Entertainment
Sonny Curtis, Crickets Member Who Penned ‘Mary Tyler Moore Show’ Theme, Dies at 88
Sonny Curtis, a vintage rock ‘n’ roller who wrote the raw classic “I Fought the Law” and posed the enduring question “Who can turn the world on with her smile?” as the writer-crooner of the theme song to The Mary Tyler Moore Show, has died at 88.
Curtis, inducted into the Rock and Roll Hall of Fame as a member of The Crickets in 2012, died Friday (Sept. 19), his wife of more than a half-century, Louise Curtis, confirmed to The Associated Press. His daughter, Sarah Curtis, wrote on his Facebook page that he had been suddenly ill.
Curtis wrote or co-wrote hundreds of songs, from Keith Whitley’s country smash “I’m No Stranger to the Rain” to The Everly Brothers’ “Walk Right Back,” a personal favorite Curtis completed while in Army basic training. Bing Crosby, Glen Campbell, Bruce Springsteen and the Grateful Dead were among other artists who covered his work.
Born during the Great Depression to cotton farmers outside of Meadow, Texas, Curtis was a childhood friend of Buddy Holly’s and an active musician in the formative years of rock, whether jamming on guitar with Holly in the mid-1950s or opening for Elvis Presley when Elvis was still a regional act. Curtis’ songwriting touch also soon emerged: Before he turned 20, he had written the hit “Someday” for Webb Pierce and “Rock Around With Ollie Vee” for Holly.
Curtis had left Holly’s group, the Crickets, before Holly became a major star. But he returned after Holly died in a plane crash in 1959 and he was featured the following year on the album In Style with the Crickets, which included “I Fought the Law” (dashed off in a single afternoon, according to Curtis, who would say he had no direct inspiration for the song) and the Jerry Allison collaboration “More Than I Can Say,” a hit for Bobby Vee, and later for Leo Sayer.
Meanwhile, it took until 1966 for “I Fought the Law” and its now-immortal refrain “I fought the law — and the law won” to catch on: The Texas-based Bobby Fuller Four made it a Top 10 song. Over the following decades, it was covered by dozens of artists, from punk (the Clash) to country (Johnny Cash, Nanci Griffith) to Springsteen, Tom Petty and other mainstream rock stars.
“It’s my most important copyright,” Curtis told The Tennessean in 2014.
Curtis’ other signature song was as uplifting as “I Fought the Law” was resigned. In 1970, he was writing commercial jingles when he came up with the theme for a new CBS sitcom starring Moore as a single woman hired as a TV producer in Minneapolis. He called the song “Love is All Around,” and used a smooth melody to eventually serve up lyrics as indelible as any in television history:
“Who can turn the world on with her smile?/ Who can take a nothing day, and suddenly make it all seem worthwhile?/ Well it’s you girl, and you should know it/ With each glance and every little movement you show it.”
The song’s endurance was sealed by the images it was heard over, especially Moore’s triumphant toss of her hat as Curtis proclaims, “You’re going to make it after all.” In tribute, other artists began recording it, including Sammy Davis Jr., Joan Jett and the Blackhearts and Minnesota’s Hüsker Dü. A commercial release featuring Curtis came out in 1980 and was a modest success, peaking at No. 29 on Billboard’s country chart.
Curtis would recall being commissioned by his friend Doug Gilmore, a music industry road manager who had heard the sitcom’s developers were looking for an opening song.
“Naturally I said yes, and later that morning, he dropped off a four-page format — you know ‘Girl from the Midwest, moves to Minneapolis, gets a job in a newsroom, can’t afford her apartment etc.,’ which gave me the flavor of what it was all about,” said Curtis, who soon met with show co-creator (and later Oscar-winning filmmaker) James L. Brooks.
“James L. Brooks came into this huge empty room, no furniture apart from a phone lying on the floor, and at first, I thought he was rather cold and sort of distant, and he said ‘We’re not at the stage of picking a song yet, but I’ll listen anyway,’” Curtis recalled. “So I played the song, just me and my guitar, and next thing, he started phoning people, and the room filled up, and then he sent out for a tape recorder.”
Curtis would eventually write two versions: the first used in Season 1, the second and better known for the remaining six seasons. The original words were more tentative, opening with “How will you make it on your own?” and ending with “You might just make it after all.” By Season 2, the show was a hit and the lyrics were reworked. The producers had wanted Andy Williams to sing the theme song, but he turned it down and Curtis’ easygoing baritone was heard instead.
Curtis made a handful of solo albums, including Sonny Curtis and Spectrum, and hit the country Top 20 with the 1981 single “Good Ol’ Girls.” In later years, he continued to play with Allison and other members of the Crickets. The band released several albums, among them The Crickets and Their Buddies, featuring appearances by Eric Clapton, Graham Nash and Phil Everly. One of Curtis’ more notable songs was “The Real Buddy Holly Story,” a rebuke to the 1978 biopic The Buddy Holly Story, which starred Gary Busey.
Curtis settled in Nashville in the mid-1970s and lived there with his wife, Louise. He was inducted into the Nashville Songwriters Hall of Fame in 1991 and, as part of the Crickets, into Nashville’s Musicians Hall of Fame and Museum in 2007. Five years later, he and the Crickets were inducted into the Rock Hall, praised as “the blueprint for rock and roll bands (that) inspired thousands of kids to start up garage bands around the world.”
