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Olympic Figure Skater Alysa Liu Drops D4vd’s ‘This Is How It Feels’ From Routine ‘In Light of Recent News’

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In the run-up to the 2026 Milan Winter Olympics, world champion figure skater Alysa Liu is switching up the music in her program. In an Instagram post on Wednesday (Sept. 24), Liu announced that she was dropping D4vd‘s 2023 collaboration with Laufey, “This Is How it Feels,” from her short program in light of the ongoing police investigation into the death of a 15-year-old girl who was found in the trunk of a Tesla registered to the artist.

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“As many of you know, I recently debuted a new short program for the ‘25-‘26 season,” she wrote in the post, which did not explicitly mention the D4vd or the investigation. “However, in light of recent news, my team & I are confidently pursuing a different direction that aligns with my values & just my overall ethos. I’m eager to start brainstorming new ideas, & I want to ensure my creative process isn’t rushed.”

She added that, in the meantime, her fans may see some “familiar” programs as she re-tools. Liu, 20, won the World Championship in March after announcing her retirement from competitive skating in 2022.

In an interview with the Associated Press, Liu explained, “I have to change it, you know? Forced to change my hand, basically. But that’s alright. I almost was grieving the process — ‘Oh, I have my programs. They were going to grow and evolve, and I was going to add more to it.’ But there’s nothing like a fresh start.” The AP reported that Liu made her season debut two weeks ago at the Lombardia Trophy in Italy, where she won the short program with her since-scrapped “This Is How it Feels” routine.

For now, Liu is working on an entirely new short program with her coaches, with the team sifting through potential soundtracks. Last year, Liu skated her short program to Laufey’s ballad “Promise.”

Her move comes as the LAPD continues its investigation into the death of 15-year-old Celeste Rivas Hernandez, whose decomposed body was found in the front trunk of a 2023 Tesla registered to 20-year-old D4vd (born David Anthony Burke) on Sept. 8 after police were alerted to a “foul odor” coming from the impounded car’s trunk at a two lot in Los Angeles; Hernandez was last seen alive in April 2024 in Riverside County.

In the weeks since, D4vd’s Hollywood Hills home has been searched by the LAPD in connection with the case and he’s canceled the remaining dates on his 2025 Withered world tour. The singer’s rep previously said in a statement that he is “fully cooperating with the authorities” in the investigation in which the LAPD has not yet named a person of interest or suspect and have not made any arrests.

In addition to the scotched dates, Kali Uchis has said she’s working on getting her D4vd “Crashing” collaboration taken off streaming platforms, while Rolling Stone reported that a deluxe edition of the singer’s debut Withered album, Withered: Marcescence — which was slated to drop last week — has not been uploaded to streaming services as planned; at press time it appeared the album had still not been released on streaming.


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Did the Bad Bunny Halftime Show Meet Our Expectations?

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For the second straight February, our Greatest Pop Star from the year before went right from a dominant night at the Grammys into a triumphant headlining set at the Super Bowl halftime show. After Kendrick Lamar last year, this time it was Bad Bunny‘s turn to take a victory lap — which he did with a stunning 13-minute performance that felt both historically rich and unmistakably timely. And while the reviews were strong, so was the backlash, which started well before the performance itself and ultimately led to an alternative halftime show being aired elsewhere. But it all ended with Benito Antonio Martinez Ocasio being at the center at every major discussion surrounding Super Bowl LX — arguably moreso than the underwhelming game surrounding it — and likely swarming the Billboard charts as a result in the weeks to come.

On this bonus episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by Billboard‘s Emily Fuentes to give our morning-after reactions to the performance — what about it worked for us, what about it felt like a potential missed opportunity, and whether it all added up to the kind of statement we were hoping he might make during such a spotlight moment. Did we feel like it had the right balance of old and new stuff? Did the Lady Gaga and Ricky Martin performances — or the apparently the IRL couple getting married — fit into the larger performance? Was there a moment on par with the “Say Drake” moment from Kendrick Lamar’s show last year? Was there any justification for the artists who played at the Turning Point alternate halftime performance? And who do we think will emerge triumphant in the Billboard Hot 100 race between Bad Bunny and Taylor Swift next week?

