Entertainment
Sonny Curtis, Crickets Member Who Penned ‘Mary Tyler Moore Show’ Theme, Dies at 88
Sonny Curtis, a vintage rock ‘n’ roller who wrote the raw classic “I Fought the Law” and posed the enduring question “Who can turn the world on with her smile?” as the writer-crooner of the theme song to The Mary Tyler Moore Show, has died at 88.
Curtis, inducted into the Rock and Roll Hall of Fame as a member of The Crickets in 2012, died Friday (Sept. 19), his wife of more than a half-century, Louise Curtis, confirmed to The Associated Press. His daughter, Sarah Curtis, wrote on his Facebook page that he had been suddenly ill.
Curtis wrote or co-wrote hundreds of songs, from Keith Whitley’s country smash “I’m No Stranger to the Rain” to The Everly Brothers’ “Walk Right Back,” a personal favorite Curtis completed while in Army basic training. Bing Crosby, Glen Campbell, Bruce Springsteen and the Grateful Dead were among other artists who covered his work.
Born during the Great Depression to cotton farmers outside of Meadow, Texas, Curtis was a childhood friend of Buddy Holly’s and an active musician in the formative years of rock, whether jamming on guitar with Holly in the mid-1950s or opening for Elvis Presley when Elvis was still a regional act. Curtis’ songwriting touch also soon emerged: Before he turned 20, he had written the hit “Someday” for Webb Pierce and “Rock Around With Ollie Vee” for Holly.
Curtis had left Holly’s group, the Crickets, before Holly became a major star. But he returned after Holly died in a plane crash in 1959 and he was featured the following year on the album In Style with the Crickets, which included “I Fought the Law” (dashed off in a single afternoon, according to Curtis, who would say he had no direct inspiration for the song) and the Jerry Allison collaboration “More Than I Can Say,” a hit for Bobby Vee, and later for Leo Sayer.
Meanwhile, it took until 1966 for “I Fought the Law” and its now-immortal refrain “I fought the law — and the law won” to catch on: The Texas-based Bobby Fuller Four made it a Top 10 song. Over the following decades, it was covered by dozens of artists, from punk (the Clash) to country (Johnny Cash, Nanci Griffith) to Springsteen, Tom Petty and other mainstream rock stars.
“It’s my most important copyright,” Curtis told The Tennessean in 2014.
Curtis’ other signature song was as uplifting as “I Fought the Law” was resigned. In 1970, he was writing commercial jingles when he came up with the theme for a new CBS sitcom starring Moore as a single woman hired as a TV producer in Minneapolis. He called the song “Love is All Around,” and used a smooth melody to eventually serve up lyrics as indelible as any in television history:
“Who can turn the world on with her smile?/ Who can take a nothing day, and suddenly make it all seem worthwhile?/ Well it’s you girl, and you should know it/ With each glance and every little movement you show it.”
The song’s endurance was sealed by the images it was heard over, especially Moore’s triumphant toss of her hat as Curtis proclaims, “You’re going to make it after all.” In tribute, other artists began recording it, including Sammy Davis Jr., Joan Jett and the Blackhearts and Minnesota’s Hüsker Dü. A commercial release featuring Curtis came out in 1980 and was a modest success, peaking at No. 29 on Billboard’s country chart.
Curtis would recall being commissioned by his friend Doug Gilmore, a music industry road manager who had heard the sitcom’s developers were looking for an opening song.
“Naturally I said yes, and later that morning, he dropped off a four-page format — you know ‘Girl from the Midwest, moves to Minneapolis, gets a job in a newsroom, can’t afford her apartment etc.,’ which gave me the flavor of what it was all about,” said Curtis, who soon met with show co-creator (and later Oscar-winning filmmaker) James L. Brooks.
“James L. Brooks came into this huge empty room, no furniture apart from a phone lying on the floor, and at first, I thought he was rather cold and sort of distant, and he said ‘We’re not at the stage of picking a song yet, but I’ll listen anyway,’” Curtis recalled. “So I played the song, just me and my guitar, and next thing, he started phoning people, and the room filled up, and then he sent out for a tape recorder.”
Curtis would eventually write two versions: the first used in Season 1, the second and better known for the remaining six seasons. The original words were more tentative, opening with “How will you make it on your own?” and ending with “You might just make it after all.” By Season 2, the show was a hit and the lyrics were reworked. The producers had wanted Andy Williams to sing the theme song, but he turned it down and Curtis’ easygoing baritone was heard instead.
Curtis made a handful of solo albums, including Sonny Curtis and Spectrum, and hit the country Top 20 with the 1981 single “Good Ol’ Girls.” In later years, he continued to play with Allison and other members of the Crickets. The band released several albums, among them The Crickets and Their Buddies, featuring appearances by Eric Clapton, Graham Nash and Phil Everly. One of Curtis’ more notable songs was “The Real Buddy Holly Story,” a rebuke to the 1978 biopic The Buddy Holly Story, which starred Gary Busey.
Curtis settled in Nashville in the mid-1970s and lived there with his wife, Louise. He was inducted into the Nashville Songwriters Hall of Fame in 1991 and, as part of the Crickets, into Nashville’s Musicians Hall of Fame and Museum in 2007. Five years later, he and the Crickets were inducted into the Rock Hall, praised as “the blueprint for rock and roll bands (that) inspired thousands of kids to start up garage bands around the world.”
