
Virath Pum
Los Angeles was the epicenter of K-pop’s next evolution this week as Galaxy Corporation hosted its first-ever auditions for a virtual K-pop group at the El Rey Theatre.
From aespa’s “ae” avatars to motion-captured virtual group PLAVE to the current chart-topping success of HUNTR/X and Saja Boys of KPop Demon Hunters, virtual idols and the mix of technology and music is nothing new, but Galaxy Corporation’s auditions on Monday (Sept. 8) seemed to fall at the perfect time. The company describes itself as “enter tech” — converging IP, media and technology — and they’re betting big on a future where human performers power a virtual group that can perform and interact with fans in real time, marking another step forward in the music industry’s ongoing experimentation with digital idols. They currently have a small-but-quickly-growing roster of clients, from G-Dragon, Song Kang-ho (Parasite) and Kim Jong-kook, and also produced the Netflix breakout reality competition Physical: 100, which has gone on to have several spin-offs.
While most K-pop auditions have strict age ranges, a specified gender or other barriers to entry, Galaxy Corporation’s audition was searching for anyone with talent, regardless of genre, nationality or age. With this global search, they are “looking for creativity, emotional honesty, and the ability to connect with an audience” rather than visuals, as the group’s members will have digital avatars via motion capture, GK (Gyuhyuk Song), head of IP Music at Galaxy Corporation and senior lead for this project, tells Billboard. Some aspects of this project are based on the traditional idol group model: “Traditional idol training will remain at the core, but we’re also integrating new elements like digital performance and fan interaction in virtual spaces, to prepare artists who can move seamlessly between physical and virtual worlds.” And as intended, candidates who came in person were aged between early teens to adults. One father flew in with his auditioning daughter from the East Coast with dreams of participating in this project.
“Can an artist truly exist forever?” is a question that stuck with GK during his 12 years at SM Entertainment before joining Galaxy Corporation, noting that “groups struggle to surpass the seven-year standard contract period.” Of course, there are many exceptions these days with the global scale of K-pop and the way fans are more connected to their favorite artists than ever, but with this new project, the goal is to create “eternal artists.”
The concept of virtual artists isn’t entirely new — Gorillaz were an early pioneer the idea in the early 2000s — but what sets these newer groups apart is how their avatars are presented as fully realized individuals, with the real identities behind the characters often kept deliberately hidden.
Galaxy Corporation reinforced this approach for their auditions as well. Inside the El Rey, Galaxy Corporation prepared a holding area upstairs in the theater’s balcony and escorted candidates to the main stage while covered by large umbrellas to maintain anonymity throughout the process, aside from first name and age. A large screen was set up on the stage for the judging panel — which included GK, along with two other Galaxy Corporation representatives. Behind the screen, candidates had a mark on the floor for positioning and had a separate screen to see their motion-captured selves as one of two pre-designed avatars.

Virath Pum
There’s an existing culture of virtual artists, and with technology and AI advancing at a rapid rate, Galaxy Corporation emphasizes the importance of authenticity when it comes to building fandom. Fandom is already the core driver of so many artists’ success, and ways to integrate the fans into this new project is also top of mind.
“We believe fandom will become even more interactive and participatory,” GK says. “Fans will not only support, but also shape creative direction through AI-driven platforms. This could lead to a new culture where the line between creator and fan blurs, fostering communities that feel deeply personal and globally connected.”
Additional audition rounds are expected to be held in other cities later this year, with Galaxy targeting a debut that positions the group as a truly global act.
NFL player Keion White was shot early Monday (Feb. 9) following an alleged argument with Lil Baby at a San Francisco nightclub.
According to ABC7, White was shot in the ankle at Dahlia’s, where the 49ers defensive lineman was hosting a Super Bowl party.
SFPD responded to calls for gunshots around 4 a.m. PT on Monday, according to ABC7. The San Francisco Standard viewed the police report, which, according to the publication, said a witness told law enforcement that White got into an argument with Baby as the rapper and his entourage tried to enter the private event, and was then shot, hours after the Seattle Seahawks defeated the New England Patriots in Super Bowl LX.
Billboard has reached out to reps for Lil Baby and the SFPD for comment.
“Any violent incident in our city is unacceptable, and I’m hoping Keion recovers quickly. I’ve spoken with SFPD and 49ers leadership — we are all grateful to our SFPD officers for their quick response,” San Francisco Mayor Daniel Lurie said on X. “As always, I will continue working with San Francisco law enforcement to ensure our neighborhoods and our residents are safe.”
