Entertainment
Inside Shakira’s Record-Setting Las Mujeres Ya No Lloran Tour

After finishing the last of seven concerts at GNP Seguros Stadium in Mexico City March 30 as part of her Las Mujeres Ya No Lloran tour, Shakira announced she would return to Mexico in August. Her encore will bring her total shows played in the country to 22, a record for a single tour. Shakira initially played 11 stadium shows in Mexico, selling them all out, and eventually announced additional shows for August and September, including one more stop at GNP Seguros Stadium. Her eight performances there will be a record.
It’s the latest success in a string of them for the Colombian star. Last week, Billboard reported that, for the month of February, Shakira topped the monthly Top Tours chart for the first time, earning $32.9 million from 282,000 tickets sold that month, according to figures reported to Billboard Boxscore.
Shakira follows Bad Bunny, Los Bukis and RBD among Latin artists who have topped the monthly ranking, making her the first solo Latin woman to hit No. 1. This also marks the first time Shakira ever tops the chart, which launched in 2019, after she finished her previous outing, 2018’s El Dorado World Tour.
All those tickets sold are particularly sweet success for Shakira, who not only hadn’t toured in six years, but hadn’t had this level of success with her recorded music, either. Since 2019, as is by now very well known, the global superstar split up with her longtime partner, Gerard Pique, moved from Barcelona to Miami, turned her heartbreak into chart-topping songs, and now, at 47 years old and as the mother of two children, is in the midst of what will be the biggest tour of her career.
At her side is manager Nadine Eliya, who after working with Shakira in different capacities for years, took over management in 2023 after the Colombian star moved to Miami and started releasing new music. While that was a project in and of itself, Shakira’s new tour, a massive endeavor that kicked off last month in Brazil, is the Colombia’s star most ambitious move yet. Originally slated to be an arena tour, Shakira scrapped those plans last fall, following reaction to her new album Las Mujeres Ya No Lloran (Sony Music Latin), and announced she was doing stadiums instead. And while she had to cancel three South American dates —two for production issues and one due to illness — her Mexico run has more than made up for lost time.
Given the extraordinary resurgence of Shakira, spotlighted by her No. 1 spot on Top Tours for February, Eliya is Billboard’s Executive of the Week. Here, she speaks about crafting Las Mujeres Ya No Lloran, and its impact on the touring market.
You’ve had many Shakira highlights in the past year, but these Mexico concerts feel particularly significant. Is that the case?
These Mexico concerts were so rewarding in so many ways. It’s nice to see a Latin American city leading on a global scale as a concert city market, and only reinforces the massive growth we’ve been seeing in the Latin market over the last 10 years. To be breaking such significant records 30-plus years into your career is a testament to Shakira’s longevity and the care we’ve taken to keep creating music that draws new fans while deepening the connection with the ones who have accompanied her all along the way.
Shakira went from having a much-publicized split with her longtime partner two years ago to now leading Billboard’s tour recap for the month. What was the biggest challenge in achieving this?
The biggest challenge, I think, was being able to channel the pain into productivity, into growth, into a tool for connection. I think her music last year has struck a chord with so many women who felt like she gave a voice to their same feelings and frustrations and made them feel seen.
I think people may think, it’s Shakira, she’s a global star, this is easy…
Ha! Every new leg of a stadium tour brings its own challenges, and every achievement only brings ideas for new goals we want to reach. It’s a misconception that when you get to the top, you relax. It only makes the stakes higher. And I’m bad at relaxing.
What has been the biggest challenge in putting together this stadium tour?
The biggest challenges were bringing a production of this size to Latin America, which had never been done before in many of the markets we visited. Also, thinking big picture about where we want to be at the end of it, the milestones we want to hit, and how we plan to get there.
What can you tell us about the concept of the tour?
It’s all about female archetypes, connection and empowerment. If you notice, many of the interludes, that are a CGI-animated Shakira — an industry-wide first — center around an archetype: the warrior, the mother, the primal she-wolf. The idea was to take the fans on this journey with her and to walk out feeling uplifted and empowered. And I think she delivered beyond anyone’s expectations, including her own.
What were your expectations when you started to plan, and what are they now?
I think we expected to surprise fans with a big show but we didn’t expect how emotional the reaction would be and what a movement it’s become, this experience of attending her concert.
A couple of weeks ago, Shakira also released the music video to “Ultima,” a very melancholy ballad that looks back at her relationship. Why now?
We filmed that video a while back, but we wanted to release it at a time that had meaning to it. It felt like a beautiful bookend to a year after the release of such a personal album and sharing it from a very different place than when the song was written, after the live [version] of the song has connected with so many on tour. It was a gift for the fans who offered so much support through a difficult time.
Entertainment
Cypress Hill Is Celebrating Its ‘Black Sunday’ Album With a Limited-Edition Graphic Novel