Entertainment
Kendrick Lamar, Clipse & Doechii Show Rap Can Shine in Every Style With 2026 Grammy Noms
On Friday (Nov. 7), the Recording Academy unveiled the nominations for the 2026 Grammy Awards, and as always, the hip-hop world has plenty to celebrate and debate. With everyone on pins and needles, this year’s lineup delivers no shortage of storylines, surprises and standout performances from rap’s elite.
For the second consecutive year, Kendrick Lamar leads all contenders with a staggering nine nominations, courtesy of his late-2024 masterclass, GNX. After last year’s dominant run, capped by him ultimately claiming song and record of the year for “Not Like Us” at the Grammys in February, Lamar is looking to go back-to-back, with “Luther” also recognized in both categories. Joining him in the Big Four categories are fellow rap titans Tyler, The Creator and the Clipse, both of whom are nominated for album of the year. Tyler’s Chromokopia flexed his creative range and unfiltered candor, while Clipse’s unapologetic return to their trademark druglord narratives with Let God Sort Em Out sparked a wave of critical acclaim and Grammy contention.
The women of hip-hop also showed out in this year’s nominations, further proving the genre’s depth. Doechii, Cardi B, and GloRilla each earned major recognition, underscoring why rap remains in a healthy, evolving place despite outside noise. Doechii, who claimed best rap album last year, scored six more nominations on the strength of her viral smash “Anxiety” and the enduring impact of Alligator Bites Never Heal. Likewise, GloRilla’s 2024 comeback has catapulted her back to the top of the food chain, marking a powerful redemption run.
See what else Billboard has to say about this year’s hip-hop nominees below.
Entertainment
From The Weeknd to Gracie Abrams, Which Snubbed Artist Should’ve Gotten a 2026 Grammy Nod? Vote!
Numerous artists are currently flying high after scoring 2026 Grammy nominations on Friday (Nov. 7) –but there are also several major contenders who didn’t get quite as lucky.
Despite garnering major award buzz this past year, stars such as The Weeknd, Gracie Abrams and Alex Warren didn’t get recognized in certain categories, which were unveiled Friday morning in a livestream on the Grammy website. The absence of the artist born Abel Tesfaye from the nominations list was particularly noticeable, as he had just reconciled with the academy last year and dropped Billboard 200-topping album Hurry Up Tomorrow in February. But while Kendrick Lamar, Sabrina Carpenter and Bad Bunny got honors in the album of the year category, The Weeknd did not.
Both Abrams and Warren were also excluded from the major categories, with neither “That’s So True” nor “Ordinary” getting song or record of the year consideration, even though those were two of the biggest Billboard Hot 100-charting tracks of the year. Warren at least scored a nod for best new artist, but that category was also missing several big names, including Zach Top, Megan Moroney, Ella Langley and Ravyn Lenae.
The producer of the year, non classical category will turn heads for the second year in a row as well, as Jack Antonoff — who was notably excluded from the list in 2025 — once again did not make the cut. That comes in spite of his work on two album of theyear contenders, Lamar’s GNX and Carpenter’s Man’s Best Friend, both of which spent time at No. 1 on the U.S. albums chart. Instead, Dan Auerbach, Cirkut, Dijon, Blake Mills and Sounwave will fight it out for the prize.
But while the academy’s word is final, it’s your turn to share how you feel about the outcome of the initial voting process this year. Have any strong feelings on which snubbed artist was the most deserving of recognition? We want to know.
Tell us who you think should have been nominated in a category they were shut out of by voting in the poll below.
Entertainment
Pete Davidson Surprises on ‘SNL,’ Jokes About Ferry Boat He Bought With Colin Jost: Watch
Pete Davidson returned to Saturday Night Live for a surprise appearance on Nov. 8.
The comedian and actor, who was an SNL cast member from 2014 to 2022, crashed the “Weekend Update” segment to poke fun at a recent article about a decommissioned Staten Island ferry he purchased with Colin Jost in 2022. The two had planned to transform the vessel into an upscale entertainment venue.
“The New York Times recently ran an article calling the Staten Island Ferry that I purchased with Pete Davidson a ‘money-losing fiasco.’ With more on this, is Pete Davidson,” Jost said in introducing The King of Staten Island star.
“Colin, you’re looking great as ever. [Michael] Che, starting to crack,” Davidson joked, mentioning his recent appearance at the 2025 Riyadh Comedy Festival and that he’s expecting his first child.
“So yeah, in case you’re wondering why I had to do a show in Saudi Arabia, we’re losing millions on this ferry,” he continued. “I assume that’s what the article says. I can’t spend $5 on a paywall when I got a kid on the way.”
Davidson and Jost then continued trading jokes about the 2,109-ton ferry, which they bought at a New York auction for $280,100.
“We even gave the boat a new name,” Davidson said. “We thought the Staten Island Ferry sounded too depressing, so now it’s called the Titanic 2.” Jost added, “That’s right, and it’s actually going very well. Recently, we got paid by Nike to put an ad on it for the New York City Marathon.”
Earlier on Saturday, Davidson told People that he’d “do anything” for SNL boss Lorne Michaels, saying he’d return to the show if asked.
“I had a great time hosting last time, and anytime you get that call, it’s an honor and a privilege,” the eight-season SNL vet said. “It’s always relevant, it’s a hot show. People look forward to it, and the cast is great.”
Saturday’s episode was hosted by comedian Nikki Glaser, with singer-songwriter Sombr serving as the musical guest.
Watch SNL’s “Weekend Update” segment with Davidson below, and find all the ways to stream the full episode here.
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