
Cameron Burton
This week in New York, Mark Ronson celebrated his 50th birthday — and the launch of his book, Night People: How to Be a DJ in ’90s New York City — and all of the right “night people” were there.
Ronson’s literary agent David Kuhn hosted the star-packed party at Manhattan hot spot Chez Nous, the restaurant he and his partners Sean MacPherson, Ira Drukier, Richard Born and Kevin Thompson opened this summer inside the historic Marlton Hotel in Greenwich Village. In his toast, Kuhn recalled meeting in the ’80s, when “Mark was a teenager who was starting to DJ at clubs that were way cooler than I was.”
“I first met Mark at one of his miraculous mother Ann’s legendary Sunday brunches in the 1980s, always a mix of uptown and downtown, the famous and sometime infamous, and always multi-generational,” Kuhn recalled in his speech, describing the gatherings thrown by Ronson’s mother, Ann Dexter-Jones, who married Foreigner guitarist Mick Jones after divorcing his father.
“Most of you know this was the social and cultural swirl that Mark grew up in, one that might have caused another kid in his shoes to become jaded, or entitled, or lazy, or unfocused. And the amazing thing about Mark is that he is not only none of those things but actually the opposite of all of them: he grew up to be curious, grateful, incredibly hard working, determined, and most of all humble, this despite his incredible talent and success.”
While music stars often enlist ghostwriters to help pen their memoirs, Kuhn said that “it was quickly apparent that not only could Mark write the book himself, but that he was a natural and gifted writer. Because he innately possessed the core strengths of a literary memoirist: hard won self-knowledge; a gift for storytelling; excellent recall; an ear for dialogue, a point of view, and a big, generous heart.”
Rosnon initially wondered if he needed to work with a co-writer, but he and Kuhn decided instead that “he would just start putting stories down on the page and see where that led.”
“Mark said that he wanted to tell the story in this book to capture the milieu of the ’90s that he grew up in, especially for younger folks who weren’t there, and also to honor those who he credited with his musical education, especially those no longer around,” Kuhn said.
“As Mark writes in the book, and is now speaking about in interviews, one of the addictive pleasures of being a DJ has always been to use his musical tastes and instincts to light up a dance floor and give a room full of strangers unmitigated pleasure. Now he will do that as a book author, speaking one-to-one to each of his readers.”
The playlist for the party featured every song mentioned in Ronson’s book, sequenced in the exact order they appear on the page. Guests sipped “Mark-aritas” in the restaurant’s cozy banquettes and included Elle Fanning, Derek Blasberg, Cey Adams, Guy Oseary, Carmen D’Alessio, Premier, DJ Stretch Armstrong, Lysa Cooper, Steve Lewis, Belinda Becker, Andrew Jarecki, Jen Gatien, Amy Sedaris, Naomi Fry, Jenny Dembrow, Isabella Massenet, Nicky Campbell, Pamela Hanson, and more. See the photos below.

