Entertainment
BTS Invites You Behind the Scenes of Their Massive ‘Return’ in Documentary Sneak Peek
As of the release of ARIRANG, BTS has finally returned. And in an upcoming Netflix documentary, the band is showing ARMY everything it took to get here.
In a sneak peek for the streamer’s BTS: The Return posted Wednesday (March 25), cameras follow RM, Jin, Suga, j-hope, Jimin, V and Jung Kook behind the scenes of their cover shoot for ARIRANG. In the final artwork, the septet poses in two rows wearing suits, looking stoically ahead. But the documentary footage shows how much work the seemingly simple shot took, with a team of producers, stylists and creatives milling about around the Bangtan Boys.
The teaser also shows each of the members sitting down for solo talking-head interviews showcasing their individual personalities. It previews some of the questions asked — Do you feel that you’re trying something completely new? What changed the most for you as an artist? Are you returning with something familiar? — but holds off on showing any of their answers.
“They’re back!” a description of the doc reads. “BTS gathers in LA to record their album ‘Arirang’ in this documentary offering unprecedented access to the band as they enter a new era.”
The sneak peek comes just two days ahead of the Friday (March 27) premiere BTS: The Return on Netflix. The project will drop exactly one week after the release of ARIRANG, which features 14 tracks — including single “Swim” — and marks the band’s first full-length since 2020’s Billboard 200-topper Be.
The group is currently in the midst of promoting ARIRANG with a series of performances that’ll build to a global tour in April. After hosting a huge comeback concert in Seoul, BTS descended on New York City for a Spotify showcase followed by performances at the Guggenheim for The Tonight Show Starring Jimmy Fallon.
Watch the sneak peek for BTS’ upcoming Netflix doc above.
Entertainment
Cardi B Brings ‘Little Miss Drama’ Tour Home to New York City: 6 Best Moments
Cardi B brought her blockbuster Little Miss Drama tour to her hometown of New York City on Wednesday night (March 25), marking the first of two nights at the iconic Manhattan arena. Naturally, Bardi put on a special show for her city, stacked with special guests, a relentless setlist, and her trademark energy and charisma.
As the lights dimmed over a crowd diligently decked out according to the 35-date trek’s “schoolgirl” dress code, the opening seconds of “Get Up 10” blared through the speakers, setting the stage for an equally celebratory and cinematic night. But this show was deeper than that; last night was also a homecoming moment for one of the most incredible hip-hop come-up stories of the late 2010s. Just under a decade since she exploded onto the scene with “Bodak Yellow,” Cardi returned to the city that gifted her the roots and the tools to become a Grammy-winning rapper who’s also the only female MC to have her first two albums — 2018’s Invasion of Privacy and 2025’s Am I the Drama? — debut atop the Billboard 200.
And those roots were meticulously honored throughout the show. From the Highbridge-indebted grit and bravado that anchored her searing opening run of solo rap anthems, to the Afro-Latin-Caribbean colors and rhythms that grounded the party-rocking third act, nearly every corner of New York City got some love at the Little Miss Drama Tour. She even paid tribute to her strip club days by turning the night’s fifth act into a booty-clapping bonanza, soundtracked by steam cuts like “On Dat Money,” “Thotiana” and, of course, “WAP.”
Drama songs comprised the bulk of the set list, with Invasion of Privacy and her enviable collection of standalone singles and classic guest verses making up the rest. While Megan Thee Stallion was in town for her Moulin Rouge! Broadway stint, the Hot Girl Coach did not pop out for a surprise performance of “WAP” and “Bongos.” Nonetheless, Bardi treated her hometown to Bed-Stuy-bred female rap legend Lil’ Kim and new-school Bronx star Cash Cobain. She also ceded some stage time to Natalie Nunn of Zeus Network’s Baddies franchise — which, in a way, called back to her own pre-“Bodak Yellow” reality TV days.
Here are the seven best moments of the first NYC stop of Cardi B’s Little Miss Drama Tour at Madison Square Garden.
Entertainment
Here Are the 2026 Femmy Awards Winners: Full List
It was a celebratory good time in Miami on Thursday (March 26) during the second annual Femmy Awards. Presented by Femme House, the awards honor women and allies across the dance music industry, from artists to labels to agents to parties and beyond.
Awards were divided into two categories: publicly voted and those chosen by a special committee. See the complete winners list below.
