Entertainment
FKA Twigs Sues Shia LaBeouf Over Secret NDA in Sexual Abuse Settlement: ‘Campaign of Intimidation’
FKA Twigs is reigniting her legal battle with Shia LaBeouf, claiming the actor is trying to silence her by enforcing a non-disclosure agreement that she says is illegal.
Her new accusations come less than a year after the Grammy-winning singer (Tahliah Barnett) and LaBeouf reached a settlement to resolve her long-running sexual battery lawsuit, in which she accused him of “relentless abuse” while they dated in the late 2010s.
According to a new lawsuit submitted in court Wednesday (March 25), that settlement included an NDA — and in December, LaBeouf filed an arbitration case claiming the singer had violated it by giving press statements that she did not “feel safe” and wanted to “help survivors.”
Represented by prominent litigator Mathew Rosengart, Barnett’s new lawsuit claims that NDA is illegal under California state law and that LaBeouf’s efforts to enforce it are “frivolous” and “preposterous.”
“Shia LaBeouf has tried to control Tahliah Barnett for the better part of a decade,” Rosengart writes in the lawsuit, reviewed on the court’s website by Billboard. “LaBeouf’s campaign of intimidation and abuse of the legal system denigrates not just Ms. Barnett but every other survivor of sexual abuse in this state.”
An attorney for LaBeouf did not immediately return a request for comment.
The new case comes shortly after LaBeouf was arrested twice in New Orleans last month over alleged violent altercations; the star was charged with several misdemeanor counts and released on bond.
Barnett’s lawsuit is premised on the STAND Act, a 2019 California statute passed in the wake of the #MeToo movement that banned the use of non-disclosure agreements to cover up sexual assault, discrimination and sexual harassment cases.
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Her lawyers say the deal she signed with LaBeouf last year clearly violates that law, since it not only prohibits her from discussing her own allegations of sexual abuse against LaBeouf, but also from even discussing the issue of abuse in a general sense.
“She files this action to right a wrong, and also on behalf of other women [who] are the victims of sexual and domestic violence who do not have the resources to speak out and defend themselves from predators,” Rosengart writes. “She seeks to ensure that survivors … are not bullied or silenced like she was by agreements that violate California law.”
LaBeouf’s alleged efforts to enforce the contract started after Barnett gave a statement to The Hollywood Reporter in October, in response to being asked if she felt safe after settling with LaBeouf. “No, I wouldn’t say I feel safe,” she said, before adding that she supports abuse victim advocacy groups and wants to “help survivors in any way that I can.”
After giving that “benign and unoffensive statement,” Barnett says, LaBeouf’s lawyers then filed a “secret arbitration” case against her in December, alleging that she had violated the NDA. The arbitration case, filed by prominent celebrity litigator Shawn Holley, allegedly demanded “exorbitant monies” from the singer for the supposed breach.
Barnett then retained Rosengart — a former federal prosecutor known as an aggressive advocate — who argued the case was void under the STAND Act. LaBeouf’s lawyers allegedly responded by arguing that law did not apply because her abuse case against the actor had alleged only battery, not assault.
“LaBeouf’s preposterous argument should offend every citizen of California,” Barnett’s lawyers write in this week’s lawsuit.
Following more back-and-forth between the lawyers — and after LaBeouf’s criminal troubles in Louisiana — the actor allegedly agreed to drop the arbitration case earlier this month. But Barnett and Rosengart say they need a judge to declare the NDA void so that LaBeouf cannot wield it over the singer in the future.
“Ms. Barnett must be freed from the above-referenced unlawful restrictions,” Rosengart writes. “This lawsuit will determine whether a celebrity abuser’s fame and money can override the important rights enacted by the legislature.”
Entertainment
Bad Bunny’s Adidas Collaborations Sell Out in Minutes: Here’s How to Get His Latest Sneaker Drop Online
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Bad Bunny’s new Adidas sneaker collaboration is one fans have been itching for.
The market for the “NUEVAYoL” singer’s footwear collaboration is insane, with his past Adidas silhouettes selling out mere minutes post-release. We’re willing to bet that this new BADBO 1.0 model is going to be a hit as well, because it expands upon his collaborative line by introducing a versatile colorway not previously seen before. The shoe retails for $160 and dropped Saturday (March 28). It is available to shop on the Adidas website now.
