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Paul McCartney’s Fonda Setlist: Every Song From the First Night of His Two-Night Hollywood Stand

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Friday night (March 27) may have officially been billed as Paul McCartney Rocks the Fonda!, but it could have just as easily been called Paul McCartney Makes Everything Better!

Even if it was just for a little while (one hour and 40 minutes to be exact), it felt like the former Beatle made all the world’s troubles disappear within the tiny confines of the Fonda, where he is playing two nights to celebrate the 100th birthday of the 1,100-capacity Hollywood club (the series concluded March 28).

The set was a truncated version of the 2025 Got Back tour, even down to the song order, slimmed down from 33 songs to a tight 21.

McCartney, dressed in a casual black suit with a vest, took the stage at 8:30 p.m., looking delighted to be back on stage even though it had only been four months since the North American tour ended. What followed was a trip back in time, with the spry McCartney serving as the congenial master of ceremonies, surrounded by elite musicians who have now played with him longer than his bandmates in either The Beatles or Wings: keyboardist Paul “Wix” Wickens, lead guitarist Rusty Anderson, drummer Abe Laboriel Jr. and guitarist/bassist Brian Ray. They are a ridiculously tight unit, but more than anything they are a fun, infectiously exuberant one.

As McCartney, 83, touched on almost every facet of his musical career, he seemingly delighted in playing such a small gig, joking it was “good to see the whites of your eyes” to the audience. He convivially bantered with the first few rows, including giving a shoutout to fan attending his 146th show, and good-naturedly shut down a loud balcony attendee getting a little too boisterous. He was loose throughout the show, breaking into short stories (including a humorous Tony Bennett anecdote) and just generally seeming to enjoy the audience as much as they enjoyed him.

But the focus was on the music, and the music soared throughout much of the night. McCartney’s band may be a five piece (with the occasional welcome addition of the three-piece Hot City Horns), but they sound fuller than a configuration at least twice that size, especially when they are locked into a solid, propulsive groove on such songs as “Nineteen Hundred and Eighty-Five,” “Lady Madonna” and “Get Back.”

On Thursday (March 28), McCartney released a new song, the tenderly nostalgic “Days We Left Behind,” which is featured on his forthcoming 18th solo album, The Boys of Dungeon Lane — but the tune went left undone at the show, with McCartney saying they were still learning how to play it. Instead, he opted to play two songs from solo albums not featured during the Got Back tour and ones that are seldom trotted out: “Every Night” and “Flaming Pie.”

The no-phones policy and no-frills production (there was no projection of any kind, just a few overhead lighting trusses) allowed the audience to be as in the moment as the band and a communal feeling of peace and joy felt like it spread from the stage all the way through the rear of the balcony, especially on late-show singalongs/anthems “Let It Be” and “Hey Jude.”

McCartney and band returned for his standard encore, closing with Abbey Road’s monumental medley of “Golden Slumbers/Carry That Weight/The End.” The words are so familiar now, but still ring true like a beautiful benediction, as he sent the audience out into the night with “the love you take is equal to the love you make” echoing in their ears.

Below are all the songs McCartney performed on the first night of his two-night Fonda stand.

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BTS Shows Off Boss Dance Moves in ‘2.0’ Music Video Inspired by the Movie ‘Oldboy’

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After returning from their four-year hiatus, BTS is making sure that ARMY is being fed. The K-pop superstars dropped a new music video for a second ARIRANG song in only two weeks on Wednesday (April 1), and they’re drawing inspiration from a classic film for the “2.0” visual.

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The cinematic music video is inspired by South Korean filmmaker Park Chan-wook’s 2003 film Oldboy. The visual begins with the septet, dressed in sharp suits and leather jackets, exiting an elevator and encountering a group of thugs in a dark, grungy corridor. Rather than fighting with a hammer like the protagonist in the film, BTS’ RM, Jung Kook, V, SUGA, j-hope, Jimin and Jin employ their epic dance skills and music to ward off their opponents.