According to the San Francisco 49ers, White underwent successful surgery on his ankle and the injuries are not expected to be “career-threatening.”
“A preliminary investigation revealed a verbal altercation occurred between two groups inside a business,” San Francisco police said in a statement, per ESPN. “The victim was injured when shots were fired by an unknown suspect.”
No arrests have been made yet, and no suspects have been named by the San Francisco Police Department.
Lil Baby was spotted attending Super Bowl LX with his son, Jason. On the music side, Baby has already notched collabs with Tkandz as well as Veeze and Rylo Rodriguez in 2026. The Atlanta rapper’s “Mrs. Trendsetter” held at No. 89 on last week’s Billboard Hot 100.
Don Toliver’s busy week across Billboard’s charts includes the rapper-singer’s first No. 1 hit on the Hot Rap Songs list, as “Body” debuts atop the ranking dated Feb. 7. The new champ, on Donnway & Co./Cactus Jack/Atlantic Records, captains his collection of 17 tracks this week’s chart. They’re all from his new album, Octane, which storms in at No. 1 on the all-genre Billboard 200 chart with 162,000 equivalent album units.
The 17-track parade marks the most cuts that Don Toliver has posted on the Hot Rap Songs chart in a single week, and makes him only the sixth artist to claim 17 or more simultaneous appearances. He joins Drake, who has done it twice, Kendrick Lamar, Lil Baby, Playboi Carti and Travis Scott in the chart’s 34-year history.
“Body” owes its coronation on the multimetric Hot Rap Songs chart, a weighted combination of streaming, radio airplay and sales data in the United States, almost entirely to 14.3 million official on-demand streams for the week of Jan. 30-Feb. 5, according to Luminate. Thanks to that sum, it sparks a No. 1 debut on the Rap Streaming Songs chart. In the remaining categories, “Body” had 106,000 radio audience impressions and a negligible amount of song downloads.
With “Body,” Don Toliver achieves his first Hot Rap Songs No. 1 after 30 prior appearances. The performer previously peaked twice at No. 3 through featured roles: He and NAV guested on Internet Money and Gunna’s “Lemonade,” which reached the bronze in November 2020, while his and Future’s supporting turns on Metro Boomin’s “Too Many Nights” led to the same prize in December 2022. As a lead artist, his own “Tiramisu” set his previous career high of No. 6 in September 2025.
Similarly, “Body” leads Don Toliver’s ledger on the Hot R&B/Hip-Hop Songs chart (No. 3) and the all-genre Billboard Hot 100 (No. 14).
With “Body” on top, here’s a recap of all 17 Don Toliver tracks on Hot Rap Songs. Among them, 15 are debuts, while “ATM” and “Tiramisu” nab their second and third weeks, respectively.
Baby Keem is back. Keem announced plans for his upcoming album, Ca$ino, on Tuesday (Feb. 10), and the sophomore LP is slated to arrive on Feb. 20.
“Ca$ino Feb 20, 2026 Limited Edition Vinyl Available Now,” Keem wrote on Instagram. The 25-year-old revealed the LP’s cover art, which features a photo of a young Baby Keem with the parental advisory sticker.
Ca$ino boasts 12 tracks, including collaborations with his cousin Kendrick Lamar, Too Short, Momo Boys and Che Ecru.
With the four-plus-year layoff, fans are anticipating Keem’s return. “Took your time bro this better be a classic,” one person commented. Another added: “USED TO PRAY FOR TIMES LIKE THIS!”
Keem also released a Ca$ino documentary on YouTube to accompany the announcement. The Booman I doc features appearances from plenty of Keem’s family members describing his upbringing, including an appearance from Kendrick. “I understand the hardships before he was born. Knowing his mom, that’s my first cousin,” he said. “I already knew what she was going through, just the history of our family in general. We don’t call ourselves the hillbillies for nothing.”
Lamar continued: “Section 8, welfare … This is a story of a warfare environment and a warfare psychologically trying to change our generational curses.”
There’s also footage of Keem in the studio working on his collab with Lamar, “Good Flirts.” “Walking in the party, I don’t feel nobody/ What the f—k,” K. Dot raps on the hard-hitting track. “Is it fake, is it love, probably/ I smell something.”
Baby Keem’s debut album, The Melodic Blue, arrived in September 2021 and debuted at No. 5 on the Billboard 200. He released a deluxe for the LP in October 2022 featuring Lil Uzi Vert and PinkPantheress.
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