Like his first Adidas BADBO 1.0, this style is chunky and high-top-esque. Departing from the monochrome colorscheme, this shoe comes in black and beige, a stylish and wearable option with pops of blue throughout. The shoe features textural suede paneling, an EVA midsole that makes the soles flexible and cushioned, and a unique translucent rubber outsole.
Bad Bunny x Adidas BADBO 1.0
A new Adidas footwear collaboration with Bad Bunny. The style features suede panelling and a black, white and taupe color scheme.
Harkening back to the musician’s Puerto Rican roots is the BadBo signature logo — a star affixed to each heel — drawing direct inspiration from the Puerto Rican flag. According to Adidas, the design choice “symbolizes origin, joy and the limitless possibilities that come from staying true to where you’re from.”
Along with the shoe drop, Adidas and Bad Bunny also collaborated on an accompanying BadBo apparel capsule that includes pieces such as track jackets, sweatshirts, sweatsuits, hats and more, all inspired by Benito’s personal style. Our favorite has to be the comfy sweatsuit, which offers the perfect mix of style and function. Like the shoes, the apparel collection went live on March 28.
Bad Bunny Heavy Crew Neck & Hooded Balaclava Sweatshirt
This is a gray crew neck sweatshirt with Adidas’ three-striped detailing throughout. The hoodie has a unique handkerchief construction on the front.
Bad Bunny Tapered Heavy Sweat Pant
These are gray slouchy sweatpants with Adidas’ iconic three stripes on the sides. The pants have a drawstring closure and a comfy composition.
The first iteration of the Adidas BadBo 1.0, a cream color scheme with pops of blue, sold out in the blink of an eye. Resellers on Farfetch, Stadium Goods, Fight Club and Goat have the shoe marked up for up to $230, a hefty jump in price from its original listing of $160. Bad Bunny wore these shoes during his 2026 Super Bowl performance, reigniting the hype around the style.
The duo first partnered up in March 2021 with an inaugural launch of The First Cafe, a coffee-inspired Adidas Forum Buckle Low. Since then, the two have come together on numerous occasions to give fans and followers styles all inspired by Bad Bunny’s style, music and swagger, including the Adidas AdiRacer GT, Adidas Forum Powerphase and, our personal favorite, the Adidas Gazelle Indoor.
Bad Bunny Crew Sock 3-Pack
This is a pack of three Bad Bunny x Adidas crew socks in white. The socks have blue stitching that is reminiscent of the same detailing on the musician’s shoes.
Entertainment
Paul McCartney’s Fonda Setlist: Every Song From the First Night of His Two-Night Hollywood Stand
Friday night (March 27) may have officially been billed as Paul McCartney Rocks the Fonda!, but it could have just as easily been called Paul McCartney Makes Everything Better!
Even if it was just for a little while (one hour and 40 minutes to be exact), it felt like the former Beatle made all the world’s troubles disappear within the tiny confines of the Fonda, where he is playing two nights to celebrate the 100th birthday of the 1,100-capacity Hollywood club (the series concluded March 28).
The set was a truncated version of the 2025 Got Back tour, even down to the song order, slimmed down from 33 songs to a tight 21.
McCartney, dressed in a casual black suit with a vest, took the stage at 8:30 p.m., looking delighted to be back on stage even though it had only been four months since the North American tour ended. What followed was a trip back in time, with the spry McCartney serving as the congenial master of ceremonies, surrounded by elite musicians who have now played with him longer than his bandmates in either The Beatles or Wings: keyboardist Paul “Wix” Wickens, lead guitarist Rusty Anderson, drummer Abe Laboriel Jr. and guitarist/bassist Brian Ray. They are a ridiculously tight unit, but more than anything they are a fun, infectiously exuberant one.
As McCartney, 83, touched on almost every facet of his musical career, he seemingly delighted in playing such a small gig, joking it was “good to see the whites of your eyes” to the audience. He convivially bantered with the first few rows, including giving a shoutout to fan attending his 146th show, and good-naturedly shut down a loud balcony attendee getting a little too boisterous. He was loose throughout the show, breaking into short stories (including a humorous Tony Bennett anecdote) and just generally seeming to enjoy the audience as much as they enjoyed him.
