Entertainment
Stray Kids Earn Seventh No. 1 on Billboard 200 With ‘KARMA’
Stray Kids earn their seventh No. 1 on the Billboard 200 albums chart as KARMA debuts atop the list dated Sept. 6. The set earned 313,000 equivalent album units in the United States in the week ending Aug. 28, according to Luminate. Of that sum, traditional album sales comprise 296,000. Both figures mark career highs for the act.
KARMA also lands the third-biggest week, by units, of 2025 among all albums, as well as the year’s second-largest sales week.
All seven of the group’s Billboard 200 chart entries have debuted at No. 1, beginning with ODDINARY in 2022. Last year, when HOP debuted atop the list, Stray Kids became the first act to debut at No. 1 with their first six entries in the 69-year history of the chart. With KARMA’s arrival, they extend that record. The Billboard 200 began publishing on a regular, weekly basis in March 1956.
In addition, with a seventh No. 1, Stray Kids surpass BTS, Linkin Park and Dave Matthews Band for the most No. 1s among groups on the Billboard 200 this century (since 2000).
Also in the top 10 on the latest Billboard 200 chart, Laufey scores her first top 10 with the No. 4 arrival of A Matter of Time; Deftones land their seventh top 10 with the No. 5 bow of private music; Tyler, The Creator’s Cherry Bomb re-enters the chart at No. 6 following a 10th anniversary reissue; and BigXthaPlug notches his highest-charting effort yet with the No. 7 debut of I Hope You’re Happy.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 6, 2025-dated chart will be posted in full on Billboard‘s website on Sept. 3, one day later than usual, owed to the Labor Day holiday on Sept. 1 in the U.S. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of KARMA’s 313,000 first-week equivalent album units, album sales comprise 296,000 (it debuts at No. 1 on the Top Album Sales chart), SEA units comprise 16,000 (equaling 23.12 million on-demand official streams of the sets songs; it debuts at No. 34 on Top Streaming Albums) and TEA units comprise 1,000.
In 2025, the three largest weeks for albums, by units, are the opening frames of Morgan Wallen’s I’m the Problem (493,000), The Weeknd’s Hurry Up Tomorrow (490,000)and KARMA (313,000). In traditional album sales, the two biggest weeks of 2025 belong to Hurry Up Tomorrow (359,000) and KARMA (296,000).
KARMA’s album sales were aided by its availability across 11 CD variants and three vinyl variants (all containing collectible items such as photocards, with some items randomized), including signed editions.
As KARMA is mostly in the Korean language, it is the 29th mostly non-English-language album to hit No. 1, and the second of 2025 (following Bad Bunny’s Spanish-language DeBÍ TiRAR MáS FOToS). Four mostly non-English titles topped the list in 2024, and all were mostly Korean-language efforts. Of the 29 mostly non-English-language albums to reach No. 1, 19 are mostly Korean, six mostly (or all) Spanish, one mostly Italian, one entirely French and two mostly a blend of Spanish, Italian and French.
The KPop Demon Hunters soundtrack is a non-mover at No. 2, its peak, on the Billboard 200 with its best week yet: 125,000 equivalent album units earned (up 16%). The gain was boosted by the film’s sing-along release in movie theaters and on Netflix and the set’s arrival on CD. The CD was sold mostly via online retailers after only being available to purchase as a digital download previously. Album sales (across all configurations) totaled 18,000 for the week (up 236%). A wider release for the CD is due on Sept. 5.
Further, KPop Demon Hunters has spent six nonconsecutive weeks at No. 2. It’s the first soundtrack in the modern era (since May 1991, when the chart began utilizing Luminate’s electronically monitored tracking information) to spend at least six weeks at No. 2 without reaching No. 1.
Morgan Wallen’s I’m the Problem falls 1-3 after a dozen nonconsecutive weeks at No. 1, earning 116,000 equivalent album units in the latest tracking frame (down 4%).
Laufey achieves her first top 10 album on the Billboard 200 as A Matter of Time debuts at No. 4 with 99,000 equivalent album units earned — her biggest week ever. Of that sum, album sales comprise 71,000 (her best sales week; it debuts at No. 2 on Top Album Sales), SEA units comprise 28,000 (equaling 38.57 million on-demand official streams of the set’s songs; it debuts at No. 11 on Top Streaming Albums) and TEA units comprise a negligible sum. The set’s first-week sales were bolstered by its availability across eight vinyl and three CD variants (each with one signed edition) and a cassette.
A Matter of Time is Laufey’s third studio album. The singer-songwriter’s second effort, 2023’s Bewitched, reached No. 18 in 2024, won a Grammy for best traditional pop vocal album and has earned over 950,000 equivalent album units in the U.S.
