterwaul

Looking for other daily online games? Mashable's Games page has more hints, and if you're looking for more puzzles, Mashable's got games now!

Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you're after? Here's the solution to yesterday's Strands.

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Wordle today: Answer, hints for April 24, 2026

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Wordle game on a smartphone

Today's Wordle answer should be easy to solve if you love a good drink.

If you just want to be told today's word, you can jump to the bottom of this article for today's Wordle solution revealed. But if you'd rather solve it yourself, keep reading for some clues, tips, and strategies to assist you.

Where did Wordle come from?

Originally created by engineer Josh Wardle as a gift for his partner, Wordle rapidly spread to become an international phenomenon, with thousands of people around the globe playing every day. Alternate Wordle versions created by fans also sprang up, including battle royale Squabble, music identification game Heardle, and variations like Dordle and Quordle that make you guess multiple words at once.

Wordle eventually became so popular that it was purchased by the New York Times, and TikTok creators even livestream themselves playing.

What's the best Wordle starting word?

The best Wordle starting word is the one that speaks to you. But if you prefer to be strategic in your approach, we have a few ideas to help you pick a word that might help you find the solution faster. One tip is to select a word that includes at least two different vowels, plus some common consonants like S, T, R, or N.

What happened to the Wordle archive?

The entire archive of past Wordle puzzles was originally available for anyone to enjoy whenever they felt like it, but it was later taken down, with the website's creator stating it was done at the request of the New York Times. However, the New York Times then rolled out its own Wordle Archive, available only to NYT Games subscribers.

Is Wordle getting harder?

It might feel like Wordle is getting harder, but it actually isn't any more difficult than when it first began. You can turn on Wordle's Hard Mode if you're after more of a challenge, though.

Here's a subtle hint for today's Wordle answer:

Intoxicated.

Does today's Wordle answer have a double letter?

There are no recurring letters.

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Today's Wordle is a 5-letter word that starts with…

Today's Wordle starts with the letter D.

The Wordle answer today is…

Get your last guesses in now, because it's your final chance to solve today's Wordle before we reveal the solution.

Drumroll please!

The solution to today's Wordle is…

DRUNK

Don't feel down if you didn't manage to guess it this time. There will be a new Wordle for you to stretch your brain with tomorrow, and we'll be back again to guide you with more helpful hints. Are you also playing NYT Strands? See hints and answers for today's Strands.

Reporting by Chance Townsend, Caitlin Welsh, Sam Haysom, Amanda Yeo, Shannon Connellan, Cecily Mauran, Mike Pearl, and Adam Rosenberg contributed to this article.

If you're looking for more puzzles, Mashable's got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you're after? Here's the solution to yesterday's Wordle.

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FCC challenges gender identity themes on kids TV

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A young girl watches TV with remote in her hand.

The Federal Communications Commission is using the presence of "controversial gender identity issues" in children's television programming as a pretense for questioning how TV ratings are developed and enforced, according to a notice published Wednesday by the federal agency.

The notice generally assesses TV ratings, but specifically points out that these industry guidelines have rated shows featuring "transgender and gender non-binary programming" as appropriate for children. It argues that parents aren't provided this information, "thereby undermining the ability of parents to make informed choices for their families."

In the document, the FCC poses a series of open-ended questions about TV ratings development, including whether the board responsible for the guidelines is "sufficiently balanced" with viewpoints outside of the entertainment industry and if faith-based organizations should be represented in the body.

"What more could the board do to include family-oriented perspectives — which are not well represented in the media industry — in its ratings process?" the notice asks.

FCC Chairman Brendan Carr announced the public notice on X, explaining that "parents have raised concerns with the industry's approach." He added that these parents believe "New York & Hollywood programmers" promote objectionable content in kids programming without disclosing that to parents. Carr didn't mention gender identity in his X post.

TV parents guidelines can include both a rating as well as descriptors for content that includes crude language, sexual situations, and violence.

LGBTQ+ advocates criticized the public notice, arguing that it amounted to discrimination and censorship.

"Trump's FCC is trying to turn transgender people into a warning label," Tyler Hack, executive director of the transgender rights advocacy group Christopher Street Project, said in a statement. "It is dehumanizing, and it is part of a broader political strategy to stigmatize LGBTQ+ people in every corner of public life."

Sarah Kate Ellis, president and CEO of GLAAD, described the notice as government overreach.

"Media companies must be allowed to create and broadcast stories that reflect one-quarter of their audience without interference from a government agency with its own anti-transgender political agenda," Ellis said in a statement.

This isn't the first time Carr has been accused of censorship. Carr has claimed broadcasters air "hoaxes" and "news distortions" that also happen to be unfavorable to President Trump. Carr has suggested the licenses of such broadcasters won't be renewed.

In March, dozens of free speech experts argued in an open letter to Carr that his threats against broadcasters are "unlawful jawboning" and his vague characterization of "fake news" violates the First Amendment. The authors called on Carr to "withdraw" his threats.

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