
Entertainment
Live Nation Verdict: Jury Says Concert Giant Is An Illegal Monopoly in Total Defeat
A jury found Wednesday (April 15) that Live Nation and Ticketmaster violated federal and state antitrust laws by dominating the live music industry, capping off a blockbuster trial with a verdict that could ultimately see the two concert giants broken up.
After a five-week trial in Manhattan federal court, jurors sided with a coalition of state attorneys general who sued Live Nation. The states argued during closing statements that the concert giant was a “monopolistic bully” that had harmed competition and driven up ticket prices for fans.
In its verdict, the jury handed Live Nation a total defeat — finding that the company illegally monopolized the market for ticketing services, concert ticketing and the use of amphitheaters, and that it illegally tied the use of its venues to its concert promotion services. The jury said fans overpaid by $1.72 per ticket.
Following the verdict, all eyes will turn to Judge Arun Subramanian, who must now decide whether to order Live Nation to sell off Ticketmaster — something critics have long demanded and the states have said is the goal of their case. Such orders are drastic and rare, though, and the judge could instead merely ban certain anti-competitive conduct.
Live Nation is certain to challenge the outcome, first to Subramanian and then to a federal appeals court.
New York Attorney General Letitia James celebrated the verdict as a “landmark victory” in a statement Wednesday.
“For far too long, Live Nation and Ticketmaster have taken advantage of fans and artists by raising prices for tickets and stifling any competition that threatened their power,” said James. “A jury found what we have long known to be true: Live Nation and Ticketmaster are breaking the law and costing consumers millions of dollars in the process. I am proud to have led a bipartisan coalition of attorneys general in bringing this case and look forward to continuing our work to hold Live Nation and Ticketmaster accountable.”
Reps for Live Nation did not immediately return a request for comment.
The U.S. Department of Justice and dozens of states sued in 2024, 14 years after Live Nation and Ticketmaster merged with the blessing of federal antitrust regulators. The feds claimed the company had since grown into a monopoly that illegally dominated the live music industry: “It is time to break it up,” said then-attorney general Merrick Garland.
But a week after the trial started last month, DOJ agreed to a surprise settlement with Live Nation — a move that reportedly came after President Donald Trump personally pushed for it. The deal required key changes in business practices but, crucially, would not require the company to divest Ticketmaster. Following that, dozens of states said that settlement was insufficient, and instead pushed ahead with the trial.
Over five weeks of testimony, jurors heard from venue bosses like former Barclays Center CEO John Abbamondi, who claimed Live Nation threatened to divert concerts if he switched to rival ticketer SeatGeek. Live Nation CEO Michael Rapino later took the stand, where he denied such threats and said his company had simply outperformed its rivals to achieve its success: “I’m very proud.”
Jurors also heard from AEG Presents CEO Jay Marciano; current Barclays Center boss Laurie Jacoby; several other sports execs, promoters and venue operators; multiple Live Nation and Ticketmaster execs, like president of touring Omar Al-joulani; Drake’s manager Adel Nur, also known as Future The Prince; and numerous economists and other expert witnesses.
Live Nation, repped at trial by a team from the law firm Latham & Watkins, tried to persuade the jury that the company had secured its massive market share over the past 15 years not through anti-competitive behavior, but by simply being better than its rivals. During his closing statements, Live Nation attorney David Marriott called his client a “fierce competitor.”
But the states, led by veteran antitrust litigator Jeffrey Kessler, told the jury a very different story: that Live Nation and Ticketmaster had abused their position to enrich themselves at the expense of fans. They cited much-publicized Slack messages in which two Live Nation execs joked about “taking advantage” of “stupid” fans with prices and fees: “Robbing them blind baby. That’s how we do.”
“Who talks like this? What type of company uses this language?” Kessler asked the jury in closing statements on Thursday (April 9). “The answer, I think you will find, is a monopolist who views itself to be above the law.”
With Wednesday’s verdict, the jury showed that argument worked. It took them four days to deliberate, sifting through weeks of testimony and mountains of evidence submitted by both sides. As is typical with verdicts, there was no stated explanation for why the jurors sided with the states.
Entertainment
Which New Music Release Is Your Favorite This Week? Vote!
It’s the final new music Friday (April 24) of the month, and everyone from Noah Kahan to Kehlani and Suki Waterhouse have put forth some of their best work as May waits just around the corner.
This week, Vermont’s favorite folk-rock singer-songwriter finally returned with a new album after four years of Stick Season, his breakout album that reached No. 2 on the Billboard 200. The Great Divide is 17 tracks of Kahan reexamining his worldview after struggling with his mental health in the years since he found fame.
And, as if taking cues from the success of first-ever Billboard Hot 100 top 10 hit “Folded” (which reached No. 6 on the chart in January), Kehlani leans fully into classic R&B flavors in an intentional push to recenter the genre’s traditions. “All the R&B artists, we want R&B to be back,” the artist told Billboard ahead of being named Billboard Women in Music’s Impact honoree. “We want good, long songs. We want three verses and bridges and modulations and all the things – we want that too. We just didn’t think anybody else wanted it. I have an allegiance to the genre, and I’ll keep it there.”
On top of the bounty of new albums, several artists have released fresh singles — including Suki Waterhouse, who returns with “Tiny Raisin” shortly after announcing her next album, Loveland, as well as Hayley Kiyoko and Gigi Perez, who teamed up for heartfelt duet “Collide.” Plus, Dylan Gossett adds “My Boy” to the mix, written as a letter to his son.
