Entertainment
Bad Bunny’s ‘DeBÍ TiRAR MáS FOToS’ Returns to No. 1 on Billboard 200 Chart
Bad Bunny’s DeBÍ TiRAR MáS FOToS returns to No. 1 on the Billboard 200 albums chart for a fifth nonconsecutive week on top, rising a spot to lead the Feb. 28-dated chart. The ascent comes after the 2025 set spent two weeks in the runner-up slot following his Super Bowl halftime show performance (Feb. 8), a week after its win for album of the year at the Grammy Awards (Feb. 1).
In the tracking week ending Feb. 19, the effort earned 135,000 equivalent album units in the United States, according to Luminate (down 46%). The album reached No. 1 in its second week (and first full tracking week) on the list, dated Jan. 25, 2025, and then spent the next two weeks at No. 1. It returned to the top for a fourth week (May 17), following its initial vinyl release.
The 41-week span between weeks at No. 1 for DeBÍ TiRAR MáS FOToS is the longest since Ariana Grande’s Eternal Sunshine returned to No. 1 for its third week on top, after a 54-week wait, on the April 12, 2025-dated chart. Eternal Sunshine spent its first two weeks at No. 1 (March 23 and 30, 2024) and then went back to No. 1 on the April 12, 2025, chart after a deluxe reissue.
Also in the top 10 of the latest Billboard 200, Brent Faiyaz captures his second top 10 with the debut of Icon, while Charli xcx scores her third top 10 with the arrival of her soundtrack to the film Wuthering Heights.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 28, 2026-dated chart will be posted in full on Billboard‘s website on Feb. 24. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.
Of DeBÍ TiRAR MáS FOToS’s 135,000 equivalent album units earned in the latest tracking week, SEA units comprise 106,000 (down 43%, equaling 112.54 million on-demand official streams of the set’s tracks; it holds at No. 1 on Top Streaming Albums for a sixth nonconsecutive week), album sales comprise 28,000 (it climbs 3-1 on Top Album Sales for its second week atop the list) and TEA units comprise 1,000.
After debuting at No. 1 a week ago, J. Cole’s The Fall-Off slips to No. 2 with 81,000 equivalent album units earned (down 71%). Don Toliver’s former leader, OCTANE, rises 4-3 (79,000, down 19%) and Morgan Wallen’s likewise chart-topping I’m the Problem climbs 7-4 (77,000, up less than 1%). Olivia Dean’s The Art of Loving rounds out the top five, stepping 8-5 (72,000, down 5%).
Brent Faiyaz notches his second top 10-charting project on the Billboard 200 as Icon arrives at No. 6 with 58,000 equivalent album units earned. Of that sum, SEA units comprise 44,500 (equaling 45.7 million on-demand official streams of the set’s songs; it debuts at No. 7 on Top Streaming Albums), album sales comprise 13,500 (his best sales week; it debuts at No. 5 on Top Album Sales) and TEA units comprise a negligible sum. The album’s first-week sales were boosted by the availability of signed editions on Faiyaz’s webstore.
Icon’s most recent radio-promoted single, “Have To.,” holds at its No. 5 high on the Feb. 28-dated R&B/Hip-Hop Airplay chart.
Faiyaz previously hit the top 10 on the Billboard 200 with the No. 2-peaking Wasteland in 2022.
Bad Bunny’s former No. 1 Un Verano Sin Ti, from 2022, slips a spot to No. 7 on the latest Billboard 200 with 52,000 equivalent album units earned (down 35%).
Charli xcx arrives at No. 8 with her soundtrack to the film Wuthering Heights, garnering the singer-songwriter her third top 10 album. The set debuts with 51,000 equivalent album units earned. Of that sum, album sales comprise 26,000 (it debuts at No. 3 on Top Album Sales), SEA units comprise 25,000 (equaling 24.85 million on-demand official streams of the set’s tracks; it debuts at No. 19 on Top Streaming Albums) and TEA units comprise a negligible sum. Of the set’s first-week sales, 72% came from vinyl purchases (across two variants).
The film Wuthering Heights, directed by Emerald Fennell and starring Margot Robbie and Jacob Elordi, was released in U.S. movie theaters on Feb. 13.
Charli xcx previously reached the top 10 of the Billboard 200 with BRAT (No. 3 in 2024) and CRASH (No. 7 in 2022).
Closing out the top 10 of the latest Billboard 200 are two former No. 1s: Taylor Swift’s The Life of a Showgirl is steady at No. 9 (50,000 equivalent album units, down 7%) and the KPop Demon Hunters soundtrack is a non-mover at No. 10 (40,000, down 4%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Baby Keem is officially back.
The Las Vegas rapper’s debut album The Melodic Blue dropped in 2021 — and while that might seem like a long time, he’s remained somewhat active during that gap, appearing alongside his cousin Kendrick Lamar on the Mr. Morale & the Big Steppers song “Savior,” the duo single “The Hillbillies” and on the Fred again.. track “leavmealone” back in 2023, respectively. And one can also assume that the battle that popped off between Drake and Kendrick in 2024 might’ve affected pgLang’s release schedule a bit.
