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Laura Pausini Sings at Opening Ceremony of 2026 Winter Olympics & More Uplifting Moments in Latin Music

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From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

Laura Pausini Sings at Opening Ceremony of the Winter Olympics

Grammy-winning artist Laura Pausini delivered a soul-stirring rendition of Italy’s national anthem, “Il Canto degli Italiani,” at the Opening Ceremony of the Milano Cortina 2026 Winter Olympics on Friday (Feb. 6). Backed by a choir dressed in Italy’s flag colors, Pausini — wearing an elegant black open-shoulder gown by Giorgio Armani — delivered an emotional performance that set the tone for the global event, celebrating Italy’s rich history. The anthem was written by Goffredo Mameli in the 1800s, serving as a powerful reminder of Italy’s fight for unity and independence. Watch the moment below.

https://www.instagram.com/p/DUbaSSPjADv/

Fania Legends to Celebrate Johnny Pacheco in New York City

Lehman Center for the Performing Arts in The Bronx, New York, will host Tribute to Johnny Pacheco on Feb. 21, celebrating of the legendary flutist, composer, and co-founder of Fania Records, whose music brought salsa to worldwide recognition. Featuring a lineup of Fania legends and stars — including Bobby Valentín, Nicky Marrero, Alfredo de la Fe, Jimmy Bosch and Eddie Montalvo — the evening promises to bring “the spirit and lasting influence of Johnny Pacheco,” says the press release.

The late Dominican-born, New York-raised musician helped defined salsa with classics like “Acuyuyé,” “La Dicha Mía,” and “Mi Gente,” while also producing recordings such as Celia Cruz’s “Quimbara.” Directed by Oscar Hernandez, this one-night-only event will be held at Lehman College’s campus in Bronx, NY. Tickets can be purchased online or through the box office.

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Juanes Announces Next Album Release Date & Title

Recently ranked No. 9 on Billboard‘s Top Latin Artists of the 21st Century chart, Juanes has announced the release date and title of his next album. Titled JuanesTeban and set for release on March 6, the Colombian rock star shared the news in a press release, stating, “I wanted to make the kind of album that would take me back to the land of dancing and cumbia — the feeling of Latin America, the root of folklore.”

He continued, “This record is also different from the others, because I finally got to explore the many facets of my personality. It’s like a kaleidoscope of my many moods: joyful, enthusiastic, melancholy.” Check out the album trailer below.

Cazzu Adds More Dates For her North American Latinaje Tour

Following the announcement of Cazzu’s first U.S. tour, the Argentinian star has added seven additional dates due to fan demand. The tour— promoted by Live Nation and in support of her album Latinaje — will begin on April 23 at the Chicago Theatre and run through May, with stops in major cities such as El Paso, Houston, Phoenix, New York, and will wrap up in Hollywood, Fla. at the Hard Rock Live venue on May 21. Tickets are now available via livenation.com. See the full dates below.

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Carmen DeLeon Sings to Her Idol Jessie J

Dreams came true for Venezuelan singer Carmen DeLeon when she shared an emotional moment with her idol, Jessie J, during a recent concert. Posted to her socials on Monday (Feb. 2), DeLeon is seen in the front row of the audience with mic in hand, with Jessie allowing her to sing “Nobody’s Perfect” from the British artist’s 2011 album, Who You Are. The heartfelt exchange included a touching moment where the two held hands, marking a milestone for DeLeon. The former star of The Voice Spain told Wonderland Magazine in 2020, “I grew up listening to Jessie J. All my vocal technique is basically from watching her sing and telling my vocal coach I wanted to sing like her. Jessie J was always an inspiration for me growing up.” Watch the moment below.

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Did the Bad Bunny Halftime Show Meet Our Expectations?

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For the second straight February, our Greatest Pop Star from the year before went right from a dominant night at the Grammys into a triumphant headlining set at the Super Bowl halftime show. After Kendrick Lamar last year, this time it was Bad Bunny‘s turn to take a victory lap — which he did with a stunning 13-minute performance that felt both historically rich and unmistakably timely. And while the reviews were strong, so was the backlash, which started well before the performance itself and ultimately led to an alternative halftime show being aired elsewhere. But it all ended with Benito Antonio Martinez Ocasio being at the center at every major discussion surrounding Super Bowl LX — arguably moreso than the underwhelming game surrounding it — and likely swarming the Billboard charts as a result in the weeks to come.

