
Patrick Stevenson
SYDNEY, Australia – Fifteen years after Poof Doof first began spreading joy at parties across Australia, the legendary queer events and nightclub brand is entering the label business.
Poof Doof Records launches proper with its first release, “All I Need,” dropping Thursday (April 23) from resident Poof Doof artist Jimi the Kween, the beloved drag queen and musician.
The label is an extension of the colorful business formed in Melbourne in 2011 by founder and Anthony “Hockers” Hocking. “We built up the community and we’ve seen so many young, queer artists come through the doors and perform and play for our events, that it was kind of like a natural progression to start our label,” Hocking tells Billboard.
Its mission: to continue uplifting, nurturing and providing pathways for queer talent in Australia. And to share their music with the world. The new venture, Hocking continues, “has been on my mind for many years.”
Distribution is handled by AWAL Records, with Poof Doof Records partnering with Positive Feedback and Powerhouse Management, and with John Davis, creative director / festivals co-ordinator, playing a guiding hand.
In its early stages, the label will accept submissions. “Over time,” explains Davis, “we intend to evolve toward a more traditional A&R model, proactively identifying and developing emerging queer talent.”
The inspiration behind the first release isn’t hidden from view; it’s right there in the title. “All you really need is the people that love and support you around to lift you up and have a really good time,” Jimi the Kween tells Billboard. “So it’s kind of all centered on being around like-minded humans and celebrating each other, and then you can, you know, live your fantasies and be yourself. So that’s also kind of why it’s the perfect message for the first release on the label, too. The messaging behind it is celebration, and it’s pride, it’s joy.”
Poof Doof’s cheeky name made the leap into Australia’s mainstream many years ago, where the team has hosted major activations, including queer precincts and stage takeovers at such shows as Splendour In The Grass, Beyond The Valley and Pitch Festival. Wherever Aussies want to party.
Many of the biggest names in dance music have played its stages, including Carl Cox, Faithless, Seth Troxler, Melanie C, the Veronicas and many others.

Patrick Stevenson
Each year, the brand is front and center at Sydney Mardi Gras, getting the good times humming with a series of pool, boat and underwear parties, culminating in its iconic Mardi Gras Parade After Party. Its specialized events include Red Rave, Snap Crackle Pop XXL, POOF DOOF Drag Brunch and outdoor micro-festivals including A Gay On The Lawn and Yasss Queens Park.
“The Poof Doof audience at heart, a Poof Doof party, can be absolutely anything,” explains Davis, “but at the core of it, it’s about queer joy. Uplifting the community, good fun. Fun is the name of the game. If we’re not having fun, you’re not having fun. We are always about having a great time, making sure everything is colorful, inclusive.” And yes, “there’s confetti.”
With the launch of Poof Doof Records, out rolls its official website at poofdoofrecords.com. Label submissions can be made at music@poofdoofrecords.com.
Sonically, the label will be a broad palate, welcoming future-forward house and techno tunes, to artist-led pop and other styles. It’s unified not by genre, but by a joyful queer creative perspective, Hocking enthuses.
“If the music’s good, if the songs are good, we’ll put it out,” he says. “We don’t want to overpromise, we don’t want to stretch ourselves. But we’ll see what comes in the door.”
Timing is everything. Poof Doof Records launches ahead of June’s Global Pride Month. WorldPride 2026 will take over Amsterdam from July 25 to Aug. 8, 2026. Poof Doof will be on the ground, representing with its famous parties.
“With what’s going on, the world’s a pretty wild place right now,” notes Hocking. “All I Need” is a “feel good song that really speaks out to communities all over the world. The timing is right.”
Spanish rocker Bunbury has reacted to a mix-up that recently went viral on social media. “Not long ago, it came out somewhere that some girls got confused and, instead of buying tickets for Bad Bunny, they bought tickets for Bunbury,” the artist said on Tuesday (April 14) during an appearance on the show La Revuelta on TVE.
The anecdote traces back to a TikTok video published on Feb. 9 in which the young women laugh as they recount how they mistakenly purchased tickets for Bunbury’s Dec. 4 show at the Movistar Arena in Madrid, instead of tickets for one of Bad Bunny’s residency shows scheduled from May 30 to June 15 at the Riyadh Air Metropolitano in the city.
According to Bunbury, the confusion might have stemmed from the similarity between their names. “I guess they saw the B and the Y …,” he noted.
Rather than treating the situation as a problem, Bunbury responded with humor when the host asked him for a message for the fans: “Well, welcome to the concert.” As for the possibility of refunding the tickets, he added, “I’m not planning on giving them back.”