In celebration of Cypress Hill‘s seminal sophomore effort Black Sunday, the rap group announced it’ll be launching a new graphic novel titled CYPRESS Hill: BLACK SUNDAY.
On Tuesday (April 8), the news broke that the band had been hard at working crafting the comic alongside Z2 Comics and writers Noah Callahan-Bever and Gabriel Alvarez. The forthcoming graphic novel celebrates the groundbreaking impact of Black Sunday, taking readers on a journey through the making of the album and its everlasting impact. The comic’s cover is designed by artist Jay Papke, who made Black Sunday‘s original cover art, and the back of the book will include a new interview with the band.
“We called it Black Sunday because we’re Raiders fans and also Black Sabbath fans,” B-Real said in a press release about the graphic novel. “So Black Sunday felt like an appropriate title for the album. We tried to match the imagery up with what we were putting down musically.”
Platinum Edition-buyers will also receive an exclusive vinyl of Cypress Hill and the London Symphony Orchestra’s live run through of Black Sunday at Royal Albert Hall that went down last July. The live album will also drop June 6. The graphic novel is currently available for pre-order on Z2 Comics’ website, and will release to the masses on June 3.
This marks the second time Cypress Hill has linked with Z2 Comics. They had previously joined forces for a Tres Equis graphic novel back in 2021, charting the group’s time after the release of its groundbreaking debut.
“The work we started together on Cypress Hill: Tres Equis only gets better. Collaborating again with Cypress, Noah and Gabriel to tell the true story of Black Sunday resulted in another sequential masterpiece,” Z2’s president, Josh Bernstein, said in a statement. “It’s an honor working with B-Real, Sen-Dog, Muggs, Bobo and the entire Cypress Hill + Z2 families to ensure this project smokes.”
Entertainment
Rubby Pérez Hospitalized After Club Roof Collapse in Dominican Republic: ‘He Was Found Singing’

Rubby Pérez has been hospitalized following the deadly roof collapse at the Jet Set nightclub in the Dominican Republic, where he was performing early on Tuesday (April 8).
The 69-year-old Dominican merengue singer — known for Billboard hits such as “Tu Vas a Volar,” “Enamorado de Ella” and “15,500 Noches” in collaboration with Romeo Santos, Toño Rosario, Fernandito Villalona and Raman Orlando — has been transferred to the Plaza de la Salud hospital, according to medical director Nepomuceno Mejia.
“He’s hospitalized, he’s inside, and we hope to God that he recovers soon,” the singer’s daughter, Zulinka Pérez, told local news outlets. “He’s injured, but he’s hospitalized; they found him singing. He started singing so they could hear him. He’s always told me: ‘If something ever happens to me, cover me so no one takes pictures.’”
Zulinka, who’s also a backup singer for Pérez and was present when the roof collapsed, shared: “I’m his backup singe — my husband and I are backup singers. My husband covered me, threw himself on top of me, and he got trapped. He told me, ‘Get out quickly.’ The musicians were able to get out; the bass player is in critical condition; I think he had surgery in the hospital. And one of the saxophone players is dead.”
The roof collapse left nearly 50 dead and over 150 injured, according to multiple reports. A cause for the roof’s collapse is not yet known.
On Valentine’s Day, Pérez released his latest single, “No Voy a Llorar,” and announced a few shows in the U.S. kicking off in May, including one slated for July 18 at the Seminole Hard Rock Hotel & Casino in Hollywood, Fla.
Entertainment
Arcade Fire Announces New Album ‘Pink Elephant’ & Shares Lead Single ‘Year of the Snake’: Listen

Arcade Fire‘s seventh studio album is on its way, with the band announcing that new LP Pink Elephant is set to arrive this spring and dropping lead single “Year of the Snake” Tuesday (April 8).
Featuring 10 tracks recorded at married bandmates Win Butler and Régine Chassagne’s Good News Recording Studio in New Orleans, the project is described as a “cinematic, mystical punk” offering that “invites the listener on a sonic odyssey” exploring themes of light, darkness, inner beauty and “the perception of the individual.” The album’s title apparently refers to the paradox of actively trying to suppress a certain thought, and in doing so, making that thought impossible not to think about.
As shared in a post on Arcade Fire’s Instagram, Pink Elephant will arrive May 9. The band also unveiled its cover art: a photo of a small elephant-shaped candle burning against a hot pink backdrop.
Fans’ first taste of the album via “Year of the Snake” is chill, contemplative alt-rock, with Butler and Chassagne singing together over a thrumming bass line and anthemic glimmers, “It’s the season of change, and if you you feel strange, it’s probably good.” The song comes third on a tracklist that also includes the titles “Open Your Heart or Die Trying,” “Pink Elephant,” “Circle of Trust,” “Alien Nation,” “Beyond Salvation,” “Ride or Die,” “I Love Her Shadow,” “She Cries Diamond Rain” and “Stuck in My Head.”
Pink Elephant will mark Arcade Fire’s first LP since 2022’s We, which reached No. 6 on the Billboard 200 and climbed to the summit of the Top Rock Albums chart. It’ll also be the band’s first release since Butler was accused by multiple former fans of sexual misconduct, after which the frontman released a statement denying that any part of his relationships with those women was nonconsensual — though he did also apologize to “anyone who I have hurt with my behavior.”
A few days prior to the album announcement, Arcade Fire also rolled out a new app called Circle of Trust, where fans can now access special content including music, videos, early access to tickets, exclusive merch and more. This week, the band shared exclusive song “Cars and Telephones” — billed as the first composition Butler ever played for Chassagne — on the app.
See the Pink Elephant album cover and listen to “Year of the Snake” below.
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