BamBam
CHIN SO YEON
BamBam’s name comes from the character Bamm-Bamm Rubble in the animated series The Flintstones, a baby with superhuman strength. “I’m the third of four siblings,” he explains. “I’m not sure, but maybe my mom named me that hoping her third son would be strong. In Thailand, it’s actually a pretty common name. It’s used more often for girls than boys, though,” he laughs.
When BamBam left Bangkok for Seoul in 2010, he was just 14 years old. He began his trainee life at JYP Entertainment, the company that produced 2PM, home to Nichkhun — the first Thai-born K-pop idol. After years of rigorous training, BamBam debuted in 2014 as part of GOT7.
The seven-member GOT7 is a truly multinational group, featuring BamBam, Jackson Wang from Hong Kong and Mark Tuan, who is Taiwanese-American. Perhaps because of this diversity, GOT7 quickly built a global fandom, holding world tours that reached beyond Asia to North and South America, Australia and Europe — faster than most K-pop groups that debuted around the same time. Their 2018 Eyes on You Tour even earned a spot at No. 9 on Billboard’s monthly top 10 Hot Tours list. Since January 2021, all the members of GOT7 have left JYP Entertainment. Yet, even while focusing on their individual careers, they’ve never forgotten to come together for the fans who continue to support them.
BamBam, in particular, has been extremely active. He launched his solo journey with the EP riBBon in summer 2021, followed by two more EPs and a full-length album. He has completed a solo world tour spanning 14 countries, though unfortunately, a North American tour planned for six cities was canceled due to an ankle injury. But BamBam’s impact goes far beyond music.
He became the first K-pop artist to be appointed as a global ambassador for the NBA’s Golden State Warriors and also earned recognition as a House Ambassador for Louis Vuitton. In recent years, he’s made his mark on Korean variety shows. His own online variety show, Bam’s House, ran for two seasons through 2024 and consistently drew impressive viewership — episodes surpassing 2 million views are not hard to find.
Now, BamBam is about to release his first album entirely in his native language. Titled HOMETOWN, the album features five tracks, all of which he participated in writing and composing. The pre-released highlight medley video evokes Thailand’s stunning landscapes through the lens of an old-school analog TV screen. From the skyline and rooftop bar that define Bangkok’s nightscape, to tuk-tuks navigating narrow backstreets, roaming cats, the sparkling sea, vibrant flowers and foliage under the warm sun, bustling night markets, crowded streets, and the Chao Phraya River flowing past Wat Arun temple — every frame feels like a love letter to his homeland. As one fan commented, it’s “so beautiful it could easily serve as a promotional video for the Tourism Authority of Thailand.”
But when we met BamBam, it wasn’t the skyline of Bangkok that stretched outside the window, but Seoul’s night view, visible from an office in the heart of Gangnam. This is the space of ‘HALO’, the new label just founded in April of this year. “There were both good and not-so-good times during my years in Korea — as there are anywhere,” he reflects. “I could have started my solo career in Thailand or even the U.S., but I’m a K-pop artist. I have a sense of ‘Jeong’ — the warm feeling of attachment between people — and respect for this place.”
As you can see, BamBam never forgets his beginnings. Just as the starting point of his music is rooted in Seoul, the starting point of his story — Bangkok — remains in his heart. He was once a small, lean boy with a bright, innocent face, who loved to dance and boarded a plane to a foreign country without knowing what the future would hold. Never in his wildest dreams could he have imagined that one day he would become one of the most famous names representing Thailand.
HOMETOWN is BamBam’s most honest and intimate story, shared with all of us.
BamBam
CHIN SO YEON
Your new album, HOMETOWN is released on October 10. You’ve previously worked on the OST for the Thai film ‘The Con-Heartist’, but this is your first time releasing a full Thai-language record in 11 years since your debut in 2014. When did you decide to do it?
That’s right. The only Thai song I’ve released before was that OST years ago — I never officially released anything else in Thai. Last year, on my way to Rajamangala Stadium for the encore show of my solo tour ‘AREA 52’, I happened to pass by the area where I was born. It’s actually the only route to the venue, but I hadn’t taken that road in years, so I never realized it. That moment felt so meaningful — it was like everything suddenly clicked. I knew what I wanted to do next. And from that moment on, I already knew the album would be called HOMETOWN.
