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Cardi B Brings ‘Little Miss Drama’ Tour Home to New York City: 6 Best Moments

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Cardi B brought her blockbuster Little Miss Drama tour to her hometown of New York City on Wednesday night (March 25), marking the first of two nights at the iconic Manhattan arena. Naturally, Bardi put on a special show for her city, stacked with special guests, a relentless setlist, and her trademark energy and charisma.

As the lights dimmed over a crowd diligently decked out according to the 35-date trek’s “schoolgirl” dress code, the opening seconds of “Get Up 10” blared through the speakers, setting the stage for an equally celebratory and cinematic night. But this show was deeper than that; last night was also a homecoming moment for one of the most incredible hip-hop come-up stories of the late 2010s. Just under a decade since she exploded onto the scene with “Bodak Yellow,” Cardi returned to the city that gifted her the roots and the tools to become a Grammy-winning rapper who’s also the only female MC to have her first two albums — 2018’s Invasion of Privacy and 2025’s Am I the Drama? — debut atop the Billboard 200.

And those roots were meticulously honored throughout the show. From the Highbridge-indebted grit and bravado that anchored her searing opening run of solo rap anthems, to the Afro-Latin-Caribbean colors and rhythms that grounded the party-rocking third act, nearly every corner of New York City got some love at the Little Miss Drama Tour. She even paid tribute to her strip club days by turning the night’s fifth act into a booty-clapping bonanza, soundtracked by steam cuts like “On Dat Money,” “Thotiana” and, of course, “WAP.”

Drama songs comprised the bulk of the set list, with Invasion of Privacy and her enviable collection of standalone singles and classic guest verses making up the rest. While Megan Thee Stallion was in town for her Moulin Rouge! Broadway stint, the Hot Girl Coach did not pop out for a surprise performance of “WAP” and “Bongos.” Nonetheless, Bardi treated her hometown to Bed-Stuy-bred female rap legend Lil’ Kim and new-school Bronx star Cash Cobain. She also ceded some stage time to Natalie Nunn of Zeus Network’s Baddies franchise — which, in a way, called back to her own pre-“Bodak Yellow” reality TV days.

Here are the seven best moments of the first NYC stop of Cardi B’s Little Miss Drama Tour at Madison Square Garden.


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YouTube’s Tuma Basa to Exit as Director of Black Music & Culture

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Longtime YouTube executive Tuma Basa, who most recently served as the company’s director of Black music & culture, has announced his departure after eight years at the streaming giant.

“After eight great years at YouTube, I’m taking a leap of faith and stepping into my next chapter,” Basa wrote in an Instagram post on Thursday (April 2). “Thank you to the Music Team at YouTube, the leadership, the artists, the managers, the labels, the producers, the continents, the city specialists, the uploaders and YouTubeLovers and even the Gen AI haters that made this run.. a great run. Murakoze Cyane, Asante Sana, Siyabonga, Amesegenalew, Gracias, Obrigado, Merci Beaucoup.”

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Basa was born in Zaire (now Congo) to a Rwandan family, but spent his childhood in Iowa after his father entered the graduate studies program at the University of Iowa; he then relocated to Zimbabwe as a teenager. During his tenure at YouTube, which he joined in 2018 as director of urban music, Basa became known for spotlighting African artists, including Nigerian star Burna Boy, and helping fuel their growth in the U.S.

Initially harboring aspirations to start a rap career under the name B.2ma B., Basa eventually pivoted to the executive track and landed music programming roles at BET, MTV and REVOLT. In 2015, he joined Spotify, where he served as global programming head of hip-hop. While at the streaming giant, he rose to prominence in part for curating the service’s popular Rap Caviar playlist.

Billboard reached out to YouTube for comment on Basa’s departure.


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Yes Postpones European ‘Fragile’ Tour as Guitarist Steve Howe Prepares for ‘Essential Operation’

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Yes is postponing their European tour so that guitarist Steve Howe can undergo an “essential operation.”

The English progressive rock band took to social media on Thursday (April 2) to announce that the group is delaying the 11-date Fragile tour of Europe to allow Howe time to recover from an undisclosed surgery.

“The upcoming YES ‘Fragile’ UK and EU Tour, due to commence on 22nd April, has had to be postponed as guitarist Steve Howe requires an essential operation that requires recovery time,” Yes wrote on Instagram. “This decision has been made to ensure that Steve can return to the stage in full health and deliver the performances that fans deserve.”

The European leg of the tour was originally scheduled to begin on April 22 at Scotland’s Glasgow Royal Concert Hall and was set to feature a full performance of the band’s 1971 album, Fragile. The tour follows a North American leg, which took place in 2025.

Yes added, “We are working hard to reschedule the UK and EU shows to a later date, with full details to be announced after Easter. Please retain your tickets as they will be valid for the rescheduled dates.”

The band concluded their statement, “Tour dates currently being arranged for later in 2026 will proceed as planned. Steve Howe and YES would like to thank their UK fans and hope for their continued support at this time.”

Released in November 1971, Fragile was Yes’s fourth album and the third they released within a 16-month span. It became the group’s most successful release up to that point, building on the success of The Yes Album, which had reached No. 40 on the Billboard 200. Fragile would peak at No. 4, surpassed only by Close to the Edge the following year.

Of the original lineup that recorded Fragile, only Howe remains an active member. Drummer Bill Bruford left the group in 1992, while vocalist Jon Anderson and keyboardist Rick Wakeman departed in 2004. Bassist Chris Squire stayed with the band until his passing in 2015.

See Yes’ full announcement on Instagram below.

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BTS Shows Off Boss Dance Moves in ‘2.0’ Music Video Inspired by the Movie ‘Oldboy’

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After returning from their four-year hiatus, BTS is making sure that ARMY is being fed. The K-pop superstars dropped a new music video for a second ARIRANG song in only two weeks on Wednesday (April 1), and they’re drawing inspiration from a classic film for the “2.0” visual.

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The cinematic music video is inspired by South Korean filmmaker Park Chan-wook’s 2003 film Oldboy. The visual begins with the septet, dressed in sharp suits and leather jackets, exiting an elevator and encountering a group of thugs in a dark, grungy corridor. Rather than fighting with a hammer like the protagonist in the film, BTS’ RM, Jung Kook, V, SUGA, j-hope, Jimin and Jin employ their epic dance skills and music to ward off their opponents.

The video then transitions to a different dark hallway where the band continues its choreographed number, this time without the presence of the thugs. From the corridors, the septet ends up in a dirty bathroom where they dance in front of the mirrors and sing the chorus.

Then, to make it a true “2.0” moment, the K-pop stars return to the elevator from whence they came and quickly change into new, modern outfits — calling back to the song’s lyrics, “We on that brand new” — and close out the video in a high-rise building setting.

The band first teased the new video on Tuesday (March 31) with a 30-second preview. The latest visual comes just days after the album and lead single “SWIM” debuted at No. 1 on the Billboard 200 and Billboard Hot 100, respectively.

Watch the “2.0” music video above.


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