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Vans Old Skool 36 Souvenir Blurs the Lines Between Street Art, Rebellion & Luxury: ‘Everything About the Shoe Was Custom-Made’

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Every now and then, a sneaker arrives that refuses to fit neatly into a single category. The Vans Old Skool 36 “Souvenir” is one of them — pulling direct inspiration from Chanel’s cult-classic 2015 On the Pavements Messenger (aka the Graffiti Bag), a rare piece famously worn by rappers Lil Yachty and Central Cee, to create a silhouette that exists at the crossroads of skate culture, streetwear, music, and high fashion.

Born in California’s skate scene, Vans has long been the uniform of rebels, musicians, and those who carve their own paths. Chanel, in contrast, is the epitome of Parisian refinement, structured, polished, and timeless. On paper, they are worlds apart. But in practice? The Souvenir Old Skool proves rebellion and refinement can share the same canvas.

When the bag debuted under Karl Lagerfeld in 2015, it sparked conversation. Paying thousands for a canvas messenger splashed with graffiti, enamel pins, and frayed tweed shocked luxury purists. But that was the point. It blurred the line between street and couture, between authenticity and aspiration. Fast forward ten years, and Vans has reimagined that same ethos through a skate lens, turning a once-divisive luxury statement into something both accessible and subversive.

Vans Old Skool 36 Souvenir

Chris Claxton

“The main design inspiration was centered around the idea of traveling — what you’d see while traveling to certain places, what you’d wear while traveling to these destinations, and what you’d take home with you,” says designer Greg Betty. “For this shoe, I wanted to make something that signified the end of a long journey — like a stamped-up passport or a stickered-up Rimowa — but tied to something iconic and undeniable that multiple generations of fashion lovers would get right away. The Chanel On the Pavements Messenger Bag checked multiple boxes.”

The design details make that connection undeniable. The upper features a dirty-dyed, olive-toned canvas that feels lived-in from day one. The classic Vans jazz stripe trades clean leather for frayed, multicolor tweed, a direct nod to Chanel’s signature fabric. Scattered across the upper are enamel pins that flip Chanel’s smiley-face and yin-yang motifs through Vans’ own lens, while leather accents and metal hardware elevate the finish. It’s grungy, glamorous, and grounded all at once.

“Everything about the shoe was considered and custom-made,” Betty explains. “From the colors and thickness of the tweed, to the placement of the distressing and embroidered paint splatter, to the graphic motifs on each pin… It was truly a team effort to make sure the storytelling was felt.”

The result? A sneaker that doesn’t just borrow from Chanel, it converses with it. This is luxury filtered through skate sensibility, where imperfection becomes intentional and wear tells a story. The Souvenir isn’t a souvenir from a single trip, it’s one from decades of culture converging: skaters in Southern California, models in Paris, rappers in London, and musicians in New York all intersecting through design.

Vans Old Skool 36 Souvenir

Chris Claxton

And people noticed. The Souvenir Old Skool sold out almost instantly, proving that when streetwear and luxury meet in the middle, the world pays attention. As Betty reflects, “The reception has been extremely overwhelming, beautiful, and affirming. Seeing the interest is amazing, but the discourse and educational moments that have been brought up because of this shoe has been a pleasure to witness. I think more than anything, people loved the intentionality and care behind the design.”

From a wearability standpoint, the sneaker holds up beyond its concept. The materials feel premium — sturdy canvas that softens with wear, tweed that frays with character, and enamel pins that add personality without gimmick. It fits true to size, though wide-footed wearers may prefer a half size up. This attention to quality makes it one of Vans’ most elevated offerings to date.

But what truly sets the Souvenir apart is what it represents. It’s more than a reworked Old Skool, it’s a cultural remix. In a moment where artists like Lil Yachty and Central Cee blur the line between streetwear and high fashion, Vans steps confidently into that same conversation, proving skate culture has always influenced the runway. The Souvenir isn’t chasing luxury, it’s redefining it through authenticity.