Many global fans will probably feel closer to Thai culture through this album
I think a lot of people are already familiar with Thailand’s cities, atmosphere, and culture — it’s such a well-known travel destination. But rather than showing Thailand from an outsider’s perspective, I wanted to express the life of real Thai people, and how we see our own country. That’s something only Thais can truly convey.
The title track “WONDERING” stands out with its warm tone and dreamy synths. Compared to “LAST PARADE,” the title track from your 2024 EP BAEMSIS, it feels much more relaxed and at ease. Do you think that’s thanks to returning to your ‘hometown’?
It actually reminds me a bit of my first solo song, “riBBon”, which was released in 2021, in that it’s a track that just makes people feel good when they listen to it. Come to think of it, my solo work kept getting darker over time — even my makeup got heavier. By the time I did “LAST PARADE,” I’d practically turned into a devil. [Laughs]
Watching the “LAST PARADE” music video reminded me of Hieronymus Bosch’s paintings of hell, actually.
HOMETOWN comes after my first solo world tour anyway, so it really feels like the beginning of a new chapter. I realized there was no need to go for something overly conceptual this time. I just wanted people to see ‘the real BamBam’. That’s why in the “WONDERING” music video, we went for scenes that feel like they could’ve been shot at an actual Thai night market.
The album includes five tracks in total. Aside from “Angel in Disguise (Prod. Pharrell Williams)” and the title track “WONDERING,” the other three songs all feature Thai artists. Tell us about the process
I personally chose every artist I worked with on this album. I wanted to collaborate with people who share a similar mindset with me. TIMETHAI, who’s featured on the pre-release single “Dancing by myself(feat. TIMETHAI), is just really good. He can sing, he can dance — he’s got it all. Jeff Satur, who joined me on “More Than Friend(Feat.Jeff Satur)”, is often called the ‘gifted’ in Thailand. He can handle so many different genres, and from what I know, he even does his own mixing and mastering — plus, he acts too. And he’s just really handsome. [Laughs] INK WARUNTORN, who’s featured on “Greenlight,” is one of the most beloved female singers in Thailand. She has that pure Thai-pop charm that I really wanted to capture on this album. Since I’ve never written lyrics in Thai before, I got a lot of help from others as well. TYTAN and SMEW worked on every track, and Jeaniich helped out with “Greenlight (Feat. INK WARUNTORN).”
For someone who left hometown at 14 to debut as a K-pop idol — now releasing a full album in your native language more than 11 years later feels like a full-circle moment. What does this milestone mean to you, both personally and for the industry?
There was a time when I really wanted to be accepted by people in Korea, so I appeared on a lot of variety shows. I think I’ve achieved that goal to some extent now, and I even completed a world tour as a solo artist. So releasing a Thai-language album just felt like the natural next step. Thai people have always supported me simply because I’m one of them. For example, if I perform in Brazil, even people who aren’t necessarily my fans will say things like, “I’m proud that you’re Thai,” or “I hope you keep doing well.” That kind of support really means a lot to me.
It really feels like cheering for a national athlete. Kind of like how Koreans support Korean baseball players in the MLB or soccer players in overseas leagues.
Exactly. It’s not just me — Lisa, Minnie, Nichkhun, all of us are like national representatives in the music world. And naturally, that makes me want to showcase Thai culture in a way that’s worthy of that title. I wanted to create something that the people supporting me can feel proud of, and I also want to continue being someone worth supporting.
What does the passionate support from Thai fans mean to you? Have you ever felt pressured by it?
I know that any mistake I make could potentially affect Thailand’s reputation. But there’s one thing I’m absolutely certain about — I’m not a bad person. So the support I get from people back home never feels like a burden. What makes me happiest is simply living each day as I am, with my cats by my side.
Honestly, the most exciting thing I do these days is go bowling. [Laughs]
You’ve performed on countless stages throughout your career. Which one stands out to you the most?