But the focus was on the music, and the music soared throughout much of the night. McCartney’s band may be a five piece (with the occasional welcome addition of the three-piece Hot City Horns), but they sound fuller than a configuration at least twice that size, especially when they are locked into a solid, propulsive groove on such songs as “Nineteen Hundred and Eighty-Five,” “Lady Madonna” and “Get Back.”
On Thursday (March 28), McCartney released a new song, the tenderly nostalgic “Days We Left Behind,” which is featured on his forthcoming 18th solo album, The Boys of Dungeon Lane — but the tune went left undone at the show, with McCartney saying they were still learning how to play it. Instead, he opted to play two songs from solo albums not featured during the Got Back tour and ones that are seldom trotted out: “Every Night” and “Flaming Pie.”
The no-phones policy and no-frills production (there was no projection of any kind, just a few overhead lighting trusses) allowed the audience to be as in the moment as the band and a communal feeling of peace and joy felt like it spread from the stage all the way through the rear of the balcony, especially on late-show singalongs/anthems “Let It Be” and “Hey Jude.”
McCartney and band returned for his standard encore, closing with Abbey Road’s monumental medley of “Golden Slumbers/Carry That Weight/The End.” The words are so familiar now, but still ring true like a beautiful benediction, as he sent the audience out into the night with “the love you take is equal to the love you make” echoing in their ears.
Below are all the songs McCartney performed on the first night of his two-night Fonda stand.
Entertainment
TWICE’s Nayeon Just Shared Her Favorite Vivaia Shoes in the Brand’s Latest Spring Campaign: Shop Her Picks Here
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
TWICE’s Nayeon is well known for many things, including her music, but her personal style is severely underrated.
The K-pop star’s looks are often a mix of feminine and comfortable pieces, often pulling inspo from Y2K aesthetics. The “ABCD” singer favors bright colors, playful textures and silhouettes that flatter her frame. In short, we trust her taste, and clearly so does Vivaia, an eco-friendly footwear brand founded in 2020. The retailer tapped the K-pop act to star in its spring 2026 collection titled Feel the Comfort.
The girl group member modeled some of her favorite styles, which consisted mostly of Mary Jane-meets-ballet-flat styles and whimsical sneakers in various colors with feminine and edgy touches. In specific, Nayeon wore the brand’s Square-Toe Jogger Sneakerina retailing for $159, the Square-Toe Hybrid Mesh Mary Janes retailing for $149, the Square-Toe Margot™ Mary Jane 3.0 retailing for $139 and the Mesh Floral Square-Toe Mary Janes for $149. You can shop her picks below and on Vivaia’s website.
Square-Toe Jogger Sneakerina
Think of this like a mix between a sneaker and a ballet flat. The style is affixed with silky ribbon lace-up closures.
Square-Toe Hybrid Mesh Mary Janes
This style is another ballet flat but with lace-up detailing. It also comes with charms that you can attach and alternative laces.
When asked, “What does comfort mean to you?” Nayeon responded in a statement saying, “When I am being my true self.” One of our favorite styles is the Square-Toe Hybrid Mesh Mary Janes in a tan hue with red accents. The shoe features all-round mesh paneling, making them breathable, along with dainty lace-up closures and a playful bubble sole. This style also comes with interchangeable red laces, which Nayeon chose for the campaign, along with floral charms in matching hues that can be attached to your laces to change things up. Sizing is available from 5 through 9.
Another great option is the Mesh Floral Square-Toe Mary Janes that feature see-through mesh throughout and floral accents. Fun fact: The mesh uppers are made with recycled plastic bottles. The shoe has gold clasps to adjust the fit and square toes that Vivaia seems to incorporate in a bunch of its shoe creations. Again, this silhouette is see-through, but you can wear socks with them, which could be a fun stylistic choice if you don a fun print or color.
Square-Toe Margot™ Mary Jane 3.0
These are breathable square-toed ballet flats with straps. The straps are equipped with edgy buckles and grommets.
Mesh Floral Square-Toe Mary Janes
This was said to be one of Nayeon’s favorite styles. These ballet flats feature mesh paneling with floral adornments.
All of Vivaia’s footwear focuses on on-trend silhouettes with an emphasis on comfort. The brand’s mission of comfort meets style came from a singular question: “Why can’t heels, and all women’s shoes, have a sneaker-like comfort?” Each of its shoes is equipped with padded insoles to provide ultimate comfort. The retailer even has wide-foot-friendly designs, creating a more inclusive range for people to shop.
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