So, is it a Flex, Trade or Fade? For me, this one’s a Flex — no question. The storytelling, the craftsmanship, and the symbolism all line up. It’s a sneaker that proves fashion, music, and skate culture aren’t living in separate worlds anymore — they’re sharing the same stage. The Souvenir Old Skool doesn’t just celebrate that connection; it embodies it.

But what do you think? Would you Flex, Trade, or Fade the Vans Old Skool 36 Souvenir?


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Vans Old Skool 36 Souvenir

Chris Claxton

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Fat Joe Accuser Drops Accusation of Sex With Underage Girls & RICO Claims in Updated Lawsuit

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A former hypeman who sued Fat Joe over shocking underage sex allegations — accusations the star has called part of an extortion scheme — has quietly dropped all reference to such allegations in a new version of his lawsuit.

Terrance “T.A.” Dixon sued Fat Joe (Joseph Cartagena) last year over sweeping allegations of wrongdoing, including sex trafficking, fraud, racketeering and, most seriously, that he had “personally witnessed” him engage in “sexual relations” with two girls aged 15 and 16.

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But in an amended complaint filed in court Thursday (March 26), Dixon’s allegations no longer contain those claims of underage sex, and it also removes previous allegations made under the Federal Racketeer Influenced and Corrupt Organizations (RICO) law. Dixon’s attorney, Tyrone Blackburn, did not immediately return a request for comment on why those accusations had been dropped.

The move is significant, and not just because it means Fat Joe is no longer facing hideous accusations that would constitute a crime if true. The rapper has long said such claims were part of a scheme by Dixon to extort him into a settlement; in his own separate lawsuit filed months before Dixon’s case, the rapper said the hypeman had been threatening to sue him over “grotesque” false claims, including “unspeakable acts such as pedophilia,” if he was not paid out.

The new version of Dixon’s lawsuit still includes serious accusations, including that Fat Joe violated the Trafficking Victims Protection Act by coercing Dixon to work for him and to take part in non-consensual sexual encounters. But other claims are more of a business nature, centering on allegations that Dixon was not properly paid wages and not properly credited as a co-writer on certain songs.

In a statement to Billboard, Fat Joe’s lawyer Jordan Siev reiterated that the accusations against his client were “nothing more than an elaborate shakedown to extract money from him.”

“Their decision to now voluntarily amend Mr. Dixon’s complaint — removing all allegations involving transporting of minors, statutory rape and RICO — and recast this matter primarily as a financial dispute about royalties and wages allegedly owed only reinforces that the allegations were baseless and that Mr. Cartagena is the one being targeted,” Siev said.

Meanwhile, Joe’s lawsuit against Dixon is moving ahead. In a ruling earlier this month, a federal judge refused to dismiss the rapper’s claims that the hypeman and Blackburn legally defamed him by publicly airing their allegations, allowing those claims to go ahead toward a trial. Dixon and Blackburn are currently attempting to appeal the ruling.


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TWICE’s Nayeon Just Shared Her Favorite Vivaia Shoes in the Brand’s Latest Spring Campaign: Shop Her Picks Here

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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

TWICE’s Nayeon is well known for many things, including her music, but her personal style is severely underrated.

The K-pop star’s looks are often a mix of feminine and comfortable pieces, often pulling inspo from Y2K aesthetics. The “ABCD” singer favors bright colors, playful textures and silhouettes that flatter her frame. In short, we trust her taste, and clearly so does Vivaia, an eco-friendly footwear brand founded in 2020. The retailer tapped the K-pop act to star in its spring 2026 collection titled Feel the Comfort.

The girl group member modeled some of her favorite styles, which consisted mostly of Mary Jane-meets-ballet-flat styles and whimsical sneakers in various colors with feminine and edgy touches. In specific, Nayeon wore the brand’s Square-Toe Jogger Sneakerina retailing for $159, the Square-Toe Hybrid Mesh Mary Janes retailing for $149, the Square-Toe Margot™ Mary Jane 3.0 retailing for $139 and the Mesh Floral Square-Toe Mary Janes for $149. You can shop her picks below and on Vivaia’s website.

Where to buy TWICE's Nayeon's shoe picks from Vivaia's spring 2026 campaign.

