Entertainment
Paul McCartney’s Fonda Setlist: Every Song From the First Night of His Two-Night Hollywood Stand
Friday night (March 27) may have officially been billed as Paul McCartney Rocks the Fonda!, but it could have just as easily been called Paul McCartney Makes Everything Better!
Even if it was just for a little while (one hour and 40 minutes to be exact), it felt like the former Beatle made all the world’s troubles disappear within the tiny confines of the Fonda, where he is playing two nights to celebrate the 100th birthday of the 1,100-capacity Hollywood club (the series concluded March 28).
The set was a truncated version of the 2025 Got Back tour, even down to the song order, slimmed down from 33 songs to a tight 21.
McCartney, dressed in a casual black suit with a vest, took the stage at 8:30 p.m., looking delighted to be back on stage even though it had only been four months since the North American tour ended. What followed was a trip back in time, with the spry McCartney serving as the congenial master of ceremonies, surrounded by elite musicians who have now played with him longer than his bandmates in either The Beatles or Wings: keyboardist Paul “Wix” Wickens, lead guitarist Rusty Anderson, drummer Abe Laboriel Jr. and guitarist/bassist Brian Ray. They are a ridiculously tight unit, but more than anything they are a fun, infectiously exuberant one.
As McCartney, 83, touched on almost every facet of his musical career, he seemingly delighted in playing such a small gig, joking it was “good to see the whites of your eyes” to the audience. He convivially bantered with the first few rows, including giving a shoutout to fan attending his 146th show, and good-naturedly shut down a loud balcony attendee getting a little too boisterous. He was loose throughout the show, breaking into short stories (including a humorous Tony Bennett anecdote) and just generally seeming to enjoy the audience as much as they enjoyed him.
But the focus was on the music, and the music soared throughout much of the night. McCartney’s band may be a five piece (with the occasional welcome addition of the three-piece Hot City Horns), but they sound fuller than a configuration at least twice that size, especially when they are locked into a solid, propulsive groove on such songs as “Nineteen Hundred and Eighty-Five,” “Lady Madonna” and “Get Back.”
On Thursday (March 28), McCartney released a new song, the tenderly nostalgic “Days We Left Behind,” which is featured on his forthcoming 18th solo album, The Boys of Dungeon Lane — but the tune went left undone at the show, with McCartney saying they were still learning how to play it. Instead, he opted to play two songs from solo albums not featured during the Got Back tour and ones that are seldom trotted out: “Every Night” and “Flaming Pie.”
The no-phones policy and no-frills production (there was no projection of any kind, just a few overhead lighting trusses) allowed the audience to be as in the moment as the band and a communal feeling of peace and joy felt like it spread from the stage all the way through the rear of the balcony, especially on late-show singalongs/anthems “Let It Be” and “Hey Jude.”
McCartney and band returned for his standard encore, closing with Abbey Road’s monumental medley of “Golden Slumbers/Carry That Weight/The End.” The words are so familiar now, but still ring true like a beautiful benediction, as he sent the audience out into the night with “the love you take is equal to the love you make” echoing in their ears.
Below are all the songs McCartney performed on the first night of his two-night Fonda stand.

Entertainment
LE SSERAFIM’s Sophomore Album ‘PUREFLOW’ Is on Its Way: Here’s When It Arrives
They are fearless, they are powerful and they are back with new music. K-pop girl group LE SSERAFIM announced via Weverse on Sunday (April 12) the release date for their second studio album, PUREFLOW pt. 1 and the lead single “CELEBRATION.” PUREFLOW pt. 1 will drop on May 22 with the single coming out April 24.
The girl group began teasing its comeback on April 7 with a cryptic Instagram post with the hashtag “#TimeToCelebrate.” Fans were quick to react in the posts’ comments asking, “What are we celebrating,” while others responded simply with “Finally.”
Alongside the news of the upcoming album and single, the K-pop girl group also shared a video for the PUREFLOW on its social media channels and record label HYBE’s YouTube channel. In the video, the phrase “For we are not fearless, and therefore powerful” materializes before “powerful” transforms into the word PUREFLOW. The same message appears in the caption.
PUREFLOW is the follow-up record to LE SSERAFIM’s 2023 debut studio album, UNFORGIVEN, and the first release since its 2025 single “SPAGHETTI” featuring j-hope of BTS. Since the group’s debut in 2022 with EP FEARLESS, LE SSERAFIM has taken the stage at both the MTV VMAs and EMAs, achieved major chart success on the Billboard 200 and performed at Coachella in 2024. LE SSERAFIM’s second EP, ANTIFRAGILE, debuted and peaked at No. 14 on the Billboard 200, marking the band’s first time on the chart. UNFORGIVEN earned the group its first top 10 placement on the Billboard 200 when it rose to a peak of No. 6 in May 2023.
Entertainment
Young Thug Looks Out for North West in Crowd During Coachella Set: ‘Protect North’
Young Thug was very communicative with the desert audience during his Coachella set on Sunday night (April 12). Among the VIPs in the crowd to pull up with a front-row view to his performance were North West and Teyana Taylor.
“What’s up, North? How you doing? Where your parents?” Thug said while asking about Kim Kardashian and Ye (formerly Kanye West).
He gave another shout-out to Ye and Kim’s eldest daughter later in the show. “I want y’all to make some noise for North,” Thugger continued. “She in this motherf—ker. You just casually having fun.”