A Matter of Time marks the highest-debuting jazz album on the Billboard 200 since the Dec. 1, 2018-dated chart, with Michael Bublé’s Love debuted and peaked at No. 2. (Jazz albums are defined as those that are eligible for, or have charted on, Billboard’s Top Jazz Albums chart.)
Deftones score their seventh top 10 effort on the Billboard 200 as private music premieres at No. 5 with 87,000 equivalent album units earned — the band’s best week by units. Of that starting sum, album sales comprise 66,000 (the group’s largest sales week since 2016’s Gore bowed with 69,000; private music starts at No. 3 on Top Album Sales), SEA units comprise 20,500 (equaling 26.72 million on-demand official streams of the set’s songs, it debuts at No. 20 on Top Streaming Albums) and TEA units comprise the remaining sum. (First-week sales were helped by the set’s availability across seven vinyl variants, three CDs, a cassette and a boxed set with a branded piece of clothing and a vinyl LP inside.)
The new album — the band’s 10th full-length studio effort — was preceded by its track “My Mind Is a Mountain,” which became the band’s first No. 1 on the Mainstream Rock Airplay chart (dated Sept. 6).
Tyler, The Creator’s Cherry Bomb, first released in 2015, returns to the Billboard 200 following a 10th anniversary reissue. The set reenters the chart at No. 6 with 52,000 equivalent album units earned (up from a negligible sum in the previous week). For its 10th anniversary, the set was reissued on three vinyl variants, CD and in three deluxe boxed sets (each containing a piece of branded clothing and a copy of the CD). Album sales largely drive the set’s reentry, comprising nearly 51,000 of the set’s units for the week. Cherry Bomb debuted and peaked at No. 4 on the May 2, 2015-dated chart.
BigXthaPlug lands his highest-charting album, and second top 10, on the Billboard 200 with the No. 7 bow of I Hope You’re Happy. The set earned 47,000 equivalent album units in its first week, with SEA units comprising 41,000 (equaling 54.59 million on-demand official streams of its tracks; it debuts at No. 3 on Top Streaming Albums), album sales comprise 5,000 (it debuts at No. 22 on Top Album Sales) and TEA units comprise 1,000.
I Hope You’re Happy was preceded by a trio of charted songs on the Billboard Hot 100: “All the Way” (featuring Bailey Zimmerman; No. 4 peak in April), “Home” (featuring Shaboozey; No. 77 in July) and “Hell at Night” (with Ella Langley; No. 49 in August).
Rounding out the top 10 of the latest Billboard 200: Alex Warren’s You’ll Be Alright, Kid drops 5-8 (just over 38,000 equivalent album units earned, down 4%), Gunna’s The Last Wun falls 4-9 (38,000, down 20%) and Morgan Wallen’s chart-topping One Thing at a Time dips 7-10 (nearly 38,000, up less than 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Entertainment
Bad Bunny’s Adidas Collaborations Sell Out in Minutes: Here’s How to Get His Latest Sneaker Drop Online
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Bad Bunny’s new Adidas sneaker collaboration is one fans have been itching for.
The market for the “NUEVAYoL” singer’s footwear collaboration is insane, with his past Adidas silhouettes selling out mere minutes post-release. We’re willing to bet that this new BADBO 1.0 model is going to be a hit as well, because it expands upon his collaborative line by introducing a versatile colorway not previously seen before. The shoe retails for $160 and dropped Saturday (March 28). It is available to shop on the Adidas website now.
Like his first Adidas BADBO 1.0, this style is chunky and high-top-esque. Departing from the monochrome colorscheme, this shoe comes in black and beige, a stylish and wearable option with pops of blue throughout. The shoe features textural suede paneling, an EVA midsole that makes the soles flexible and cushioned, and a unique translucent rubber outsole.
Bad Bunny x Adidas BADBO 1.0
A new Adidas footwear collaboration with Bad Bunny. The style features suede panelling and a black, white and taupe color scheme.
Harkening back to the musician’s Puerto Rican roots is the BadBo signature logo — a star affixed to each heel — drawing direct inspiration from the Puerto Rican flag. According to Adidas, the design choice “symbolizes origin, joy and the limitless possibilities that come from staying true to where you’re from.”
Along with the shoe drop, Adidas and Bad Bunny also collaborated on an accompanying BadBo apparel capsule that includes pieces such as track jackets, sweatshirts, sweatsuits, hats and more, all inspired by Benito’s personal style. Our favorite has to be the comfy sweatsuit, which offers the perfect mix of style and function. Like the shoes, the apparel collection went live on March 28.