2026 Femmy Publicly Voted Awards Winners
Ableton instructor of the year: Honoring the educators who lead the way by example for every student that enrolls in a Femme House Session or signs up for an online course
- Suzi Analogue
- Modern Lover
- Claire Marie Lim
- Lorna Dune
- Christina Horn
Album or EP of the year: Recognizing a full body of work that pushed sonic and cultural boundaries
- Tides (Remixes) – Karaba
- Through the Wall – Rochelle Jordan
- Volver – Sofia Kourtesis
- The BPM – Sudan Archives
- Humanise – HAAi
Best club: Recognizing a nightclub that champions diversity, safe spaces, and inclusive lineups, shaping the electronic music scene
- Nowadays
- Smartbar
- TV Lounge
- The Fruit
- Walter WhereHouse
Best DJ set or live performance: Recognizing a live performance that stood out for its creativity, energy and impact
- Matisa (Fabric, London)
- Zoe Gitter (Boiler Room, Ibiza)
- Charlotte de Witte & Amelie Lens (Flanders Expo, Belgium)
- Ladies of Leisure (Boiler Room, Ibiza)
- Deer Jade (Lollapalooza, Paris)
Best Femme House radio mix: Recognizing an outstanding Femme House Radio mix, showcasing innovative track selection and storytelling
- Kiimi
- Sinca
- Awen
- Golden
- Krithi
Best producer: Recognizing a producer whose work stood out for its originality, technical mastery and influence on the sound of dance music
- Yulia Niko
- Honeyluv
- Azzecca
- Miss Monique
- Ki/Ki
Best record label: Recognizing a label that prioritizes femme, non-binary and LGBTQ+ artists
- She/Her
- Bass n Babes
- Nuxxe
- Smile Records
- Abracadabra Records
Best underground promoter: Honoring the grassroots, regional promoters in the U.S. who are shaping underground dance culture
- Playhouse
- Thique
- Ladera Hearts
- Jerk
- PBNJ
Best vocalist: Recognizing the often heard but not seen voices of dance music
- Blythe
- Hayla
- Bibi Bourelly
- Pamé
- House Gospel Choir
Breakthrough artist: Honoring artists who had phenomenal years and set the bar for visibility, artistic output, and buzz
- Me N U
- Lumia
- Inda Jani
- Zingara
- Tiffy Vera
Femme House activist & impact award: Honoring an artist, collective or industry professional using their platform to advocate for social change and inclusion in the music industry
- Support Women DJs
- Empwr Beats
- Beatport Diversity + Parity Fund
- Book More Women
- Her Dancefloor
Femme House community member of the year: Celebrating an individual in the Femme House community whose dedication, passion and engagement have gone above and beyond to embody the spirit of Femme House
- Raecola
- Barbara Nicole
- Tara Verma
- Val Fleury
- Hai-Life
“For the Culture” award: Honoring BIPOC and LGBTQIA+ creators and platforms making an impact in serving their communities
- Sisters In Sound
- House of Yes
- TT the Artist
- QDP
- Courtney Hollinquest
Innovator award: Recognizing innovation and impact in sound design, cultural significance and more
- DJ Dave
- Blood Oath
- Juliet Fox
- Mz Worthy
- Desiree
Most diverse lineup: Honoring the show bills that have challenged the notion that the best lineups are predominantly male and white
- Cosimea
- 4 Tha Luv
- Babestock Music Festival
- All Things Go Music Festival
- Deep Tropics Music, Art and Style Festival
Song of the year: Recognizing a song that showcases innovation, inclusivity, and exceptional artistry from a femme, non-binary, or LGBTQ+ producer, DJ or vocalist
- “Forget” – DJ Minx
- “Richman” – Inda Jani + Ghezz
- “IDK” – Azzecca
- “Hurt Me No More” – Emjie
- Don’t Wanna Leave You” – Tiffy Vera
2026 Femmy Committee Voted Award Nominees
Agent of the year: Celebrating an agent who has made a significant impact in advancing the careers of diverse talent in the music industry
- Brittany Gaston
- Barbara Frum
- Daisy Hoffman
- Natalie Koe
Best music journalist: Honoring a writer who has championed diverse voices in music media and amplified underrepresented artists through their work
- Nyshka Chandran, Resident Advisor
- Sheila Lim, EDM Identity
- Ariel King, Pollstar
- Megan Venzin, DJ Mag
Best talent booker or promoter: Honoring a booker dedicated to diverse, femme, non-binary and LGBTQ+ artists, curating inclusive and groundbreaking lineups
- Jenn Yacoubian
- Andrea Graham
- Britt Van Wouwe
- The Night League (Leslee Tatman, Jodie Layton, Shirin Saffari, Itziar Gonzalez, Gaby Castro)
Culture shifter: Recognizing an industry leader who has made significant strides in promoting diversity and inclusion within electronic music and beyond
- Tracey Manner
- Tay Allen
- Aluna Francis
- Madame Gandhi
Manager of the year: Recognizing a manager who has demonstrated exceptional dedication to artist development, advocacy, and career growth
- Cristiana Votta
- Sophia Kearney
- Sophie Kennard
- Travis Alexander
Theresa Velasquez award for outstanding executive: Theresa Velasquez’s legacy is that of a beloved executive who worked tirelessly behind the scenes to amplify diverse talent. This committee voted category recognizes executives that honor that legacy in their own work.
