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Afroman’s Catalog Rises Over 500% Following Legal Victory

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Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip.

This week: Afroman turns a headline-capturing legal victory into newfound streaming popularity, while Nothing But Thieves gets a huge look from an Amazon Prime superhero show and 3OH!3 benefits from an animated dance challenge.

Afroman Turns Legal Victory into Streaming Triumphs, Led by “Lemon Pound Cake”

“Because I Got High” rapper Afroman found himself back in the zeitgeist after winning a jury verdict last week (Mar. 18). The jurors sided with the Cali rapper in a lawsuit filed by seven Ohio cops, who claimed the MC defamed them by releasing music videos mocking them after a failed, guns-drawn raid on his home in 2022. Naturally, the quirky lawsuit caught the public’s attention, as did Afroman’s testimony that the music videos fell with his First Amendment rights — a hot-button topic across the States right now. As a result, the rapper’s catalog exploded over 500% in streaming activity in the week following the jury’s decision, according to Luminate.

During the week of his the four-day period leading up to his trial (Mar. 13-16), Afroman’s discography earned 1.12 million official on-demand U.S. streams and just over 100 U.S. digital downloads. In the four-day period following the verdict (Mar. 20-23), those figures jumped 511% to 6.8 million official streams, and 2,113% to over 2,500 paid digital downloads. The buzziest track is “Lemon Pound Cake,” in which Afroman jeers at one deputy for apparently eyeing a cake on his counter. That song jumped 9,353% to 2.12 million official on-demand U.S. streams following the verdict (Mar. 20-23), and leapt a whopping 126,300% to over 1,200 U.S. digital downloads.

The streaming love isn’t exclusive to Afroman’s raid-related joints. His signature hit, the Grammy-nominated “High,” earned over 600,000 official on-demand U.S. streams on the Friday following the verdict (Mar. 20), up 133%.

Lemon Pound Cake, the album that compiles Afroman’s police disses, has already hit No. 8 on Billboard‘s Comedy Albums chart (dated Mar. 28), and bigger gains could very well be in store. — KYLE DENIS


‘Invincible’ Season Premiere Revives Decade-Old Nothing But Thieves Single

English alt-rock band Nothing But Thieves has never totally crossed over on the Billboard charts, but it’s been a fixture on various rock charts for a decade now, since the release of its 2015 self-titled debut album. That set generated multiple hits on the Rock & Alternative Songs chart, and also led to a Billboard Hot 100 hit in 2024 when country superstar Morgan Wallen put his spin on the Nothing But Thieves deep cut “Graveyard Whistling.” But now, it’s one of the less-known singles on the debut that’s getting its moment in the spotlight: “If I Die Tonight.”

The power ballad, which never reached a Billboard airplay, sales or streaming chart during its initial mid-2010s release, got its biggest look yet this month with its inclusion in the latest season of Amazon Prime’s hit animated superhero series Invincible. In the season four premiere, “If I Die Tonight” plays over an opening montage showing the fallout from the previous season’s finale — and plays for over three minutes, giving viewers plenty of opportunity to make it one of the most Shazamed songs in the country the past week.

Plenty of those viewers went on to check out the song on DSPs, as well. After totaling under 17,000 streams during the first four days of the previous tracking week (Mar. 13-16), that number was up to 345,000 for the same period this week (Mar. 20-23) — a gain of 1,942%, according to early data provided by Luminate. It could lead to a big moment for Nothing But Thieves, and to even bigger musical moments on Invincible, now that it’s been confirmed as one of the more valuable shows for synch placements in 2026. – AU


Animation-Inspired Dance Trend Revives 3OH!3’s “Richman”

On Feb. 4, user @/hymnuslop shared an original animation featuring two My Little Pony-inspired characters dancing to Denver electro-pop duo 3OH!3’s “Richman,” setting into motion a streaming resurgence for the 18-year-old deep cut. The clip finds one character lip-syncing in the foreground while the other dances in the background — and the trend has now transferred to real people. 

User @/janabananathings was the human to kick the trend into high gear with her March 2 post, which has since garnered nearly four million views and over 540,000 likes. The accompanying sound, which originates from user @/hymnuslop’s clip, boasts over 52,000 TikTok posts. The official 3OH!3 TikTok account got in on the fun, sharing several clips of the EDM duo performing the song throughout the years. 