The 2022 NBA Halftime Show was definitely one of the best moments. It was during the Golden State Warriors vs. LA Lakers game, and the energy was unreal. Another unforgettable moment was performing solo for the encore of my “AREA 52” tour at Rajamangala Stadium. It was something I had always dreamed about, but honestly, I wasn’t sure if it could really happen. And then it did.
More recently, the ‘Grace for the World’ concert at the Vatican was another truly special experience. It’s such a sacred place where performances rarely happen, so I felt deeply honored. Sharing the stage with artists like John Legend, Andrea Bocelli, and Karol G — everyone was just there to enjoy the moment, no matter how famous they were. Pharrell was there too, and it was so different from his usual cool, stylish vibe at Louis Vuitton shows — that day, he took off his sunglasses and was just having fun. I even went up during rehearsal and said, “You look kinda cute today.” [Laughs] And of course, meeting and shaking hands with Pope Leo XIV — I mean, when would I ever get to experience something like that again?
How do you personally define K-pop? Many people still question why it’s called K-pop when the artist isn’t Korean or the lyrics aren’t in Korean.
I can’t speak for every K-pop artist, but in my view, nationality doesn’t really matter when it comes to calling something K-pop. Still, the “K” stands for “Korea,” and that’s something we should always take pride in. I believe anyone who’s part of this industry should respect the Korean entertainment scene and truly understand the culture and the people behind it.
You debuted with GOT7 at 17 in 2014. While you started your solo career in 2021, releasing your first full-length album Sour & Sweet in 2023 and completing your first solo world tour ‘AREA 52’ really cemented you as a solo artist. Looking back on this journey, when did you feel your musical direction became the clearest?
I’d say it was during the ‘AREA 52’ tour. I’ve experimented with many different styles over the years, but no matter the genre, my own style was always there. Even earlier this year, before it was revealed that I wrote GOT7’s comeback title track “PYTHON,” many people who heard it said, “This sounds like a BamBam song.” It felt rewarding to realize that my style was being recognized. I think it was in that confidence that I started to find the direction I wanted to go musically.
How do you describe ‘hometown’ at this point in your life?
There was a time when I was confused — I was born in Thailand, yet sometimes Korea feels like home. I guess that’s because I’ve now spent more years in Korea than I did in Thailand since I came here at fourteen. Still, every time I go back to Thailand, there’s a certain energy and a sense of comfort that can’t be compared to anything else. Even if I return after a long time, that feeling never changes. If Thailand is my hometown, then Korea is the place that raised me.
It’s impressive and heartwarming to see how much you still value Korea as the starting point of your career. Was it a natural decision to continue building your career based in Seoul?
I think it was the obvious choice. Some Korean fans might worry that I’m slowly “returning home” now that I’m releasing a Thai-language album, but my home, my company are all in Korea. And my cats, of course! [Laughs] The word that just came to mind is that, to me, K-pop represents the ‘beginner’s mindset’ — staying true to your beginnings. The moment you lose that, you can’t really call it K-pop anymore. And my beginner’s mindset? That’s Korea and GOT7. Staying true to your beginnings and holding your position over time is what really matters.
‘Thai K-pop idols’ are known to have a strong sense of connection and camaraderie — like BLACKPINK’s Lisa, i-dle’s Minnie, CLC’s Sorn, NCT’s Ten, and Kiss of Life’s Natty. When you meet, what do you usually talk about?
We don’t really talk about work. Honestly, we’re all working all the time anyway, so when we meet as friends, no one really wants to talk about it. If anything, it’s more like, “Hey, I just shot a music video — want to take a look?” or asking for opinions. When we hang out, it doesn’t matter who’s in BLACKPINK or i-dle — none of that really comes into play.
You can see Thailand’s growing influence in the entertainment industry just by looking at Netflix or fashion weeks. Do you feel this change yourself?
I’ve only recently started looking more closely at the industry, but yes, I can definitely feel it. Back in 2014, when I debuted, there weren’t many cases of Thai artists or the industry trying to expand internationally. Someone once told me that the spread and popularity of K-pop has given Thai artists and fans more confidence. From styling to performance approach, we’ve picked up a lot from K-pop culture. Overall, I think the industry itself has become bolder and more confident in taking on new challenges.