On this bonus episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by Billboard‘s Emily Fuentes to give our morning-after reactions to the performance — what about it worked for us, what about it felt like a potential missed opportunity, and whether it all added up to the kind of statement we were hoping he might make during such a spotlight moment. Did we feel like it had the right balance of old and new stuff? Did the Lady Gaga and Ricky Martin performances — or the apparently the IRL couple getting married — fit into the larger performance? Was there a moment on par with the “Say Drake” moment from Kendrick Lamar’s show last year? Was there any justification for the artists who played at the Turning Point alternate halftime performance? And who do we think will emerge triumphant in the Billboard Hot 100 race between Bad Bunny and Taylor Swift next week?

Check it out above, along with YouTube video of the halftime performance — and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!

And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:

Transgender Law Center

Trans Lifeline

Destination Tomorrow

Gender-Affirming Care Fundraising on GoFundMe

Also, please consider giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.

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Super Bowl 2026: Bad Bunny Cries, A Party with Los Pleneros, & More Things You Didn’t See on TV

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After nearly five months of bustle, controversy, and speculations that revolved around this year’s Super Bowl halftime show, headliner Bad Bunny officially made history — and powerful statements — at the Levi’s Stadium in Santa Clara, Calif. on Sunday (Feb. 8).

The almost 15-minute-long show that took place during the Seattle Seahawks and New England Patriots faceoff (Seahawks won 29-13) was not your typical halftime show: it was intentional, it was prideful, it was cultural, it was en Español, and it was “a huge party,” as the Puerto Rican artist promised during a press conference earlier in the week.

Benito (his real name) loudly and proudly sang some of the biggest hits — ”Tití Me Preguntó,” “Yo Perreo Sola,” “NuevaYol,” and “Baile Inolvidable,” to name a few — that ultimately made him the No. 1 music artist in the world right now, and the 2026 Grammy winner of the coveted album of the year award with Debí Tirar Más Fotos. Lady Gaga, Ricky Martin, Karol G, Cardi B, and Pedro Pascal were among his surprise guests.

But beyond that, he brought a message of unity to the field: “Together We Are America,” read a football he held at the end of his performance. Bad Bunny previously admitted that he “never thought” his Grammy-winning album would land him as a headliner on music’s biggest stage.

“I wasn’t looking for the album of the year at the Grammys and Latin Grammys,” he noted during the conference. “I wasn’t looking to perform at the Super Bowl halftime show. I was just looking to connect with my roots, my people more than ever, connect with myself, my history, my culture. I did it in a very honest way […] You always have to be proud of who you are and feel comfortable being yourself, but don’t let that limit yourself. I know where I come from, but I also know where I can go.”

Over at the stadium, Seahawks and Patriots fans gathered alike but also a wave of fans that were rooting for the highly-anticipated Benito Bowl, flaunting their pava straw hats and “Team Benito” merch.

Below, check out some things you didn’t see on TV:

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Here’s Every Reference You Might Have Missed at Bad Bunny’s Super Bowl Halftime Show

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Bad Bunny transformed the Super Bowl LX halftime show on Sunday (Feb. 8) into a joyous celebration of identity, history, and unity, stitching together his Puerto Rican roots with broader themes that resonate across the Americas.

From the opening scene of sugar cane fields — a nod to the island’s colonial past — to the portrayal of the now-iconic Casita, the Puerto Rican superstar paid homage to the resilience and struggles of his homeland. Tributes to barber shops, domino tables, piraguas vendors, and Nuyorican pride brought to life the everyday traditions and essence of Caribbean culture.

Much of the symbolism ran deep: “El Apagón” spotlighted Puerto Rico’s ongoing power grid struggles and displacement — read more on that below — while a shoutout to every nation in the Americas emphasized a powerful message of connectedness.

Amid heartfelt moments like the Grammy handoff to a young boy dressed as a young Benito and an actual wedding that took place on stage, the hitmaker proved that his halftime show was about much more than entertainment but a celebration of heritage, community, and perseverance.

Already ranked as one of the most-watched halftime performances in Super Bowl history, Bad Bunny’s show delivered impact far beyond entertainment

More than a 13-minute medley spanning through all of his hits, his performance was a carefully curated display of cultural pride. As the night culminated with his “Together We Are America” message appropriately emblazoned on his football, El Conejo Malo showed the world that halftime shows can be more than extravagant.

Let’s dive into the references and moments you might have missed.

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