- Robby Engle
- Bina Fronda
- Rida Naser Greene
- Alex Simpson
Entertainment
Teksupport Co-Founders Locked in Legal Battle Over Future of the New York Dance Events Company
The longtime friends behind New York dance events company Teksupport are no longer getting along — and now they’re messily litigating the terms of a business divorce.
Rob Toma and Mike Vitacco are the co-founders of TCE Presents, which owns the warehouse venue Brooklyn Storehouse and produces dance events through the brand Teksupport. Toma has always been the company’s public face and talent booking whiz, while Vitacco is the behind-the-scenes force responsible for the company’s logistics and finances.
But the partnership recently took a turn for the worse, and Toma and Vitacco have now brought dueling lawsuits against each other in New Jersey court. Each man accuses the other of unlawfully pushing him out of TCE.
Toma sued first in early February, alleging Vitacco conspired with TCE’s longtime lawyer to usurp control of the business. Toma said he discovered in the fall of 2025 that Vitacco had secretly transferred ownership interests to his mother as part of an alleged conspiracy, and their relationship has since “deteriorated to the point of no return.”
“Defendants knowingly and intentionally conspired and acted in concert to perpetuate a fraudulent scheme against plaintiff, with the common purpose of mismanaging TCE, effectuating an invalid transfer of membership interests, concealing material facts from plaintiff, and depriving plaintiff of rightful economic benefits, control and oversight as a minority member,” reads Toma’s legal complaint.
Vitacco countersued later in February with a different story. He alleged that Toma has actually been trying to force him out since mid-2025 with an “an increasingly aggressive, irrational and totalitarian plan for consolidating authority.” Vitacco claimed Toma was “driving TCE into certain destruction” and planning to either embark on a new solo endeavor or take the company’s events to Ibiza-based competitor Pacha, which recently began managing the Brooklyn Mirage venue in New York.
“Toma has represented to multiple high-level contacts within the industry that he is going to work for Pacha,” reads Vitacco’s countersuit. “While preparing to join TCE’s competitor Pacha, Toma has simultaneously spread unauthorized information about Brooklyn Storehouse, prematurely informing people in the industry that the venue is closing. Upon information and belief, Toma is intentionally attempting to damage TCE and redirect TCE business opportunities to its competitors for his own personal gain.”
Both men asked a New Jersey judge to immediately restrict the other’s management activities. Vitacco won this first bout of the legal battle, with Judge Thomas D. McCloskey entering a temporary restraining order in early March barring Toma from diverting away TCE business or locking out Vitacco while the litigation plays out.
On Wednesday (March 25), Judge McCloskey further extended that temporary restraining order against Toma and rejected his request for comparable relief against Vitacco. The judge also ordered the two men to try to settle their differences amicably with a mediation session within the next month.
If Toma and Vitacco are unable to reach a settlement, the case will head toward a trial to decide the future of TCE. Both co-founders are asking a judge to make them the company’s sole owner, and each is also requesting financial damages from the other — Toma for breach of fiduciary duty, fraud, civil conspiracy, breach of contract and unjust enrichment, and Vitacco for breach of fiduciary duty, waste of company assets, conversion and breach of contract.
Vitacco’s attorney, Daniel Guadalupe, told Billboard following Wednesday’s hearing that they’re “delighted with the court’s ruling” regarding the temporary restraints against Toma.
“We are hopeful that the extension of these restraints will persuade Mr. Toma to collaborate and cooperate in operating the companies and not do anything to harm the business or harm our client Mike Vitacco,” said Guadalupe. “We look forward to having discussions to resolve this matter, and if it doesn’t get resolved we are ready willing and able to continue protecting our clients.”
A rep for Toma declined to comment on the dispute.
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