Hitting DSPs at midnight on Friday (Feb. 20), Ca$ino is a super-personal affair, peppered with some stuntastic pimpery with his hometown of Vegas as the backdrop. It’s a bit of a heavy swing for a sophomore album — and he tells you that he’s been in the lab “switchin’ up the category” on the project’s intro “No Security.” In the lead-up to release, Keem released a three-part documentary about his life up until this point, and his family member and label boss was able to see that his younger second cousin had some talent at an early age. “I got a thousand f—in’ cousins, man,” he said. “A thousand friends that rap and do music and s—t. Out of all of them, he was the best one at 14-15 years old.”
He was right — because about three or four years later, 2 Phone was dropping songs and tapes on the Internet when he was in his late teens. And while Ca$ino is a bit heavy at times, we still managed to pluck some fun lines from the likes of Kendrick, the legendary Too $hort, and of course Keem.
Peep the 12 best lines on Ca$ino below.
Country star Bailey Zimmerman kicked off his first headlining arena tour last night (Feb. 19) at Hertz Arena in Estero, Fla., performing an energetic, sold-out show.
Dubbed the Different Night Same Rodeo tour, after his current album, Zimmerman ran through a slew of hits in the 22-set, including “Backup Plan,” “Rock and a Hard Place” and “Religiously.”
After delivering their opening sets, Hudson Westbrook and Blake Whiten each joined Zimmerman as well: Westbrook on “New to Country” and Whiten on “Hell or High Water.”
It’s been a rapid rise for Zimmerman, who only released his first major label full studio album in 2022 and never performed live before 2021: The Illinois native, who had been building gas pipelines as recently as 2020, began uploading performance videos to TikTok, including original song “Never Comin’ Home,” and quickly signed a label deal four years ago. He’s never looked back.
During his short career, he’s already scored four No. 1s on Billboard’s Country Airplay chart: “Fall in Love,” “Rock and a Hard Place,” “Religiously” and “Where it Ends.” “All the Way,” his collaboration with BigXthaPlug, went to the top of Hot Country Songs.
The Different Night Same Rodeo tour, promoted by Live Nation, heads to Athens, Georgia Saturday night (Feb. 21) and will stop in more than 30 cities across North America before ending June 20 in Ottawa, Ontario at Canadian Tire Centre. Other key stops include Boston’s TD Garden, Fort Worth’s Dickies Arena, Toronto’s RBC Amphitheaters and two nights at Nashville’s Ascend Amphitheater.
Below is Zimmerman’s setlist from his opening night.
Entertainment
BAFTAs 2026: Ludwig Göransson’s ‘Sinners’ Score Wins Best Original Music, HUNTR/X Shine on Awards Show Debut
Lugwig Göransson’s score for Sinners scooped the best original music prize at the 2026 BAFTAs in London on Sunday (Feb. 22).
It’s the second time in three years that the Swedish composer has collected the prize, having previously won the category in 2024 for his work for Christopher Nolan’s Oppenheimer. Daniel Blumberg won the 2025 award for The Brutalist.
Göransson is the first composer to prevail twice inside of three years since Gustavo Santaolalla won for The Motorcycle Diaries (2004) and Babel (2006). In the build-up to the BAFTAs, Göransson won in the score category at the Critics Choice Awards, Golden Globes and Grammys.
Göransson saw off fierce competition, including Alexandre Desplat, a 13-time nominee and three-time winner of the category; the latter was nominated for his score for Guillermo Del Toro’s Frankenstein. The composer was not on hand to collect the award with Sinners director Ryan Coogler joking that he was away working on “small indie film” called The Odyssey, in reference to Nolan’s upcoming epic, due this summer.
Other nominees in the category were Jonny Greenwood (One Battle After Another), Max Richter (Hamnet), and Jerskin Fendrix (Bugonia). The same five composers are nominated at the upcoming Academy Awards (March 1), the first time in 14 years that the two awards shows have shared the exact same nominees. In 2012, the winners were split: Thomas Newman won the BAFTA for Skyfall and Mychael Danna took the Oscar for The Life of Pi.
Sinners earned 13 nominations across the categories and came away with two additional awards: best original screenplay and best supporting actress (Wunmi Mosaku). One Battle After Another earned the coveted best film title, with best director going to Paul Thomas Anderson for his work on the flick.
Elsewhere in the ceremony, HUNTR/X made their awards show debut with a performance of KPop Demon Hunters megahit “Golden.” The BAFTAs, unlike the Academy Awards and other awards shows, does not host a best original song category. Next Saturday (Feb. 28) they will perform at the BRIT Awards, and become the first K-pop group to grace the BRITs stage. They’ll also perform at the Academy Awards on March 15, where “Golden” is nominated for best original song.
Jessie Ware performed a Barbra Streisand classic the In Memoriam section. The English singer took on “The Way We Were” from the 1973 film of the same name, in which Streisand starred with the late Robert Redford. The latter was one of the huge names honored in the segment which also paid tribute to Catherine O’Hara, Rob Reiner, Brigitte Bardot, Val Kilmer and Gene Hackman.
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