Cameron Burton

Cameron Burton

Cameron Burton

Cameron Burton
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Bad Bunny’s new Adidas sneaker collaboration is one fans have been itching for.
The market for the “NUEVAYoL” singer’s footwear collaboration is insane, with his past Adidas silhouettes selling out mere minutes post-release. We’re willing to bet that this new BADBO 1.0 model is going to be a hit as well, because it expands upon his collaborative line by introducing a versatile colorway not previously seen before. The shoe retails for $160 and dropped Saturday (March 28). It is available to shop on the Adidas website now.
Like his first Adidas BADBO 1.0, this style is chunky and high-top-esque. Departing from the monochrome colorscheme, this shoe comes in black and beige, a stylish and wearable option with pops of blue throughout. The shoe features textural suede paneling, an EVA midsole that makes the soles flexible and cushioned, and a unique translucent rubber outsole.
A new Adidas footwear collaboration with Bad Bunny. The style features suede panelling and a black, white and taupe color scheme.
Harkening back to the musician’s Puerto Rican roots is the BadBo signature logo — a star affixed to each heel — drawing direct inspiration from the Puerto Rican flag. According to Adidas, the design choice “symbolizes origin, joy and the limitless possibilities that come from staying true to where you’re from.”
Along with the shoe drop, Adidas and Bad Bunny also collaborated on an accompanying BadBo apparel capsule that includes pieces such as track jackets, sweatshirts, sweatsuits, hats and more, all inspired by Benito’s personal style. Our favorite has to be the comfy sweatsuit, which offers the perfect mix of style and function. Like the shoes, the apparel collection went live on March 28.
This is a gray crew neck sweatshirt with Adidas’ three-striped detailing throughout. The hoodie has a unique handkerchief construction on the front.
These are gray slouchy sweatpants with Adidas’ iconic three stripes on the sides. The pants have a drawstring closure and a comfy composition.
The first iteration of the Adidas BadBo 1.0, a cream color scheme with pops of blue, sold out in the blink of an eye. Resellers on Farfetch, Stadium Goods, Fight Club and Goat have the shoe marked up for up to $230, a hefty jump in price from its original listing of $160. Bad Bunny wore these shoes during his 2026 Super Bowl performance, reigniting the hype around the style.
The duo first partnered up in March 2021 with an inaugural launch of The First Cafe, a coffee-inspired Adidas Forum Buckle Low. Since then, the two have come together on numerous occasions to give fans and followers styles all inspired by Bad Bunny’s style, music and swagger, including the Adidas AdiRacer GT, Adidas Forum Powerphase and, our personal favorite, the Adidas Gazelle Indoor.
This is a pack of three Bad Bunny x Adidas crew socks in white. The socks have blue stitching that is reminiscent of the same detailing on the musician’s shoes.
Friday night (March 27) may have officially been billed as Paul McCartney Rocks the Fonda!, but it could have just as easily been called Paul McCartney Makes Everything Better!
Even if it was just for a little while (one hour and 40 minutes to be exact), it felt like the former Beatle made all the world’s troubles disappear within the tiny confines of the Fonda, where he is playing two nights to celebrate the 100th birthday of the 1,100-capacity Hollywood club (the series concluded March 28).
The set was a truncated version of the 2025 Got Back tour, even down to the song order, slimmed down from 33 songs to a tight 21.
McCartney, dressed in a casual black suit with a vest, took the stage at 8:30 p.m., looking delighted to be back on stage even though it had only been four months since the North American tour ended. What followed was a trip back in time, with the spry McCartney serving as the congenial master of ceremonies, surrounded by elite musicians who have now played with him longer than his bandmates in either The Beatles or Wings: keyboardist Paul “Wix” Wickens, lead guitarist Rusty Anderson, drummer Abe Laboriel Jr. and guitarist/bassist Brian Ray. They are a ridiculously tight unit, but more than anything they are a fun, infectiously exuberant one.
As McCartney, 83, touched on almost every facet of his musical career, he seemingly delighted in playing such a small gig, joking it was “good to see the whites of your eyes” to the audience. He convivially bantered with the first few rows, including giving a shoutout to fan attending his 146th show, and good-naturedly shut down a loud balcony attendee getting a little too boisterous. He was loose throughout the show, breaking into short stories (including a humorous Tony Bennett anecdote) and just generally seeming to enjoy the audience as much as they enjoyed him.
But the focus was on the music, and the music soared throughout much of the night. McCartney’s band may be a five piece (with the occasional welcome addition of the three-piece Hot City Horns), but they sound fuller than a configuration at least twice that size, especially when they are locked into a solid, propulsive groove on such songs as “Nineteen Hundred and Eighty-Five,” “Lady Madonna” and “Get Back.”
On Thursday (March 28), McCartney released a new song, the tenderly nostalgic “Days We Left Behind,” which is featured on his forthcoming 18th solo album, The Boys of Dungeon Lane — but the tune went left undone at the show, with McCartney saying they were still learning how to play it. Instead, he opted to play two songs from solo albums not featured during the Got Back tour and ones that are seldom trotted out: “Every Night” and “Flaming Pie.”
The no-phones policy and no-frills production (there was no projection of any kind, just a few overhead lighting trusses) allowed the audience to be as in the moment as the band and a communal feeling of peace and joy felt like it spread from the stage all the way through the rear of the balcony, especially on late-show singalongs/anthems “Let It Be” and “Hey Jude.”
McCartney and band returned for his standard encore, closing with Abbey Road’s monumental medley of “Golden Slumbers/Carry That Weight/The End.” The words are so familiar now, but still ring true like a beautiful benediction, as he sent the audience out into the night with “the love you take is equal to the love you make” echoing in their ears.
Below are all the songs McCartney performed on the first night of his two-night Fonda stand.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
TWICE’s Nayeon is well known for many things, including her music, but her personal style is severely underrated.
The K-pop star’s looks are often a mix of feminine and comfortable pieces, often pulling inspo from Y2K aesthetics. The “ABCD” singer favors bright colors, playful textures and silhouettes that flatter her frame. In short, we trust her taste, and clearly so does Vivaia, an eco-friendly footwear brand founded in 2020. The retailer tapped the K-pop act to star in its spring 2026 collection titled Feel the Comfort.
The girl group member modeled some of her favorite styles, which consisted mostly of Mary Jane-meets-ballet-flat styles and whimsical sneakers in various colors with feminine and edgy touches. In specific, Nayeon wore the brand’s Square-Toe Jogger Sneakerina retailing for $159, the Square-Toe Hybrid Mesh Mary Janes retailing for $149, the Square-Toe Margot™ Mary Jane 3.0 retailing for $139 and the Mesh Floral Square-Toe Mary Janes for $149. You can shop her picks below and on Vivaia’s website.
Think of this like a mix between a sneaker and a ballet flat. The style is affixed with silky ribbon lace-up closures.
This style is another ballet flat but with lace-up detailing. It also comes with charms that you can attach and alternative laces.
When asked, “What does comfort mean to you?” Nayeon responded in a statement saying, “When I am being my true self.” One of our favorite styles is the Square-Toe Hybrid Mesh Mary Janes in a tan hue with red accents. The shoe features all-round mesh paneling, making them breathable, along with dainty lace-up closures and a playful bubble sole. This style also comes with interchangeable red laces, which Nayeon chose for the campaign, along with floral charms in matching hues that can be attached to your laces to change things up. Sizing is available from 5 through 9.
Another great option is the Mesh Floral Square-Toe Mary Janes that feature see-through mesh throughout and floral accents. Fun fact: The mesh uppers are made with recycled plastic bottles. The shoe has gold clasps to adjust the fit and square toes that Vivaia seems to incorporate in a bunch of its shoe creations. Again, this silhouette is see-through, but you can wear socks with them, which could be a fun stylistic choice if you don a fun print or color.
These are breathable square-toed ballet flats with straps. The straps are equipped with edgy buckles and grommets.
This was said to be one of Nayeon’s favorite styles. These ballet flats feature mesh paneling with floral adornments.
All of Vivaia’s footwear focuses on on-trend silhouettes with an emphasis on comfort. The brand’s mission of comfort meets style came from a singular question: “Why can’t heels, and all women’s shoes, have a sneaker-like comfort?” Each of its shoes is equipped with padded insoles to provide ultimate comfort. The retailer even has wide-foot-friendly designs, creating a more inclusive range for people to shop.
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