Ahead of performing the top 15 Billboard Hot 100 hit “Hot” sans Gunna, Thugger instructed the crowd to open up some mosh pits, as captured in a fan video. “Give me a mosh pit over here. North, get out of the way. Teyana, get out the way. I don’t see one yet. What is this, not English? Where North at, man, protect North,” he said while looking out for the 12-year-old.
Thug also took a playful jab at Teyana Taylor in the audience, as he was looking to have the Harlem native style him for the performance. Thugger opted for colorful braids and a bedazzled black SP5DER football jersey to go with a pair of diamond-encrusted leather pants.
“Teyana Taylor in here, what’s up. I’ve been tryna get in touch with her for, like, the last month. I wanted her to style me, man. She just too big. [She] wasn’t calling back, talking about, ‘We promise she gonna call back later, we promise she’s rehearsing.’ I’m like, ‘What she rehearsing for?'”
Thugger’s set was a roller-coaster ride throughout all the eras of his unique career. He even brought a few special guests to the stage, as Camila Cabello, Ty Dolla $ign and NAV all joined him.
Watch a clip of Camila Cabello’s “Havana” performance with Thug below.
Entertainment
Katy Perry Denies Ruby Rose’s Sexual Assault Allegations, Calls Them ‘Dangerous, Reckless Lies’
After Batwoman actress Ruby Rose accused Katy Perry of sexual assault in a series of Threads posts on Sunday (April 12), the singer’s team responded on Monday morning (April 13) with a denial of the claims they called “categorically false.”
In a statement to Billboard, a representative for Perry said, “The allegations being circulated on social media by Ruby Rose about Katy Perry are not only categorically false, they are dangerous, reckless lies.” The statement went on to refer to what Perry’s team described as Rose’s “well-documented history of making serious public allegations on social media against various individuals,” saying those claims have “repeatedly been denied by those named.”
Former Orange Is the New Black star Rose made the allegations in a response to a news story about Perry’s reaction to Justin Bieber’s Saturday Coachella, in which Perry appeared to make a lighthearted jab about the portion of the show in which Bieber sang along to his old YouTube videos.
Australian native Rose commented in response to Complex’s Threads post, “Katy Perry sexual assaulted me at spice market nightclub in Melbourne. Who gives a s–t what she thinks.” After a Threads user asked for additional details, Rose, 40, claimed the alleged assault took place when she was in her 20s, writing, that “as a woman, for a myriad of reasons, opening up about W on W violence and sexual abuse, seems to be 100 times harder than speaking about the male predators, at least for me.”
When another commenter attempted to make a joke by referring to one of Perry’s early hits with the quip, “She kissed a girl and you didn’t like it?,” Rose provided what she claimed were the details of the alleged incident.
Rose then added, “I told the story publicly but changed it to be a ‘funny little drunk story’ because I didn’t know how else to handle it. Later she agreed to help me get my US visa. So I kept it a secret. But I DID tell yall she wasn’t a good person. Instead I got attacked by.. everyone.”
In her series of posts, Rose wrote, “I was only in my early 20s. I’m now 40. It has taken almost 2 decades to say this publicly. Though I am so grateful to have made it long enough to find my voice, it just shows how much of an impact trauma and sexual assault takes. Thank you for seeing me.”
Initially, Rose said she was not interested in filing a report over the incident, “not when I haven’t even filed a report for the numerous rapes at the hands of grown men.” She also said she invited Perry to sue her over the allegations, claiming, “she won’t, because it happened,” claiming she has photos from the night and that it was “witnessed by multiple people.”
She ended the posts by reiterating her claims that Perry wrote and signed letters of recommendation for her U.S. visa application in the 2010s.
The two stars have a history dating back to 2017, when Rose took aim at Perry over her song “Swish Swish,” widely believed to be a diss aimed at Rose’s friend Taylor Swift. At the time, Rose tweeted, “Purposeful poop’ to ‘bomb a petit’ to a sloppy mess of writing over the top of Funkagenda..stop trying to make ‘Wit..I mean ‘fetch’ happen,” later retracting her comment and tweeting, “being mean doesn’t suit me and leaves me feeling dirty … I get so triggered when I think bullies don’t get held accountable and it makes me think I should say something.”
At press time, it appeared as if Rose might have had a change of heart about taking her allegation to the authorities, writing late Sunday, “Today I will be walking into a police station to see if any of my experiences can be investigated. I imagine they are past their statute of limitations, but all the more reason to try. I have a long list, it will probably take more out of me than I’m prepared for, but I will come back here to update others on the process, as soon as I am ready.” It was unclear at press time if Rose discussed the alleged Perry incident or another one during her reported visit the police.
She also thanked all the “brave women” who came forward with their own stories of sexual abuse. “Especially the ones who went through the painful process of going through the police and court system. For years I have been too wounded and afraid to take the appropriate steps because I know the system seldom works.”
When another user questioned why she hadn’t filed a police report, Ruby responded Monday, “Just left the police station.” A spokesperson for Rose has not yet returned Billboard‘s request for comment.
If you or anyone you know has experienced sexual assault and needs support, reach out to the Rape, Abuse & Incest National Network. The organization provides free, confidential support to sexual assault victims 24/7. Call RAINN’s National Sexual Assault Hotline (800.656.HOPE) or visit the anti-sexual violence organization’s website for more information.
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