Entertainment
sombr Stops Show to Scold Venue Staff After Fan Seemingly Passes Out: ‘You Need to Pay Attention’
At his recent show in London, sombr paused the program to call out event staff after a fan appeared to faint in the audience without receiving help.
While in the midst of singing his breakout Billboard Hot 100 hit “Back to Friends” on Tuesday at O2 Academy Brixton, the Gen Z pop star suddenly waved at his band to stop playing. “Stop the show,” he said before addressing people working the concert, as captured in videos posted on social media. “Guys, there’s someone passed out over there.”
“This is the most poorly managed venue I’ve ever played at in my life,” he continued. “You need to pay attention. It’s insane. I’ve played three nights here, and I’ve never played at a more poorly managed venue.”
Billboard has reached out to reps for sombr and O2 Academy Brixton.
Before proceeding with the show, the artist told the crowd, “Let me know when everyone’s good.”
sombr is currently on a run of shows in Europe, with dates planned for venues in Manchester, Birmingham, Glasgow and Dublin. This summer, he’ll play a slew of festivals, including Coachella and BottleRock Napa Valley.
The New York native also had another mid-show interruption recently, this time during his performance at the BRIT Awards. While he was singing “Undressed” at the ceremony, a man wearing a “Sombr is a homewrecker” shirt ran out on stage and appeared to hit Sombr; as it turned out, it was a pre-planned stint to help promote his new single “Homewrecker,” which recently debuted at No. 26 on the Hot 100.
And despite the momentary frustration, Sombr had only kind words to say about his overall experience playing for fans in London. “I love you so much,” he wrote over a video of the crowd at O2 Academy Brixton on his Instagram Story. “Thanks so much for an unforgettable past 3 nights. I’ll be back London.”
Entertainment
The 15 Most Surprising Member Exits From K-Pop Groups
While the K-pop world is grappling with the unexpected news that ENHYPEN is no longer seven members following member Heeseung’s seemingly out-of-nowhere announcement of his departure, the industry has certainly been blindsided by such abrupt exits many times.
While Heeseung’s situation was shocking, it unfolded fairly calmly. On March 10, announcements came from ENHYPEN’s official channels, alongside a handwritten letter from Heeseung himself and ENHYPEN’s own statement on social media. Comparatively, some of K-pop’s biggest groups have been changed forever by dramatic announcements from members, via notices of legal action or vague updates from their agencies — the latter of which can sometimes be the most heartbreaking for fans.
From one of K-pop’s most landmark member exits in Junsu, Yoochun and Jaejoong from TVXQ! in 2009 (which ultimately rid the industry of so-called “slave contracts”) to years like 2014, 2019 or even last year, where multiple popular groups saw members drop from their groups, Billboard is sharing a timeline of the 15 most shocking exits from K-pop groups.
Membership changes are never easy, even when fans suspect something may have shifted for the group or there is an internal or external issue. Members of K-pop groups have left for the sake of their mental health or sometimes due to ongoing external pressure from issues from their past arising. For the purposes of this timeline and its relation to the news surrounding ENHYPEN and Heeseung, we’re focusing on K-pop member exits that seemingly came out of nowhere, with no prior indication, hiatuses or controversy.
Read on to learn how rare it is to have Heeseung remain under the same label as his former group in BELIFT LAB to pursue his solo career and more, in this look through K-pop’s most unexpected member departures.
Entertainment
Watch Harry Styles Bust Marcello Hernandez for Impersonating Him Ahead of ‘SNL’: ‘Are Those My Clothes?’
Sorry, Marcello Hernandez — there’s only one Harry Styles. On the set of Saturday Night Live ahead of the pop star’s upcoming hosting and performing stint, the comedian got a little too comfortable impersonating that week’s guest in a promo video posted Wednesday (March 11).
The teaser opens as a spoof on Styles’ One Night in Manchester concert special trailer, with the piano intro to his new single “American Girls” playing over shots of what looks like the singer’s silhouette striking poses and dancing across the stage. A record-scratch moment happens when the real Styles walks in with SNL castmember Kenan Thompson, busting Hernandez, who’d been pretending to be the Grammy winner that whole time.
“What are you doing, Marcello? Are those my clothes?” Styles asks a visibly embarrassed Hernandez.
“Yeah, sorry,” the stand-up comic stutters, suddenly shy about wearing Styles’ pinstriped, flared slacks. “I thought you weren’t coming, so I thought I’d just go on as your understudy.”
Perplexed, Styles explains where he and Thompson had been. “I’m 15 minutes late, because Kenan and I went out for pain au chocolat. It’s a tradition when I host.”
Suffice to say, it’ll be Styles — the real Styles — helming SNL on Saturday (March 14), returning to host for the second time. He previously led an episode of the show in 2019.
The Brit will also serve as musical guest on the new episode, having just dropped his new album, Kiss All the Time. Disco, Occasionally. The project was led by Billboard Hot 100-topping single “Aperture” and features second single “American Girls,” both of which are strong contenders for the tracks Styles will perform at 30 Rock — although fans will have to tune in to the live show to find out.
Watch Styles’ SNL promo above.
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