Entertainment
FKA Twigs Sues Shia LaBeouf Over Secret NDA in Sexual Abuse Settlement: ‘Campaign of Intimidation’
FKA Twigs is reigniting her legal battle with Shia LaBeouf, claiming the actor is trying to silence her by enforcing a non-disclosure agreement that she says is illegal.
Her new accusations come less than a year after the Grammy-winning singer (Tahliah Barnett) and LaBeouf reached a settlement to resolve her long-running sexual battery lawsuit, in which she accused him of “relentless abuse” while they dated in the late 2010s.
According to a new lawsuit submitted in court Wednesday (March 25), that settlement included an NDA — and in December, LaBeouf filed an arbitration case claiming the singer had violated it by giving press statements that she did not “feel safe” and wanted to “help survivors.”
Represented by prominent litigator Mathew Rosengart, Barnett’s new lawsuit claims that NDA is illegal under California state law and that LaBeouf’s efforts to enforce it are “frivolous” and “preposterous.”
“Shia LaBeouf has tried to control Tahliah Barnett for the better part of a decade,” Rosengart writes in the lawsuit, reviewed on the court’s website by Billboard. “LaBeouf’s campaign of intimidation and abuse of the legal system denigrates not just Ms. Barnett but every other survivor of sexual abuse in this state.”
An attorney for LaBeouf did not immediately return a request for comment.
The new case comes shortly after LaBeouf was arrested twice in New Orleans last month over alleged violent altercations; the star was charged with several misdemeanor counts and released on bond.
Barnett’s lawsuit is premised on the STAND Act, a 2019 California statute passed in the wake of the #MeToo movement that banned the use of non-disclosure agreements to cover up sexual assault, discrimination and sexual harassment cases.
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Her lawyers say the deal she signed with LaBeouf last year clearly violates that law, since it not only prohibits her from discussing her own allegations of sexual abuse against LaBeouf, but also from even discussing the issue of abuse in a general sense.
“She files this action to right a wrong, and also on behalf of other women [who] are the victims of sexual and domestic violence who do not have the resources to speak out and defend themselves from predators,” Rosengart writes. “She seeks to ensure that survivors … are not bullied or silenced like she was by agreements that violate California law.”
LaBeouf’s alleged efforts to enforce the contract started after Barnett gave a statement to The Hollywood Reporter in October, in response to being asked if she felt safe after settling with LaBeouf. “No, I wouldn’t say I feel safe,” she said, before adding that she supports abuse victim advocacy groups and wants to “help survivors in any way that I can.”
After giving that “benign and unoffensive statement,” Barnett says, LaBeouf’s lawyers then filed a “secret arbitration” case against her in December, alleging that she had violated the NDA. The arbitration case, filed by prominent celebrity litigator Shawn Holley, allegedly demanded “exorbitant monies” from the singer for the supposed breach.
Barnett then retained Rosengart — a former federal prosecutor known as an aggressive advocate — who argued the case was void under the STAND Act. LaBeouf’s lawyers allegedly responded by arguing that law did not apply because her abuse case against the actor had alleged only battery, not assault.
“LaBeouf’s preposterous argument should offend every citizen of California,” Barnett’s lawyers write in this week’s lawsuit.
Following more back-and-forth between the lawyers — and after LaBeouf’s criminal troubles in Louisiana — the actor allegedly agreed to drop the arbitration case earlier this month. But Barnett and Rosengart say they need a judge to declare the NDA void so that LaBeouf cannot wield it over the singer in the future.
“Ms. Barnett must be freed from the above-referenced unlawful restrictions,” Rosengart writes. “This lawsuit will determine whether a celebrity abuser’s fame and money can override the important rights enacted by the legislature.”
Entertainment
TWICE’s Nayeon Just Shared Her Favorite Vivaia Shoes in the Brand’s Latest Spring Campaign: Shop Her Picks Here
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TWICE’s Nayeon is well known for many things, including her music, but her personal style is severely underrated.
The K-pop star’s looks are often a mix of feminine and comfortable pieces, often pulling inspo from Y2K aesthetics. The “ABCD” singer favors bright colors, playful textures and silhouettes that flatter her frame. In short, we trust her taste, and clearly so does Vivaia, an eco-friendly footwear brand founded in 2020. The retailer tapped the K-pop act to star in its spring 2026 collection titled Feel the Comfort.
The girl group member modeled some of her favorite styles, which consisted mostly of Mary Jane-meets-ballet-flat styles and whimsical sneakers in various colors with feminine and edgy touches. In specific, Nayeon wore the brand’s Square-Toe Jogger Sneakerina retailing for $159, the Square-Toe Hybrid Mesh Mary Janes retailing for $149, the Square-Toe Margot™ Mary Jane 3.0 retailing for $139 and the Mesh Floral Square-Toe Mary Janes for $149. You can shop her picks below and on Vivaia’s website.
Square-Toe Jogger Sneakerina
Think of this like a mix between a sneaker and a ballet flat. The style is affixed with silky ribbon lace-up closures.
Square-Toe Hybrid Mesh Mary Janes
This style is another ballet flat but with lace-up detailing. It also comes with charms that you can attach and alternative laces.
When asked, “What does comfort mean to you?” Nayeon responded in a statement saying, “When I am being my true self.” One of our favorite styles is the Square-Toe Hybrid Mesh Mary Janes in a tan hue with red accents. The shoe features all-round mesh paneling, making them breathable, along with dainty lace-up closures and a playful bubble sole. This style also comes with interchangeable red laces, which Nayeon chose for the campaign, along with floral charms in matching hues that can be attached to your laces to change things up. Sizing is available from 5 through 9.