But which release is your favorite this week? Let Billboard know by voting in the poll below.
Entertainment
Celeb-Loved Juicy Couture T-Shirts Are On Sale for $8 Right Now (If You Hurry)
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
It’s been almost three decades since the LA-based casual wear brand Juicy Couture first hit store shelves, and the Hollywood-loved label has made its way back into the spotlight in recent years thanks to the Y2K trend resurgence and newfound love from influencers online.
Best known for its T-shirts, handbags and yes, those velour tracksuits (reportedly designed exclusively for Madonna at first), Juicy Couture pieces were seen on practically every major celebrity in the 2000s, from Paris Hilton and Britney Spears, to Jennifer Lopez and Kim Kardashian. Musicians like Miley Cyrus, Nicole Scherzinger and even Beyoncé have also been spotted wearing Juicy Couture, and now, a new Amazon deal makes it easy for you to get into some JC as well.
LIMITED TIME DEAL
Juicy Couture Cap Sleeve T-Shirt (Five-Pack)
Amazon is selling a five-pack of Juicy Couture T-shirts right now for just $39. Part of the “Juicy Sport” line, the cropped T-shirts are made from a super soft and breathable “performance” fabric that features a touch of spandex for easy movement and stretch.
That makes the T-shirts as ideal for a workout or yoga session as they are for pairing with your everyday ‘fits. The crop top look leans into the Y2K aesthetic and Amazon’s website shows the shirts styled with shorts, leggings and mini skirts alike.
This Amazon deal gets you five Juicy Couture T-shirts for under $40. That brings the price of each tee down to less than $8 — a virtually unheard of deal for generic T-shirts, let alone a brand name pick.
We like the five-pack above, which gets you a T-shirt in two shades of pink (including a light pink with the signature Juicy Couture cherries), plus navy blue, gray and black. You can choose from other color combinations online. The tees are available in sizes small to XXL.
ALSO AVAILABLE
Juicy Couture T-Shirts (Three-Pack)
Don’t need five T-shirts? Amazon also sells a three-pack of Juicy Couture tees for just $30, bringing the price of each individual shirt to under $10.
ALSO CONSIDER
Juicy Couture Queen of Everything Mini Duffle Bag
And if you need a bag to take to the gym (or for an overnight stay), we like this mini barrel-style duffle bag, on sale for 43% off. The two-tone bag measures approximate 8.2 x 4.9 inches in size, which is enough room for your wallet, keys, change of clothes and toiletries. Choose to carry the bag via the top handle or with the detachable shoulder straps.
All of the above picks are officially-licensed products sold through Amazon’s Juicy Couture storefront. As with all Amazon deals, the sale prices could end at anytime, so we recommend adding the deals to cart while they are still live.
Entertainment
Head Back to Hawkins With New ‘Stranger Things: Tales From ’85’ Soundtrack
Netflix is bringing us back to the ’80s, and it’s making sure we have the right music for the occasion.
On Wednesday (April 22), Billboard can exclusively reveal that an original soundtrack is coming this week for the brand-new animated spin-off series Stranger Things: Tales From ’85. The score album, composed by Brad Breeck (Gravity Falls, We Bare Bears), will be released globally Thursday (April 23) at midnight ET.
Stranger Things: Tales From ’85 also arrives Thursday on Netflix, bringing viewers back to the fictional town of Hawkins, Indiana, in the ’80s and reuniting us with some of the original show’s main characters. And much like Stranger Things, music plays a large role in the new show.
“This collection bridges the gap between the eerie depths of the Upside Down and the vibrant, neon energy of the mid-’80s,” Netflix said in a statement.
Tales From ’85 will feature not only a brand-new version of the original Stranger Things theme song, but the first episodes also include a selection of ’80s hits from artists like Black Sabbath, Billy Idol, Cyndi Lauper and more. Needle drops throughout the series include “We Got the Beat” by The Go-Go’s, “A Forest” by The Cure and “We’ll Meet Again” by Vera Lynn, “Rebel Yell” by Idol, and Lauper’s Billboard Hot 100 chart-topper “Time After Time.”
If it’s anything like the original show, artists with songs played in the new series could see a bump in streams and chart placements in the aftermath of the show’s premiere. After featuring the songs in pivotal moments, Stranger Things brought Kate Bush‘s “Running Up That Hill (A Deal With God)” to a new peak of No. 3 on the Hot 100 in 2022, 37 years after its initial release, while Metallica’s “Master of Puppets” made its debut on the chart the same year, 36 years after it came out.
Fans can pre-save Stranger Things: Tales From ’85 (Soundtrack from the Netflix Series) by Brad Breeck here, and find the full score track list below.
Stranger Things: Tales From ’85 (Soundtrack from the Netflix Series) by Brad Breeck track list
Flamethrower (artists: Brad Breeck feat. Brian Parkhurst)
Kids Riding Bikes
Big Snowstorm Coming
Someone In There
HIC Theme
I Just Saved Your Life
Strange Stones
Gotta Go Dark
How Long Is Detention
Sewer Chase (artists: Brad Breeck feat. Brian Parkhurst)
Towns
Clean Up
Investigating Pumpkins
Heaven Eleven
Nice Time Tonight
Storm the Gates
What Were These Things
Ground Rules
seluR dnuorG
Her Royal Nastiness
We Have To Try
Tales from ’85 End Titles (artists: Brad Breeck feat. Cooper Babbes)
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