You’re only 28. After achieving so much at a young age, what’s next for you?
I have many goals, but now I want to approach them differently. Rather than sacrificing myself to reach them, I want to live my life and gradually move toward those goals at my own pace. Coming to Korea as a trainee meant leaving my life in Thailand behind. Now, I’m learning to move forward gently, sharing each moment with my fans. I’ve shared so many moments already — voice break, silly mistakes — because I started my trainee life so early. But I want to give more. As I get older, I hope my relationship with fans becomes something deeper than just artist and audience, like we’re contributing parts of life together. Maybe one day I’ll even say, “Let’s go out for dinner together!” [Laughs]
Listening to HOMETOWN, what do you hope people take away?
I hope they can feel my beginning — BamBam before I achieved my current success and circumstances, when I had nothing at all. I want them to experience that pure version of me.
BamBam
CHIN SO YEON
Live entertainment company Venu Holding Corporation (VENU) raised $86.25 million from institutional investors through an oversubscribed stock offering this week, the company announced on Thursday (March 12).
Colorado-based VENU, which trades on the New York Stock Exchange, said on Tuesday (March 10) it had completed an underwritten public offering for 18.75 million shares sold for $4 each. Executives said the stock offering beat the $75 million in gross proceeds they initially expected, despite widespread market volatility sparked by the conflict in Iran.
“The market is hungry, and this raise proves it,” J.W. Roth, VENU’s founder, chairman and CEO, said in a statement. “We’ve created a model to scale premium entertainment destinations across the country, and investors are recognizing the opportunity.”
Founded in 2017, VENU owns, operates and is developing live music venues in cities like Oklahoma City and Tulsa in Oklahoma, and El Paso and Dallas-Fort Worth in Texas. VENU says its luxury music venues put a family and group-friendly spin on typical VIP offerings with fire pit suites, which individuals can buy shares in.
The company, which boasts shareholders including Niall Horan and Dierks Bentley, said the capital raised through this week’s offering will go toward accelerating development of projects currently underway in Colorado, Texas and Oklahoma.
VENU’s flagship facility, the Ford Ampitheater in Colorado Springs, Colorado, was named the Top West Coast Amphitheater on Billboard‘s Top Venues of 2026. The 8,000-seat, open-air venue, which opened in August 2024, has held concerts by Cage the Elephant, OneRepublic, Miranda Lambert, Dwight Yoakam, The Black Keys and Godsmack, in partnership with promoter AEG Presents.
The company said it expects to open three more amphitheaters in 2026 and aims to operate 25 amphitheaters and 15 indoor entertainment complexes by 2030.
“We might be $4 or $5 today, but we’re going to $50. This capital is what accelerates us to get there,” Roth said in a video posted to YouTube.
VENU’s stock was trading at $3.56 around 11:30 a.m. ET on Thursday, near its 52-week low of $3.49. The S&P 500 index was down 1.26% on Thursday.
Cynthia Erivo, Sade, Sophie Ellis-Bextor and Kate Nash are among the bold-faced names on the shortlist for the Rainbow Honours 2026, which celebrates individuals, organizations and cultural moments advancing LGBTQIA+ equality across the U.K. and beyond.
Sade, Ellis-Bextor and Nash are recognized in the Celebrity Ally of the Year category, alongside actors David Tennant and Eddie Redmayne, both long-standing supporters of LGBTQIA+ equality. Sade is currently a nominee for the Rock & Roll Hall of Fame’s Class of 2026. Ellis-Bextor had a global hit in 2024 with her 2001 song “Murder on the Dancefloor” after it was featured in the film Saltburn. They are joined on the shortlist by broadcaster Jeremy Vine, actor Paapa Essiedu, actress Suranne Jones, and actors Alison King and Balvinder Sopal.