Another great option is the Mesh Floral Square-Toe Mary Janes that feature see-through mesh throughout and floral accents. Fun fact: The mesh uppers are made with recycled plastic bottles. The shoe has gold clasps to adjust the fit and square toes that Vivaia seems to incorporate in a bunch of its shoe creations. Again, this silhouette is see-through, but you can wear socks with them, which could be a fun stylistic choice if you don a fun print or color.
Square-Toe Margot™ Mary Jane 3.0
These are breathable square-toed ballet flats with straps. The straps are equipped with edgy buckles and grommets.
Mesh Floral Square-Toe Mary Janes
This was said to be one of Nayeon’s favorite styles. These ballet flats feature mesh paneling with floral adornments.
All of Vivaia’s footwear focuses on on-trend silhouettes with an emphasis on comfort. The brand’s mission of comfort meets style came from a singular question: “Why can’t heels, and all women’s shoes, have a sneaker-like comfort?” Each of its shoes is equipped with padded insoles to provide ultimate comfort. The retailer even has wide-foot-friendly designs, creating a more inclusive range for people to shop.
Cardi B brought her blockbuster Little Miss Drama tour to her hometown of New York City on Wednesday night (March 25), marking the first of two nights at the iconic Manhattan arena. Naturally, Bardi put on a special show for her city, stacked with special guests, a relentless setlist, and her trademark energy and charisma.
As the lights dimmed over a crowd diligently decked out according to the 35-date trek’s “schoolgirl” dress code, the opening seconds of “Get Up 10” blared through the speakers, setting the stage for an equally celebratory and cinematic night. But this show was deeper than that; last night was also a homecoming moment for one of the most incredible hip-hop come-up stories of the late 2010s. Just under a decade since she exploded onto the scene with “Bodak Yellow,” Cardi returned to the city that gifted her the roots and the tools to become a Grammy-winning rapper who’s also the only female MC to have her first two albums — 2018’s Invasion of Privacy and 2025’s Am I the Drama? — debut atop the Billboard 200.
And those roots were meticulously honored throughout the show. From the Highbridge-indebted grit and bravado that anchored her searing opening run of solo rap anthems, to the Afro-Latin-Caribbean colors and rhythms that grounded the party-rocking third act, nearly every corner of New York City got some love at the Little Miss Drama Tour. She even paid tribute to her strip club days by turning the night’s fifth act into a booty-clapping bonanza, soundtracked by steam cuts like “On Dat Money,” “Thotiana” and, of course, “WAP.”
Drama songs comprised the bulk of the set list, with Invasion of Privacy and her enviable collection of standalone singles and classic guest verses making up the rest. While Megan Thee Stallion was in town for her Moulin Rouge! Broadway stint, the Hot Girl Coach did not pop out for a surprise performance of “WAP” and “Bongos.” Nonetheless, Bardi treated her hometown to Bed-Stuy-bred female rap legend Lil’ Kim and new-school Bronx star Cash Cobain. She also ceded some stage time to Natalie Nunn of Zeus Network’s Baddies franchise — which, in a way, called back to her own pre-“Bodak Yellow” reality TV days.
Here are the seven best moments of the first NYC stop of Cardi B’s Little Miss Drama Tour at Madison Square Garden.
Ever since she topped the Billboard Hot 100 with her debut track “Just Dance” in 2008, Lady Gaga has cemented herself as one of the greatest pop stars of the 21st century.
The success of “Just Dance” was not at all a fluke, it was actually an indicator of what was to come. Her follow-up track “Poker Face” also hit No. 1 on the Hot 100. Her debut album The Fame debuted at 17 on the Billboard 200 and rose to No. 2 on the chart after release of The Fame Monster. In the years after “Just Dance,” Gaga would continue to release some of the defining pop tracks of the century with songs like “Born This Way” and “Bad Romance.”
Lady Gaga has also made waves outside of pop music. Since her debut, she has released not one but two Grammy-winning jazz duet albums with legend Tony Bennett. In 2012, she started the Born This Way Foundation, a non-profit organization focused on tackling issues of youth mental health and bullying. In 2018, she wrote music for and starred in Bradley Cooper’s A Star is Born remake, earning her first Oscar nominations and a win for best original song. The following year, Gaga launched her makeup company Haus Labs, which has gone on to win several beauty awards for their innovative products.
Now, nearly two decades into her illustrious career, Gaga continues to ascend. In 2025, she released her seventh solo studio album MAYHEM, which topped the Billboard 200 and spawned six Hot 100 hits, including the No. 1 Bruno Mars duet “Die With a Smile.” The single spent five weeks at No. 1 and 60 weeks on the chart, and also made history as the first ever year-end Hot 100 No. 1 duet by a female and male soloist each in lead roles in the chart’s history. On top of the charts success, MAYHEM also brought Gaga her 15th and 16th Grammys with wins for best dance pop recording (for “Abracadabra”) and best pop vocal album at the 2026 awards.
On Saturday (March 28), Gaga will be celebrating her 40th birthday. To celebrate her milestone birthday, let’s take a trip down memory lane and look at Mother Monster’s 40 biggest Hot 100 hits thus far, below.
Lady Gaga’s biggest Billboard Hot 100 hits chart is based on performance on the weekly Billboard Hot 100, through the March 21, 2026, ranking. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. Due to changes in chart methodology over the years, eras are weighted to account for different chart turnover rates over various periods.
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