The 2025 Tribeca Festival will kick off with the world premiere of Billy Joel: And So It Goes, a two-part documentary on Billy Joel featuring unreleased performances, home movies, personal photographs and in-depth, one-on-one interviews. The film, an HBO original, is described as “an expansive portrait of the life and music of Billy Joel, exploring the love, loss, and personal struggles that fuel his songwriting,” according to an official announcement from Tribeca.

Billy Joel: And So It Goes will have its premiere at the Beacon Theatre in New York City on June 4, 2025, the first night of this year’s Tribeca Festival.

Running from June 4-15 in NYC, the fest’s full lineup — featuring film, music, TV, audio storytelling, talks, games and immersive programming — is expected to be revealed soon.

“For nearly 25 years, the Tribeca Festival has celebrated the artists who give New York its heart and soul, and on the opening night of the 2025 Festival, we are thrilled to honor Billy Joel — an artist who has embodied that very spirit,” says Jane Rosenthal, co-founder and CEO of Tribeca Festival and Tribeca Enterprises. “Paying tribute to the legendary performer who captured the essence of a ‘New York State of Mind’ is a perfect way to kick off this year’s celebration of creativity and inspiration.”

Susan Lacy, director and producer of the documentary, says, “I and my co-director, Jessica Levin, couldn’t be more thrilled about our film Billy Joel: And So It Goes opening the esteemed Tribeca Festival. Our thanks go out to Jane Rosenthal and the Festival team and to HBO and the wonderful folks there who have supported us throughout in our efforts to bring an in-depth, honest and musically expressive portrait of this complex talent. We are beyond appreciative of Billy Joel’s trust in us to bring his story to the screen. There is no better place for this film to premiere than at the Beacon Theater, the venue for so many historic musical events for decades, and in the city so important to Billy Joel.”

Tribeca memberships and 2025 Tribeca Festival passes and ticket packages can be purchased at tribecafilm.com. Single tickets go on sale on April 29.

Ahead of the Tribeca announcement, the film and plans for its HBO release were first confirmed in late March. Following its festival premiere, Billy Joel: And So It Goes will debut on HBO and be available to stream on MAX some time this summer. A release date has yet to be announced.

Joel will also return to the stage this summer. Last month he postponed his tour in order to recover and undergo physical therapy following an undisclosed surgery, announcing that he will resume performing in July.

Shakira continues being unstoppable! The Colombian superstar announced on Monday (April 7) four additional dates for her historic Las Mujeres Ya No Lloran World Tour in Mexico, once again surpassing her own record with a total of 26 concerts in the Latin American country. The new cities hosting her shows are Tijuana, Hermosillo, Chihuahua, and Torreón, according to promoter OCESA.

“Due to the enormous demand and the cultural impact Shakira has in Mexico, four new dates have been added to the artist’s return in August. This second leg of her tour in the country will take her to new territories, reaching every corner to reconnect with her ‘pack’ and meet her fans where they are,” the promoter said in a press release.

Consequently, Shakira will bring her show to the northern part of the country, performing on August 11 at Estadio Caliente in Tijuana, Baja California; on August 14 at Estadio Héroes de Nacozari in Hermosillo, Sonora; on August 17 at Estadio UACH in Chihuahua; and on August 20 at Estadio Corona in Torreón, Coahuila.

After making history with seven consecutive sold-out shows at Estadio GNP Seguros, the Las Mujeres Ya No Lloran World Tour will return to Mexico City for another four concerts at the stadium on August 26, 27, 29, and 30, for a total of 11. This will make Shakira the first artist to achieve such a number of dates at this major venue (formerly known as Foro Sol).

Shakira, who has been adding dates to the tour as tickets continue to sell out, now ties the record of seven dates at Estadio GNP Seguros with Grupo Firme, who are set to give their eighth show there on June 28.

The success of her monumental stadium trek has led the “Hips Don’t Lie” singer to top Billboard‘s Top Tours chart in February, when she kicked off the tour in Brazil, making her the first Latina solo artist to achieve this feat. Shakira’s tour has left an indelible mark across Latin America, gathering more than a million attendees, according to OCESA.

The Barranquilla-born artist was also named by Billboard as the No. 1 star among the Best 50 Female Latin Pop Artists of All Time last month.

Nashville’s Ascend Amphitheater is getting a new operator.

Metro Nashville has notified Ryman Hospitality Properties (RHP) that it intends to have RHP’s Opry Entertainment Group (OEG) operate Ascend Amphitheater for the next decade. The deal is subject to successful negotiation between the two parties. Axios first reported the news.

Colin Reed, executive chairman of RHP’s board of directors, tells Billboard he expects the negotiations to conclude within the next three months and that the 10-year contract will take effect Jan. 1, 2026. It’s a realization of a dream for RHP that began even before the 6,800-capacity outdoor venue opened in 2015. “We applied for this a decade ago when the city was deciding they were going to build [Ascend],” he says. “We and Live Nation bid 10 years ago. We loved the space then and we really love the space now.”

RHP has aready committed capital to “beautify the project,” Reed says. “Upgrade it and make it more of an experience for the consumer.”

RHP was selected over Live Nation and AEG. “We really put our front foot forward here, so we always thought we had a shot, but beating two companies that, quite candidly, we have a high degree of regard for — AEG, that handles all of our ticketing in all of our venues, as well as Live Nation, who we have a healthy relationship with — we were very pleased,” Reed adds.

Ascend has averaged 20 to 30 concerts a year, primarily during the summer season, but Reed says he expects to substantially expand activity at the venue.

A cap on 35 shows per year was put in place when the amphitheater opened because it is in a residential area, Reed says, but “the issue for us is this is one of the great pieces of real estate in the city of Nashville and how do we activate it for the other 330 days a year because it should not be kept fallow for that period of time. We can do daytime programming. We can do Opry Under the Stars. We’ve spent quite a bit of time talking with the symphony. There are multiple ways in which we can activate this space.” He is also eager to bring holiday offerings to the Ascend from Thanksgiving to the end of December.

Ascend will be an open room, meaning other promoters, including AEG and Live Nation, can promote shows there. “We want to maintain a good relationship with those businesses,” he says. “We’ll talk to anyone that wants to play this great city.”

Ryman Hospitality’s OEG also runs Nashville venues the Ryman Auditorium and the Grand Ole Opry House, in addition to having partnerships with Luke Combs‘ Category 10 venue and Blake Shelton‘s Ole Red.

Live Nation did not immediately respond to a request for comment.