Despite the lighthearted tone, the artist defended the experience of his live performances, saying, “I think if they come, they’re going to enjoy it.”
Billboard Español reached out to Bunbury’s representatives for comment, but did not receive a response by press time.
The moment also sparked a brief reflection on his relationship with social media. Bunbury admitted that he avoids exposing himself to digital opinions, especially negative ones. “You read 100 good comments, and then there’s one that says ‘terrible’ and that one weighs on you more than the others,” he explained.
During the same conversation, the artist recalled that he recently crossed paths with Bad Bunny at the Latin Grammys, where they were seated near each other, though he didn’t get a chance to say hello.
Bunbury will hit the road this year with his Nuevas Mutaciones Tour. Check out the dates below:
Ye (formerly Kanye West) is facing very public reckoning. The “Hurricane” rapper made headlines at his Yeezy Paris Fashion Week show on Oct. 3, 2022, for wearing a shirt emblazoned with the phrase “White Lives Matter” on its back, and featuring Black models in the shirt. The phrase is one that was adopted by neo-Nazi and white supremacist groups in response to the Black Lives Matter movement, and the rapper has been facing backlash from both fans and celebrities online.
But the controversy did not stop for there for Ye, who has doubled down on his comments on Instagram and later took to Twitter (now X) to use antisemitic rhetoric in his posts, then continued to amplify his hate speech in interviews. The reaction from the public was swift, with several companies — including The Gap, Balenciaga and more — terminating their relationships and brand deals with the rapper.
Forbes reported that Ye has lost his billionaire status after Adidas announced Oct. 25, 2022, that it was dropping his deal, and that the brand does not tolerate hate speech. The move, according to the publication, put Ye’s net worth at $400 million and resulted in his removal from Forbes‘ billionaires list.
Since then, Adidas has opened an internal investigation after several former employees accused West of inappropriate workplace conduct during meetings with Adidas employees. People in his orbit, from former girlfriend Julia Fox to collaborator Pusha T, have also distanced themselves from him. Furthermore, Ye’s Nov. 22, 2022, dinner with Donald Trump and white nationalist Nick Fuentes was widely denounced, even by Trump’s former vice president, Mike Pence.
From brands and scrapped documentaries, to airplay declines of his music catalogue, his later apologies and more, here are the consequences Kanye West has faced due to his “WLM” and antisemitic remarks and hate speech.
*Editor’s Note: After an Oct. 8, 2022, tweet in which he announced he was going “death con [sic] 3 on Jewish people,” Kanye West (Ye) has repeatedly doubled down on antisemitic hate speech, even going so far as to praise Hitler, a man responsible for the systematic murder of six million Jews during the Holocaust. This arrives at a troubling time when antisemitism is on the rise, with the Anti-Defamation League noting a 34% year-over-year increase in antisemitic incidents (assault, harassment and vandalism) in America in 2021. Many companies have cut business ties with the rapper/fashion designer, while numerous musicians, friends and politicians have condemned his comments.
They are fearless, they are powerful and they are back with new music. K-pop girl group LE SSERAFIM announced via Weverse on Sunday (April 12) the release date for their second studio album, PUREFLOW pt. 1 and the lead single “CELEBRATION.” PUREFLOW pt. 1 will drop on May 22 with the single coming out April 24.
The girl group began teasing its comeback on April 7 with a cryptic Instagram post with the hashtag “#TimeToCelebrate.” Fans were quick to react in the posts’ comments asking, “What are we celebrating,” while others responded simply with “Finally.”
Alongside the news of the upcoming album and single, the K-pop girl group also shared a video for the PUREFLOW on its social media channels and record label HYBE’s YouTube channel. In the video, the phrase “For we are not fearless, and therefore powerful” materializes before “powerful” transforms into the word PUREFLOW. The same message appears in the caption.
PUREFLOW is the follow-up record to LE SSERAFIM’s 2023 debut studio album, UNFORGIVEN, and the first release since its 2025 single “SPAGHETTI” featuring j-hope of BTS. Since the group’s debut in 2022 with EP FEARLESS, LE SSERAFIM has taken the stage at both the MTV VMAs and EMAs, achieved major chart success on the Billboard 200 and performed at Coachella in 2024. LE SSERAFIM’s second EP, ANTIFRAGILE, debuted and peaked at No. 14 on the Billboard 200, marking the band’s first time on the chart. UNFORGIVEN earned the group its first top 10 placement on the Billboard 200 when it rose to a peak of No. 6 in May 2023.
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