The week user @/janabananathings shared her video (Feb. 27-Mar. 5), “Richman” logged 429,000 official on-demand U.S. streams, up 193% from the week prior. The following week (Mar. 6-12), which accounts for a full week of the trend truly taking off, that figure leapt a further 133% to a little over one million official on-demand U.S. streams. Continuing its ascent, “Richman” jumped another 44% to 1.44 million official streams the next week (March 13-19). 

Over the past four weeks, “Richman” has exploded over 1,800% in streaming activity, bringing 3OH!3 back into the center of the pop conversation — with a song that was never even an official single. — K.D.


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‘Saturday Night Live UK’: Where to Watch the British Version of the Sketch Comedy Show Online for Free

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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

“Live from London, it’s Saturday Night!” After more than 50 seasons of TV, Saturday Night Live expands outside of the United States to England with Saturday Night Live UK. The new sketch comedy show has tapped Fifty Shades of Grey actor Jamie Dornan to host, while English rock band Wolf Alice is set to perform as musical guest.

Although SNL UK broadcasts live on Saturday, March 28 at 10 p.m. GMT on British broadcaster Sky UK, it drops in the United States the following day on Sunday, March 29 at 9 p.m. ET/PT on Peacock.

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Want to watch SNL UK online for free? Your easiest bet is to sign up a 30-day free trial to Walmart+, which features access to Peacock as one of its member’s perks, to stream the sketch comedy show online without needing a pay for a subscription service. Learn more about Walmart+ here.

Alternatively, you can subscribe to Peacock directly, which is the official NBCUniversal streamer, starting at $10.99 per month. Peacock gives you access to NBC, Bravo, USA Network, CNBC, NBC Sports and Peacock Originals, like SNL UK.

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Meanwhile, Jamie Dornan has taken a few years away from starring on the big screen with his last appearance in A Haunting in Venice in 2023. However, he’s due to star in Michael Cera’s feature film directorial debut Love Is Not the Answer later in 2026 or 2027.

As for Wolf Alice, the band is coming off the release of their album The Clearing in August 2025, while they are set to tour the world starting at the Pepsi Center in Mexico City, Mexico on Wednesday, May 20.

SNL UK features a cast of British comedy actors and comedians, including:

  • Hammed Animashaun
  • Ayoade Bamgboye
  • Larry Dean
  • Celeste Dring
  • George Fouracres
  • Ania Magliano
  • Annabel Marlow
  • Al Nash
  • Jack Shep
  • Emma Sidi
  • Paddy Young

In the meantime, watch a promo reel for this weekend’s episode below:

Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

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Bad Bunny’s Adidas Collaborations Sell Out in Minutes: Here’s How to Get His Latest Sneaker Drop Online

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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Bad Bunny’s new Adidas sneaker collaboration is one fans have been itching for.

The market for the “NUEVAYoL” singer’s footwear collaboration is insane, with his past Adidas silhouettes selling out mere minutes post-release. We’re willing to bet that this new BADBO 1.0 model is going to be a hit as well, because it expands upon his collaborative line by introducing a versatile colorway not previously seen before. The shoe retails for $160 and dropped Saturday (March 28). It is available to shop on the Adidas website now.

Like his first Adidas BADBO 1.0, this style is chunky and high-top-esque. Departing from the monochrome colorscheme, this shoe comes in black and beige, a stylish and wearable option with pops of blue throughout. The shoe features textural suede paneling, an EVA midsole that makes the soles flexible and cushioned, and a unique translucent rubber outsole.

Where to buy Adidas x Bad Bunny's new BADBO 1.0 sneaker online.

Bad Bunny x Adidas BADBO 1.0

$160

Buy Now at adidas

A new Adidas footwear collaboration with Bad Bunny. The style features suede panelling and a black, white and taupe color scheme. 


Harkening back to the musician’s Puerto Rican roots is the BadBo signature logo — a star affixed to each heel — drawing direct inspiration from the Puerto Rican flag. According to Adidas, the design choice “symbolizes origin, joy and the limitless possibilities that come from staying true to where you’re from.”

Along with the shoe drop, Adidas and Bad Bunny also collaborated on an accompanying BadBo apparel capsule that includes pieces such as track jackets, sweatshirts, sweatsuits, hats and more, all inspired by Benito’s personal style. Our favorite has to be the comfy sweatsuit, which offers the perfect mix of style and function. Like the shoes, the apparel collection went live on March 28.

Where to buy Adidas x Bad Bunny's new apparel online.

Bad Bunny Heavy Crew Neck & Hooded Balaclava Sweatshirt

Buy Now at adidas $150 $150

This is a gray crew neck sweatshirt with Adidas’ three-striped detailing throughout. The hoodie has a unique handkerchief construction on the front.