The video then transitions to a different dark hallway where the band continues its choreographed number, this time without the presence of the thugs. From the corridors, the septet ends up in a dirty bathroom where they dance in front of the mirrors and sing the chorus.

Then, to make it a true “2.0” moment, the K-pop stars return to the elevator from whence they came and quickly change into new, modern outfits — calling back to the song’s lyrics, “We on that brand new” — and close out the video in a high-rise building setting.

The band first teased the new video on Tuesday (March 31) with a 30-second preview. The latest visual comes just days after the album and lead single “SWIM” debuted at No. 1 on the Billboard 200 and Billboard Hot 100, respectively.

Watch the “2.0” music video above.


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Taemin Feels ‘So Honored & Grateful’ to Be the First Male K-Pop Solo Artist to Perform at Coachella

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Taemin is making history a long way from home. SHINee member and K-pop star appeared on the Wednesday (April 1) episode of The Jennifer Hudson Show, where he spoke about being part of this year’s Coachella lineup.

“You’re making history as the first K-pop male solo artist to perform at Coachella,” Hudson points out during their chat. “How does that feel?”

“There is a saying in Korea, ‘Big opportunities come three times in life,'” Taemin responds after sharing that he was feeling “honored and grateful” to be performing at the festival. “And this is one of them.”

Hudson continues the chat by asking the star if he will release more solo music.

“Oh, yes,” Taemin replies. “I am still evolving.”

The star was also on the talk show to perform his new single, “Long Way Home.” The “Idol’s Idol” sang alone on the stage, dancing effortlessly with his rhinestone microphone and mic stand for the adoring audience.

Performing at Coachella isn’t the only history Taemin is making this year. Billboard exclusively revealed in March that the Grammy Museum in Los Angeles will open a new exhibit dedicated to the K-pop star’s nearly two-decade long career, making him the first K-pop soloist to receive such recognition from the museum. “TAEMIN: Performer. Artist. Icon” will opens April 1 and will give fans a peek behind the curtains of Taemin’s career. Multiple performance looks — including one from his Ephemeral Gaze World Tour — will be on display as well as his official lightstick and a handwritten note addressed to his fans. The special exhibit will run through May 25.

Watch Taemin’s performance and chat on The Jennifer Hudson Show above.


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‘Pinky Up’! Here’s When KATSEYE’s New Single Arrives

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KATSEYE is taking EYEKONS to etiquette classes, and the first rule we’re learning? Pinkies up.

The HYBE K-pop girl group announced new single “Pinky Up” via a series of social media posts. The first arrived Monday (March 30). It was a cryptic video featuring the Mona Lisa bringing a piping hot cup of tea up to her mouth — pinky up, of course. The next came Tuesday morning (March 31), this time featuring an arcade claw machine with “KATSEYE” emblazoned across the top as the claw pulls out a sword from the midst of blinged out stuffed animals and a singular tea cup. What may be a hint to some of the song’s lyrics, the caption for the reel says, “We’re screaming from cloud nine!!”

The third post confirmed the arriving single and its artwork, featuring someone kneeling on a carpet behind with a tea cup on a saucer and a toy cat, and the title of the song across the front in hot pink lettering. The caption reads “PINKY UP SINGLE RELEASE” as well as the release date and time, April 9 at 9 a.m. PT/12 p.m. ET.

“Pinky Up” comes out just in time for KATSEYE’s Coachella debut on Friday (April 10). The single will also be the band’s first new work since record labels HYBE and Geffen announced last month that member Manon Bannerman would be taking a break from the group. Since Manon has stepped back, KATSEYE has continued their previously scheduled appearances, including performances at Lollapalooza Argentina and Lollapalooza Chile. On March 24, the band was announced as the headliner for the 2026 Head in the Clouds Music & Arts Festival, to take place on Aug. 8 in Passadena, Calif.

See KATSEYE’s posts about “Pinky Up” below:


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