The Celebrity LGBTQIA Champion of the Year category celebrates high-profile LGBTQIA+ figures using their platforms to drive visibility and change. Nominees include Erivo, whose continued advocacy for LGBTQIA+ representation and inclusion has resonated globally, and actor Andrew Scott, whose openness around identity has helped bring LGBTQIA+ stories to wider audiences.
They are joined by broadcaster and athlete Adele Roberts, comedian Rosie Jones, actor Layton Williams, chef and presenter Gok Wan MBE, Olympic swimmer Michael Gunning, reality TV trailblazer Ella Morgan, actor Heather Peace, and campaigner Jordan Sangha.
The awards also recognize the cultural moments shaping the national conversation around LGBTQIA+ inclusion. Nominees for Media Moment of the Year include Alan Carr and Cat Burns’ starring appearances in Celebrity Traitors; Coronation Street’s same-sex domestic abuse storyline; and the BBC’s coverage of Pride Month.
“The Rainbow Honours celebrate the individuals and organisations who are truly making a difference for LGBTQIA+ communities,” Linda Riley, founder of the Rainbow Honours, says in a statement. “From global stars using their influence to champion equality, to charities providing life-saving support and businesses building inclusive workplaces, the shortlist reflects the incredible breadth of work happening across society. We are proud to honour those who are helping to create a more inclusive and accepting world for everyone.”
The ceremony will take place on June 11 at The London Hilton on Park Lane, hosted by comedian Steven Bailey and featuring a special performance from disco greats Boney M.
The full 2026 shortlist can be viewed at the Rainbow Honours website.
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Peso Pluma‘s 2026 Dinastía Tour is in full swing and everyone’s celebrating, including Amazon.
The retailer just launched Pluma’s official tour merch on their site, and the pieces are extremely cute. The new line includes unisex styles like graphic tees, hoodies and even quarter-zips that are affixed with graphics that make reference to the singer’s Mexican roots and the tour’s name. The collection also includes some fire accessories like an everyday tote, ankle-length socks and a few fashionable hats that we couldn’t pass up on.
This tee features a luchador motif on the back and an oversized fit. The graphics are a contrasting black.
This is an everyday tote in black with Pluma’s tour name stitched on the front. The tote is roomy enough for all your essentials and is machine washable.
The official merch collection retails from $20 to $165 and comes in a slew of sizing. If you are planning on attending Pluma’s Dinastía tour but don’t want to spend a ton on merch at your chosen venue, shopping his merch on Amazon can save you both time and money. The Dinastía Tour Chainstitch Quarter Zip Fleece is an item we can’t pass up on.
The famed quarter-zip gets a Dinastía upgrade with white embroidered detailing and a cozy mock neck. Most, if not all, the pieces in this collection are slightly oversized, giving the pieces that effortless “street style” look. The trucker hat for $40 is also a favorite, what with the stylish chain-stitched embroidery on the front. Mesh paneling on the sides offer a unique textural finish.
Black ankle-length socks with branded white graphics. These socks are machine washable.
Yet another Peso Pluma tee, this time, with the Dinastía tour logo. The tee is oversized like our last pick.
The Dinastía Tour Luchador Dateback T-Shirt for $50 nods to the singer’s roots with a luchador mask affixed to the back. The graphics are black, juxtaposed against the white background. The tee is also oversized, making for an extremely comfy moment if you’re looking to dress casually for your concert experience.
Pluma’s first stop on his 30-city tour already took place in Seattle on March 1 at the Climate Pledge Arena. Next up, the performer will be stopping in Houston, Austin, Atlanta, Salt Lake City, Tampa and New York before finally finishing off his run in Chicago on May 7 at the United Center. Fans in attendance can expect dynamic performances of some of Pluma’s top tracks, along with a rotating lineup of special guest appearances from the performer’s friends.
This is a trucker-style hat with white embroidered logo detailing on the front. The trucker style is slightly oversized.
The famed quarter zip gets a Dinastía makeover. This black zip-up features the tour’s logo throughout in white.
We’ve already covered where to find affordable ticketing that you can buy here. “This moment is a reminder of how far our music has traveled, and it makes me really happy to see the fans connecting with it,” Pluma told Billboard. “Together, we’re continuing to push Mexican culture forward.”
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