Bad Bunny Heavy Crew Neck & Hooded Balaclava Sweatshirt
This is a gray crew neck sweatshirt with Adidas’ three-striped detailing throughout. The hoodie has a unique handkerchief construction on the front.
Bad Bunny Tapered Heavy Sweat Pant
These are gray slouchy sweatpants with Adidas’ iconic three stripes on the sides. The pants have a drawstring closure and a comfy composition.
The first iteration of the Adidas BadBo 1.0, a cream color scheme with pops of blue, sold out in the blink of an eye. Resellers on Farfetch, Stadium Goods, Fight Club and Goat have the shoe marked up for up to $230, a hefty jump in price from its original listing of $160. Bad Bunny wore these shoes during his 2026 Super Bowl performance, reigniting the hype around the style.
The duo first partnered up in March 2021 with an inaugural launch of The First Cafe, a coffee-inspired Adidas Forum Buckle Low. Since then, the two have come together on numerous occasions to give fans and followers styles all inspired by Bad Bunny’s style, music and swagger, including the Adidas AdiRacer GT, Adidas Forum Powerphase and, our personal favorite, the Adidas Gazelle Indoor.
Bad Bunny Crew Sock 3-Pack
This is a pack of three Bad Bunny x Adidas crew socks in white. The socks have blue stitching that is reminiscent of the same detailing on the musician’s shoes.
Entertainment
Paul McCartney’s Fonda Setlist: Every Song From the First Night of His Two-Night Hollywood Stand
Friday night (March 27) may have officially been billed as Paul McCartney Rocks the Fonda!, but it could have just as easily been called Paul McCartney Makes Everything Better!
Even if it was just for a little while (one hour and 40 minutes to be exact), it felt like the former Beatle made all the world’s troubles disappear within the tiny confines of the Fonda, where he is playing two nights to celebrate the 100th birthday of the 1,100-capacity Hollywood club (the series concluded March 28).
The set was a truncated version of the 2025 Got Back tour, even down to the song order, slimmed down from 33 songs to a tight 21.
McCartney, dressed in a casual black suit with a vest, took the stage at 8:30 p.m., looking delighted to be back on stage even though it had only been four months since the North American tour ended. What followed was a trip back in time, with the spry McCartney serving as the congenial master of ceremonies, surrounded by elite musicians who have now played with him longer than his bandmates in either The Beatles or Wings: keyboardist Paul “Wix” Wickens, lead guitarist Rusty Anderson, drummer Abe Laboriel Jr. and guitarist/bassist Brian Ray. They are a ridiculously tight unit, but more than anything they are a fun, infectiously exuberant one.
As McCartney, 83, touched on almost every facet of his musical career, he seemingly delighted in playing such a small gig, joking it was “good to see the whites of your eyes” to the audience. He convivially bantered with the first few rows, including giving a shoutout to fan attending his 146th show, and good-naturedly shut down a loud balcony attendee getting a little too boisterous. He was loose throughout the show, breaking into short stories (including a humorous Tony Bennett anecdote) and just generally seeming to enjoy the audience as much as they enjoyed him.
But the focus was on the music, and the music soared throughout much of the night. McCartney’s band may be a five piece (with the occasional welcome addition of the three-piece Hot City Horns), but they sound fuller than a configuration at least twice that size, especially when they are locked into a solid, propulsive groove on such songs as “Nineteen Hundred and Eighty-Five,” “Lady Madonna” and “Get Back.”
On Thursday (March 28), McCartney released a new song, the tenderly nostalgic “Days We Left Behind,” which is featured on his forthcoming 18th solo album, The Boys of Dungeon Lane — but the tune went left undone at the show, with McCartney saying they were still learning how to play it. Instead, he opted to play two songs from solo albums not featured during the Got Back tour and ones that are seldom trotted out: “Every Night” and “Flaming Pie.”
The no-phones policy and no-frills production (there was no projection of any kind, just a few overhead lighting trusses) allowed the audience to be as in the moment as the band and a communal feeling of peace and joy felt like it spread from the stage all the way through the rear of the balcony, especially on late-show singalongs/anthems “Let It Be” and “Hey Jude.”
McCartney and band returned for his standard encore, closing with Abbey Road’s monumental medley of “Golden Slumbers/Carry That Weight/The End.” The words are so familiar now, but still ring true like a beautiful benediction, as he sent the audience out into the night with “the love you take is equal to the love you make” echoing in their ears.
Below are all the songs McCartney performed on the first night of his two-night Fonda stand.