Square-Toe Jogger Sneakerina

$159

Buy Now at Vivaia

Think of this like a mix between a sneaker and a ballet flat. The style is affixed with silky ribbon lace-up closures.


Where to buy TWICE's Nayeon's shoe picks from Vivaia's spring 2026 campaign.

Square-Toe Hybrid Mesh Mary Janes

$149

Buy Now at Vivaia

This style is another ballet flat but with lace-up detailing. It also comes with charms that you can attach and alternative laces.


When asked, “What does comfort mean to you?” Nayeon responded in a statement saying, “When I am being my true self.” One of our favorite styles is the Square-Toe Hybrid Mesh Mary Janes in a tan hue with red accents. The shoe features all-round mesh paneling, making them breathable, along with dainty lace-up closures and a playful bubble sole. This style also comes with interchangeable red laces, which Nayeon chose for the campaign, along with floral charms in matching hues that can be attached to your laces to change things up. Sizing is available from 5 through 9.

Another great option is the Mesh Floral Square-Toe Mary Janes that feature see-through mesh throughout and floral accents. Fun fact: The mesh uppers are made with recycled plastic bottles. The shoe has gold clasps to adjust the fit and square toes that Vivaia seems to incorporate in a bunch of its shoe creations. Again, this silhouette is see-through, but you can wear socks with them, which could be a fun stylistic choice if you don a fun print or color.

Where to buy TWICE's Nayeon's shoe picks from Vivaia's spring 2026 campaign.

Square-Toe Margot™ Mary Jane 3.0

$139

Buy Now at Vivaia

These are breathable square-toed ballet flats with straps. The straps are equipped with edgy buckles and grommets.


Where to buy TWICE's Nayeon's shoe picks from Vivaia's spring 2026 campaign.

Mesh Floral Square-Toe Mary Janes

$149

Buy Now at Vivaia

This was said to be one of Nayeon’s favorite styles. These ballet flats feature mesh paneling with floral adornments.


All of Vivaia’s footwear focuses on on-trend silhouettes with an emphasis on comfort. The brand’s mission of comfort meets style came from a singular question: “Why can’t heels, and all women’s shoes, have a sneaker-like comfort?” Each of its shoes is equipped with padded insoles to provide ultimate comfort. The retailer even has wide-foot-friendly designs, creating a more inclusive range for people to shop.

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BTS Invites You Behind the Scenes of Their Massive ‘Return’ in Documentary Sneak Peek

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As of the release of ARIRANG, BTS has finally returned. And in an upcoming Netflix documentary, the band is showing ARMY everything it took to get here.

In a sneak peek for the streamer’s BTS: The Return posted Wednesday (March 25), cameras follow RM, Jin, Suga, j-hope, Jimin, V and Jung Kook behind the scenes of their cover shoot for ARIRANG. In the final artwork, the septet poses in two rows wearing suits, looking stoically ahead. But the documentary footage shows how much work the seemingly simple shot took, with a team of producers, stylists and creatives milling about around the Bangtan Boys.

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The teaser also shows each of the members sitting down for solo talking-head interviews showcasing their individual personalities. It previews some of the questions asked — Do you feel that you’re trying something completely new? What changed the most for you as an artist? Are you returning with something familiar? — but holds off on showing any of their answers.

“They’re back!” a description of the doc reads. “BTS gathers in LA to record their album ‘Arirang’ in this documentary offering unprecedented access to the band as they enter a new era.”

The sneak peek comes just two days ahead of the Friday (March 27) premiere BTS: The Return on Netflix. The project will drop exactly one week after the release of ARIRANG, which features 14 tracks — including single “Swim” — and marks the band’s first full-length since 2020’s Billboard 200-topper Be.

The group is currently in the midst of promoting ARIRANG with a series of performances that’ll build to a global tour in April. After hosting a huge comeback concert in Seoul, BTS descended on New York City for a Spotify showcase followed by performances at the Guggenheim for The Tonight Show Starring Jimmy Fallon.

Watch the sneak peek for BTS’ upcoming Netflix doc above.


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