Check it out above, along with YouTube video of the halftime performance — and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!

And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:

Transgender Law Center

Trans Lifeline

Destination Tomorrow

Gender-Affirming Care Fundraising on GoFundMe

Also, please consider giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.

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Super Bowl 2026: Bad Bunny Cries, A Party with Los Pleneros, & More Things You Didn’t See on TV

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After nearly five months of bustle, controversy, and speculations that revolved around this year’s Super Bowl halftime show, headliner Bad Bunny officially made history — and powerful statements — at the Levi’s Stadium in Santa Clara, Calif. on Sunday (Feb. 8).

The almost 15-minute-long show that took place during the Seattle Seahawks and New England Patriots faceoff (Seahawks won 29-13) was not your typical halftime show: it was intentional, it was prideful, it was cultural, it was en Español, and it was “a huge party,” as the Puerto Rican artist promised during a press conference earlier in the week.

Benito (his real name) loudly and proudly sang some of the biggest hits — ”Tití Me Preguntó,” “Yo Perreo Sola,” “NuevaYol,” and “Baile Inolvidable,” to name a few — that ultimately made him the No. 1 music artist in the world right now, and the 2026 Grammy winner of the coveted album of the year award with Debí Tirar Más Fotos. Lady Gaga, Ricky Martin, Karol G, Cardi B, and Pedro Pascal were among his surprise guests.

But beyond that, he brought a message of unity to the field: “Together We Are America,” read a football he held at the end of his performance. Bad Bunny previously admitted that he “never thought” his Grammy-winning album would land him as a headliner on music’s biggest stage.

“I wasn’t looking for the album of the year at the Grammys and Latin Grammys,” he noted during the conference. “I wasn’t looking to perform at the Super Bowl halftime show. I was just looking to connect with my roots, my people more than ever, connect with myself, my history, my culture. I did it in a very honest way […] You always have to be proud of who you are and feel comfortable being yourself, but don’t let that limit yourself. I know where I come from, but I also know where I can go.”

Over at the stadium, Seahawks and Patriots fans gathered alike but also a wave of fans that were rooting for the highly-anticipated Benito Bowl, flaunting their pava straw hats and “Team Benito” merch.

Below, check out some things you didn’t see on TV:

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Here’s Every Reference You Might Have Missed at Bad Bunny’s Super Bowl Halftime Show

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Bad Bunny transformed the Super Bowl LX halftime show on Sunday (Feb. 8) into a joyous celebration of identity, history, and unity, stitching together his Puerto Rican roots with broader themes that resonate across the Americas.

From the opening scene of sugar cane fields — a nod to the island’s colonial past — to the portrayal of the now-iconic Casita, the Puerto Rican superstar paid homage to the resilience and struggles of his homeland. Tributes to barber shops, domino tables, piraguas vendors, and Nuyorican pride brought to life the everyday traditions and essence of Caribbean culture.

Much of the symbolism ran deep: “El Apagón” spotlighted Puerto Rico’s ongoing power grid struggles and displacement — read more on that below — while a shoutout to every nation in the Americas emphasized a powerful message of connectedness.

Amid heartfelt moments like the Grammy handoff to a young boy dressed as a young Benito and an actual wedding that took place on stage, the hitmaker proved that his halftime show was about much more than entertainment but a celebration of heritage, community, and perseverance.

Already ranked as one of the most-watched halftime performances in Super Bowl history, Bad Bunny’s show delivered impact far beyond entertainment

More than a 13-minute medley spanning through all of his hits, his performance was a carefully curated display of cultural pride. As the night culminated with his “Together We Are America” message appropriately emblazoned on his football, El Conejo Malo showed the world that halftime shows can be more than extravagant.

Let’s dive into the references and moments you might have missed.

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