Entertainment
TWICE’s Nayeon Just Shared Her Favorite Vivaia Shoes in the Brand’s Latest Spring Campaign: Shop Her Picks Here
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
TWICE’s Nayeon is well known for many things, including her music, but her personal style is severely underrated.
The K-pop star’s looks are often a mix of feminine and comfortable pieces, often pulling inspo from Y2K aesthetics. The “ABCD” singer favors bright colors, playful textures and silhouettes that flatter her frame. In short, we trust her taste, and clearly so does Vivaia, an eco-friendly footwear brand founded in 2020. The retailer tapped the K-pop act to star in its spring 2026 collection titled Feel the Comfort.
The girl group member modeled some of her favorite styles, which consisted mostly of Mary Jane-meets-ballet-flat styles and whimsical sneakers in various colors with feminine and edgy touches. In specific, Nayeon wore the brand’s Square-Toe Jogger Sneakerina retailing for $159, the Square-Toe Hybrid Mesh Mary Janes retailing for $149, the Square-Toe Margot™ Mary Jane 3.0 retailing for $139 and the Mesh Floral Square-Toe Mary Janes for $149. You can shop her picks below and on Vivaia’s website.
Square-Toe Jogger Sneakerina
Think of this like a mix between a sneaker and a ballet flat. The style is affixed with silky ribbon lace-up closures.
Square-Toe Hybrid Mesh Mary Janes
This style is another ballet flat but with lace-up detailing. It also comes with charms that you can attach and alternative laces.
When asked, “What does comfort mean to you?” Nayeon responded in a statement saying, “When I am being my true self.” One of our favorite styles is the Square-Toe Hybrid Mesh Mary Janes in a tan hue with red accents. The shoe features all-round mesh paneling, making them breathable, along with dainty lace-up closures and a playful bubble sole. This style also comes with interchangeable red laces, which Nayeon chose for the campaign, along with floral charms in matching hues that can be attached to your laces to change things up. Sizing is available from 5 through 9.
Another great option is the Mesh Floral Square-Toe Mary Janes that feature see-through mesh throughout and floral accents. Fun fact: The mesh uppers are made with recycled plastic bottles. The shoe has gold clasps to adjust the fit and square toes that Vivaia seems to incorporate in a bunch of its shoe creations. Again, this silhouette is see-through, but you can wear socks with them, which could be a fun stylistic choice if you don a fun print or color.
Square-Toe Margot™ Mary Jane 3.0
These are breathable square-toed ballet flats with straps. The straps are equipped with edgy buckles and grommets.
Mesh Floral Square-Toe Mary Janes
This was said to be one of Nayeon’s favorite styles. These ballet flats feature mesh paneling with floral adornments.
All of Vivaia’s footwear focuses on on-trend silhouettes with an emphasis on comfort. The brand’s mission of comfort meets style came from a singular question: “Why can’t heels, and all women’s shoes, have a sneaker-like comfort?” Each of its shoes is equipped with padded insoles to provide ultimate comfort. The retailer even has wide-foot-friendly designs, creating a more inclusive range for people to shop.
11 Remote Jobs You Can Start Today With Zero Experience
Why Your Biological Sleep Schedule Might Be Costing You a Promotion
13 Retailers That Want to Buy Your Clutter (Including Costco)
SEND IN THE TROOPS! At Least 5 Dead, 10 Wounded So Far in Chicago Weekend Shootings
How I Paid Off My Mortgage 10 Years Early On A Teacher’s Salary
Black Lives Matter Activist in Boston Pleads Guilty to Federal Fraud Charges – Scammed Donors to Fund Her Lifestyle
-
Politics7 months agoSEND IN THE TROOPS! At Least 5 Dead, 10 Wounded So Far in Chicago Weekend Shootings
-
Business6 months ago
How I Paid Off My Mortgage 10 Years Early On A Teacher’s Salary
-
Politics6 months agoBlack Lives Matter Activist in Boston Pleads Guilty to Federal Fraud Charges – Scammed Donors to Fund Her Lifestyle
-
Tech7 months agoGet a lifetime subscription to the “ChatGPT for investors” for under $60
-
Tech6 months agoReview: The Dreame H15 Pro CarpetFlex is the first wet/dry vacuum I liked
-
Business7 months ago
25 Low-Effort Side Hustles You Can Start This Weekend
-
Business7 months ago
9 Ways to Command a Six-Figure Salary Without a Bachelor’s
-
Entertainment6 months agoFat Joe Recalls Bruno Mars Snapping on Him Over Question About Puerto Rican Roots: ‘Broke My Heart’