Where to buy Adidas x Bad Bunny's new apparel online.

Bad Bunny Tapered Heavy Sweat Pant

$120

Buy Now at adidas

These are gray slouchy sweatpants with Adidas’ iconic three stripes on the sides. The pants have a drawstring closure and a comfy composition.


The first iteration of the Adidas BadBo 1.0, a cream color scheme with pops of blue, sold out in the blink of an eye. Resellers on Farfetch, Stadium Goods, Fight Club and Goat have the shoe marked up for up to $230, a hefty jump in price from its original listing of $160. Bad Bunny wore these shoes during his 2026 Super Bowl performance, reigniting the hype around the style.

The duo first partnered up in March 2021 with an inaugural launch of The First Cafe, a coffee-inspired Adidas Forum Buckle Low. Since then, the two have come together on numerous occasions to give fans and followers styles all inspired by Bad Bunny’s style, music and swagger, including the Adidas AdiRacer GT, Adidas Forum Powerphase and, our personal favorite, the Adidas Gazelle Indoor.

Where to buy Adidas x Bad Bunny's new apparel online.

Bad Bunny Crew Sock 3-Pack

Buy Now at adidas $35 $35

This is a pack of three Bad Bunny x Adidas crew socks in white. The socks have blue stitching that is reminiscent of the same detailing on the musician’s shoes.


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Paul McCartney’s Fonda Setlist: Every Song From the First Night of His Two-Night Hollywood Stand

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Friday night (March 27) may have officially been billed as Paul McCartney Rocks the Fonda!, but it could have just as easily been called Paul McCartney Makes Everything Better!

Even if it was just for a little while (one hour and 40 minutes to be exact), it felt like the former Beatle made all the world’s troubles disappear within the tiny confines of the Fonda, where he is playing two nights to celebrate the 100th birthday of the 1,100-capacity Hollywood club (the series concluded March 28).

The set was a truncated version of the 2025 Got Back tour, even down to the song order, slimmed down from 33 songs to a tight 21.

McCartney, dressed in a casual black suit with a vest, took the stage at 8:30 p.m., looking delighted to be back on stage even though it had only been four months since the North American tour ended. What followed was a trip back in time, with the spry McCartney serving as the congenial master of ceremonies, surrounded by elite musicians who have now played with him longer than his bandmates in either The Beatles or Wings: keyboardist Paul “Wix” Wickens, lead guitarist Rusty Anderson, drummer Abe Laboriel Jr. and guitarist/bassist Brian Ray. They are a ridiculously tight unit, but more than anything they are a fun, infectiously exuberant one.

As McCartney, 83, touched on almost every facet of his musical career, he seemingly delighted in playing such a small gig, joking it was “good to see the whites of your eyes” to the audience. He convivially bantered with the first few rows, including giving a shoutout to fan attending his 146th show, and good-naturedly shut down a loud balcony attendee getting a little too boisterous. He was loose throughout the show, breaking into short stories (including a humorous Tony Bennett anecdote) and just generally seeming to enjoy the audience as much as they enjoyed him.

But the focus was on the music, and the music soared throughout much of the night. McCartney’s band may be a five piece (with the occasional welcome addition of the three-piece Hot City Horns), but they sound fuller than a configuration at least twice that size, especially when they are locked into a solid, propulsive groove on such songs as “Nineteen Hundred and Eighty-Five,” “Lady Madonna” and “Get Back.”

On Thursday (March 28), McCartney released a new song, the tenderly nostalgic “Days We Left Behind,” which is featured on his forthcoming 18th solo album, The Boys of Dungeon Lane — but the tune went left undone at the show, with McCartney saying they were still learning how to play it. Instead, he opted to play two songs from solo albums not featured during the Got Back tour and ones that are seldom trotted out: “Every Night” and “Flaming Pie.”

The no-phones policy and no-frills production (there was no projection of any kind, just a few overhead lighting trusses) allowed the audience to be as in the moment as the band and a communal feeling of peace and joy felt like it spread from the stage all the way through the rear of the balcony, especially on late-show singalongs/anthems “Let It Be” and “Hey Jude.”

McCartney and band returned for his standard encore, closing with Abbey Road’s monumental medley of “Golden Slumbers/Carry That Weight/The End.” The words are so familiar now, but still ring true like a beautiful benediction, as he sent the audience out into the night with “the love you take is equal to the love you make” echoing in their ears.

Below are all the songs McCartney performed on the first night of his two-night Fonda stand.

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